Starting out in 1499, the novel tells the tale of Grimm aka Gavrael McIllioch, the son of a powerful Highland laird and best friend to Hawk, from Beyond the Highland Mist.
Upon finding his mother dead, assuming at the hands of his father, he flees to become one of the most sought after, intelligent and highly capable warriors of his time. However, nothing is ever peaches and daises in a Moning novel, as Grimm carries a deep secret; a secret so important in keeping that he doesn’t quite understand its depth himself.
Loving Grimm since she was a little girl is Jillian St. Clair. Cornered into choosing a husband, preferably Grimm, by her scheming parents, she refuses to take ‘no’ for an answer, no matter how many times Grimm shoos her away.
The beauty of this story, unlike the other six Highlander tales, it that this one solely takes place in the past. There is no time-traveling or shifting so to speak.
Moning finally touches the paranormal side of things, by mixing things up with a Norse legend about a mythical man, an unbeatable beast, with inconceivable power to destroy and rage; a Berserker.
Known to shape shift and become larger, with icy blue eyes and immaculate senses, a Berserker is said to be unstoppable.
The entire first half of the book touches on Grimm’s history, Jillian’s history and their history together. It also illustrates why Grimm doesn’t want to love Jillian, as well as, why Jillian feels the need to stay close to Grimm.
It’s not until the second half of the novel, does the actual adventure start, the mysteries are unwrapped and the impossible becomes rather possible.
To Tame a Highland Warrior is definitely full of surprises; what you think you know about the story may not be the outcome. This is one of the few books in the seven-part series that isn’t predictable and that idea is very refreshing.
Weaving through history and the timeless tale of girl loves boy, boy loves girl but won’t admit it – Moning redeemed herself after the freakish, unhealthy love from Beyond the Highland Mist.
This is really a great read, but only perfect for extended and uninterrupted periods of time because of its nature. I don’t recommend doing what I did and reading it in little spurts whenever you can. Make the time to sit down and enjoy it, it will really keep you on your toes.
Duty and Desire takes places during the majority of the silent period. It is the second book in the Mr. Fitzwilliam Darcy Gentleman Trilogy. The first is An Assembly Such as This which ended in London at the beginning to the silent period of Jane Austen’s Pride and Prejudice.
Darcy is in quite a pickle. He’s managed to successfully divert his friend from near disaster, but his mind won’t stop resting on the delights of Elizabeth Bennet. Thinking Pemberley will help orient his mind, Darcy finishes his business in London and hies home. There he meets his sister, Georgiana much changed from her misfortunes of last summer. Bright sunny and remarkably mature, Darcy can hardly believe his eyes. He’s worried that one wrong move on his part will ruin all of Georgiana’s progress.
Christmas comes to Pemberley and Darcy is caught more than once daydreaming about Elizabeth’s fine eyes. He knows he must do something about his wandering imagination and fast. Determined to erase her presence from his thoughts, Darcy decides to enter into the hunt for a wife. Leaving his sister in the care of family and his best friend Dy, Darcy goes to a reunion house party of old Cambridge and Oxford mates.
There he meets his cousin’s fiancee and is at once charmed and disturbed by her flirtation. He finds solace in the dark beauty that is his host’s half-sister. As his thoughts war between Sylvanie and Elizabeth, both gray eye beauties, a dark nearly Gothic mystery begins to unfold. His host is in dire need of funds, a piglet is slaughtered and made to look like a human baby, personal affects are stolen, and more. Fletcher, Darcy’s valet, is the only one he can trust to help unwind the threads of this coil.
I guessed immediately who was behind everything, but had not guessed at the second mystery that was present in the writing. It took me by surprise at the end during the revelation. In hind-sight I can see the clues that I could not before. A masterful tale, if a little drawn out. Would have preferred more Bingley in this part of the story, as it was there was very little. I suspect Dy and/or Colonel Fitzwilliam love romantically the sixteen year old Georgiana. My suspicions will have to wait until the next and final chapter of Mr. Fitzwilliam, Darcy Gentleman Trilogy.
This novel is Pride and Prejudice retold from Darcy’s POV. He’s very wordy–can you imagine? His version is in three parts! Part one of the Mr. Darcy, Gentleman trilogy, An Assembly Such as This, and the only one I’ve read so far, details his time in Hertfordshire. It starts with the Meryton Assembly and ends after departing Netherfield and before Jane Bennet arrives in London.
I liked the book a lot. The language matches the feel of Pride and Prejudice. It’s written in a slightly more updated fashion than Jane Austen’s original. Purists might dislike that, but it made me happy.
It’s written at a good pace. I was halfway through before I realized the novel couldn’t possibly end with them together. (I hadn’t realized it was part of the trilogy when I started.) That’s not to say it was all easy reading—some parts dragged; getting bogged down in the details. Luckily they are few and far in between and you can skimmed them and still understand what’s happening.
Observing Mr. Darcy fall for Elizabeth was a hoot. His thoughts on the subject of Elizabeth are quite a riot. I loved learning that in some situations when others see a stern visage his mind is more favorably inclined. The duality created many “aw—that’s so cute!” moments for me. Darcy comes to the conclusion he’s in love with Elizabeth at the very end and the very idea terrifies him as much as it exhilarates him.
I selected this novel because of the gorgeous female cover model. She looks like a fairy princess and the pink and black and warm tones are just lovely. The big plus is this is how the heroine is described… well, I think it was an angel, but you get the point: lovely, blonde, kindhearted.
Moving on, the first half of the novel can be said in three sentences:
Grace Sheffey has been jilted twice, widowed once.
Michael Ranier has murdered twice, rescued once.
These two souls get together under a single lodging and share one passionate interlude.
The second half deals with the consequences. I found Love with a Perfect Scoundrel to be a fun, fast-paced romp filled with nutty characters, sensual situations, and many a marvelous moments. Some to me seems a little over the top, like a seventy-five thousand pound promissory note, but I will let you decide for yourselves.
I had a wonderful time reading the novel and I felt great when I finished. I haven’t read anything else by Sophia Nash, but I highly recommend her if her other novels are like this one.
Love with a Perfect Scoundrel is book three of the widow club.
Have you ever picked up a novel and about halfway through feel like there’s something you should know about it because it seems familiar? I thought I was going insane! I couldn’t remember the book, but I remembered the characters. I was certain I hadn’t read it before but how could I explain my knowledge of the main characters and the two of the side characters? Thank heavens I finally figured it out! Lady Sophia’s Lover is the second of the Bow Street Trilogy. The first is Someone to Watch Over Me. Where I recognized the characters was from the third Worth Any Price which follows the brother of the heroine in LSL. Nothing like solving a mystery to start off my day!
Sophia Sydney is out for revenge. She wants to destroy the man who sent her brother off to his death. Sophia is certain of her facts and equally certain of Sir Ross Cannon’s cruelty and guilt. It seems fortuitous when an ad to be his secretary appears in the papers. Taking it as a sign, Sophia appears in Cannon’s offices on Bow Street determined not to take no for an answer.
Ross is completely stunned by Sophia. Her very presence shatters his carefully constructed walls. He tries to regulate her into a housekeeping position instead of the secretary position. Her argument that he didn’t specify gender completely flummoxes him and before he knows it, Sophia is both his secretary and his housekeeper.
Sophia is equally dazzled. The fat, old, wig wearing man she expected is not there. The man she sees is not the man she pictured. Ross is distinguished, virile, and devastating. While Sophia is trying to gather evidence against Ross and his runners, she finds herself hopelessly drawn to him. Will love win out over vengeance?
Flung back in time, Adrienne de Simon got thrust into medieval Scotland from modern day Seattle.
A captive twice over in a century foreign to her, Adrienne became faced with the challenge of dealing with the Scottish laird they called ‘Hawk.’
Described as irresistible, seductive and passionate – Adrienne swore to keep him as far from her as possible.
But how possible, is the impossible, when she’s been forced to marry him via a thick plot to destroy him.
Brought to the sixteenth century by the mighty Black Fae himself, of the mythical Tuatha Dé Danaan race, Adam Black, Adrienne is determined not only to go back to her own time, but to swear off men…that’s how she got into the mess to begin with; she swore off men.
Sounds easy enough? Well no.
While, Beyond the Highland Mist is filled with alluring mysticism, betrayal, mystery and action, it bleeds hyper-masculine eroticisms that are anything but enchanting from the very beginning.
From Adam, to the Fae Queen, Aoibheal, and even Adrienne’s keen sense of humor, nothing quite makes up for Hawk’s soft-abuse of Adrienne that is supposed to be sexy.
Like his name, Hawk, decides to train Adrienne to make her love him, in his eyes, he’s bringing out her love of him. Hawk blind folds her, strips her naked and leaves her in a dark bedroom for unaccounted periods of time. He talks to her as if she is one of his falcons that he’s training to be obedient.
While, Adrienne never suffers physical abuse from Hawk, the mental tauntings are not only freakishly haunting, but disturbing:
She stopped screaming only when her voice gave out.
Stupid, she told herself. What did that accomplish? Not a thing. You’re trussed up like a chicken about to be plucked and now you can’t even peep a protest.
“Just take the hood off, Hawk,” she begged in a gravelly whisper. “Please?”
“Rule number nine. My name from this moment forward is Sidneach. Sidneach, not Hawk. When you use it, you will be rewarded. When you don’t, I’ll permit no quarter.”
No woman in her right mind would choose willingly to stay with a man who treats her that way. Especially, if said woman, has been previously abused by men, has sworn them off and is supposed to be a feisty chick from the 21st century.
It makes no sense.
While, I thoroughly enjoyed the premise of this introduction into the world of Karen Marie Moning’s Highlander series, its opening title falls short of hooking.
The novel’s only true saving grace is the literary universe created and expanded upon by Moning; it is what will have you coming back for more…time and time again.
One word: charming.
Two words: engaging hilarity.
Three words: sparkling/sparking chemistry.
Most decidedly, Compromised, is a great way to kick off your summer reading. Kate Noble engages readers with narrative that is tongue-in-cheek. Part of the narrative reads third person omniscient and part is third person lead-centric as we are use to in romance. It changes without warning sometimes, but after the first time or two you don’t really notice it. I started to look forward to it actually because it was so funny, not that the lead-centric parts were not, but the omniscient portions offered a look into Regency society and how gossip spreads.
Maximillian (Max) St. John, Viscount Fontaine, the future Earl of Longbowe, is in desperate need of a wife. Not because he needs money, not because he particularly wants one, but because his father is determined to wield the very last bit of his power over his son before he dies.
You’re probably wondering why on earth Max would give in to this ridiculously patented scheme.
He gives in because his father threatens to spread gossip that Max is a bastard child from a time when his wife cuckolded him (which is completely false mind you), sell off everything that is not entailed and will all of the money to distant relations leaving Max without a name, without funds, and with land in perpetual need of expensive upkeep. Wow! That is pretty darn harsh.
Max is determined to make the best of it, but he only has three months to accomplish such a feat. He’s attending balls, musicales, and parties meeting women who are tall, short, blond, brunette, intelligent, insipid, but none of them are for him. In fact, all of the ladies he’s been meeting lack something.
Gail Alton is unfashionably tall and unfashionably intelligent and unfashionably irksome. She prefers to spend her time at museums and in a book. She loves history and languages and horses. Her sister, Evangeline, is petite, blond and practically perfect in every way. They share a loving relationship and neither one begrudge the other anything. However, compared to Evangeline, Gail is basically invisible, which works for her because she doesn’t find conversations about ribbons to be particularly interesting.
What follows is a regular comedy of manners as Max stumbles into a compromising situation with both ladies. Once with Gail while riding through Hyde’s Park and once with Evangeline including a stolen kiss in a conservatory. He ends up engaged to one girl and falling in love with the other. How will this tangled mess unravel?
This three hour BBC miniseries is just precious. It’s lighthearted, humorous, and perfect. Pride and Prejudice is revisited and reintroduced. Lost in Austen pays homage to Jane Austen’s original masterpiece while reinventing it. My friend, who is not a Pride and Prejudice fan—blasphemous I know!—loved this film. My other friend, who is a huge fan of Pride and Prejudice, to the point of being a purist, loved it also. Two endorsements right there! Make that three as it has mine also!
It starts with the heroine, a representative for all modern women, reading the classic tale. She has read it so many times, she can say it by heart, practically see herself there at Pemberley running to Darcy—wait hold up!
Amanda Price thinks she’s going crazy what with Elizabeth Bennet showing up in her bathroom and all. It is just one more sign of impending institutionalization. Really, how could a fictional character appear in her bathroom? The lives of those in Georgian England are made up after all… right?
When a wall opens up in Amanda’s bathroom and Elizabeth affirms it is her house on the other side, Amanda can’t resist stepping through. Like Alice, Amanda has gone through the rabbit hole and is trapped in Wonderland. The door swings shut behind her, but Amanda is filled with only a slight trepidation as she descends into the madness that is the Bennet house right at the beginning of the story.
What follows is a fabulous, wonderful, delicious story of a modern girl trying to make the story happen only to mess it up. Every time Amanda attempts to fix things, it gets worse. Some end up married to the wrong person, new background on characters is revealed, and more. Who could imagine blustering Mrs. Bennett as a ball-buster? One of the things that I loved was how Wickham is redeemed in this version. How? Watch and find out!
I’ve been told that the American version is missing a scene where Amanda is singing. I noticed a jerky transition where it should have occurred. There are also a few minor things left out, so I’ve been told. I wish they hadn’t taken it out, I mean once you’re at three hours, what’s another fifteen or so minutes right? Anyway, it was marvelous. Get it from your library or buy a copy – you’ll love it!
PS: Elliot Cowan, who plays Mr. Darcy, in looks is a cross between Colin Firth and Heath Ledger. Yum! His wet white shirt scene… double yum! Take a look:
It’s been awhile since I’ve come across a series of books that I can honestly say I love, especially, from a genre that I do not commonly read. But that’s the beauty of Karen Marie Moning’s Highlander series: it defies the ordinary and jumps head on into the extraordinary.
Set, in mostly, throughout the 1500s shifting in between modern times, the seven books center around seven incredible heroes. From twins Daegus and Drustan, to warriors Grimm, Circenn, Cian and Hawk, to the ‘abso-freakin-lutely’ stunning black fairy (fae) Adam, the series is full of intense story lines that cut across history, time and space.
Whether you enjoy fantasy, science-fiction, romance, fiction, action, adventure or mystery, there is a little bit of everything. Most book sellers classify the series as “Paranormal/Time-Travel Romance.” The series really reminds me of Stardust and Harry Potter in the sense that the author takes multiple facets of mythology and history combining them to make her own margarita concoction.
For example, Drustan is a Highlander, yes, but he also has the ability to shift through time, was possessed by the 13 Darkest Druid beings, and is a Druid himself. Sounds more like Joss Whedon’s Angel the more I think about it. Or take for example, Grimm, a Highland warrior with extraordinary powers who has the ability to turn into a Berserk, a raging human beast of exquisitely irreconcilable power bred to destroy.
As a series, the books are mind-blowing, but like everything else in life, there is good and bad. Individually, some of the books are far better than others. Hands-down the best book in the entire series is The Dark Highlander, the worst is Beyond the Highland Mist and the one that disappoints, for the direction it takes, is the The Immortal Highlander which brings back Adam Black (aka Puck aka “the Fool” aka The Black Fairy/Fae).
One of the most interesting characters brought to life is Aoibheal, the Queen of the Fae. She’s sexy, alluring, smart, wicked, spiteful, playful, yet, very firm in her beliefs and way of life. It’s through her and Adam that most of the issues throughout the seven books occur. Well, it’s through Adam most of the issues occur, it’s through Aoibheal that the problems are fixed. Together, these two characters add a stream of sensual humor that is unique and brands Karen Marie Moning’s style as an author.
Each Friday we will be featuring an in-depth review on each of the Highlander books and you can make sure not to miss a single one by keeping tabs on the tag for the author “Karen Marie Moning.”
But make no mistake, if you want an easy read, to keep you on your toes and encase your senses in the unbelievable and extremely wanting - this is the series for you!
Choices Meant for Gods is a fantasy adventure romance, the first of three parts. Medieval overtones color the epic tale following a young twenty-year old heroine. Her name is Amanda Chariss. She has long auburn tresses, violet eyes, and holds the Geasa’n, the natural ability to perform magic. Chariss is an orphan, protected and raised by an old wizard named Hrazon.
For sixteen years, Hrazon and Chariss have been on the run from the sorcerer Jamieson Drake. Drake killed Chariss’ mother, Vertigo, and seeks to finish his revenge by obtaining her death as well. She does not trust stability in any form, for life has taught her it disappears in a blink of an eye. Hrazon has done his best to train his ward, but even a powerful wizard and protégé need help.
Meet Rothahn, the Master. He is the head god. His father before him selected Rothahn for the throne before moving aside. Rothahn however is far from holding ultimate power, a fact which annoys him as he thinks it would be useful… at least if only to kill off Godric, his daughter’s husband, and hid the blame.
Nigel, the twenty-eight year old man and our hero also holds the Geasa’n. He is Godric’s son, and Rothahn’s grandson. He, like Rothahn, holds no love for the man who sired him. Noble and kind, Nigel spends his time looking after his family and their holdings. When he meets our heroine for the first time he knows something is about to change in his life.
Julette is an evil goddess known as The Dragon. When her husband gave up the throne she was incensed that he would dare pass the power and glory to Rothahn. Was she not Queen? In league with Drake, Julette is determined to bring about a new world order that would have all mortals bow to her and pray for her deliverance.
Below are my two favorite passages between Chariss and Nigel as they discuss love:
“I fail to see how these simple things tell you you’re in love. Kaylin enjoys my company. Mia enjoys arguing with me. Master Rothahn says I’m compassionate to a fault. I saved Sorne’s life once. Jake told me I’m beautiful. Does this mean they’re all in love with me?”
“If love could be explained that easily, it wouldn’t be real.”
…
“Nigel, let me give you some advice. You don’t want to marry for love because people fall out of love, and then there’s nothing left between them.”
He stared at her in shock. “I believe that’s the most cynical statement I’ve ever heard in my life.”
Frederica is a stylish and witty Regency novel by Georgette Heyer.
The novel centers around a young girl named Frederica who brings her younger sister and the rest of their siblings to London. She is determined to secure a fabulous marriage for her astoundingly beautiful, cherub-faced sister named Charis.
If you are looking for a Jane Austen fix, and are not interested in reading any ‘remakes’ or pseudo-Austen novels, you want to read Frederica.
But be warned, like Austen, Heyer enlists the use of old English to convey the feel of her stories. So prepare yourself with the mindset of Regency dialogue.
Enlisting the help of her cousin, the Marquis of Alverstoke, Frederica embarks on a journey quite distant from the one she initially imagined.
Refreshing, lovely, smart and straight forward, Frederica more than makes a lasting impression on the dashing Marquis.
Quote from chapter 1:
But Alverstoke’s besetting sin was a tendency to become rapidly bored. It had vanquished his sisters; for although neither of them could suppose, reviewing the numerous dazzling barques of frailty who had lived under his protection, that he was impervious to feminine charms, neither was so muttonheaded as to indulge optimism very far when he seemed to be developing a tendre for some diamond of birth, beauty, and fortune, thrust under his nose by one or other of his sisters. He was perfectly capable of making the lady the object of his gallantry for a few weeks, and then of veering off at a tangent, forgetting her very existence.
Agreeing to launch Charis and Frederica into London’s high society, Lord Alverstoke who is normally cautious of his family, finds himself entertained and entranced.
Some of the best scenes in the novel are the interactions between Lord Alverstoke and his two overbearing sisters: two overbearing, shallow women whose sole purpose in life is to manipulate others, especially him, in order to get what they want.
The novel is humorous, light-hearted and smut-free.
It’s really that type of novel, ideally read, on a rainy afternoon with a cup of tea and a scone on the side.
While, Frederica is not Pride and Prejudice, it is a nice, comfortable way to get your Austen-fix.
It is just Hoyt’s terrible bad luck that I read the The Raven Prince for the very first time just two days before I got this book from the library. I know it’s in bad form to judge a book based on another book, but as both are by the same author, I figure this could be the exception to the rule. To Beguile a Beast read like a poor man’s version of the Raven Prince. There were so many similarities between the too, it was astonishing.
Some of the similarities include: the fairytale story at the beginning of each chapter, the conditions of the poor heroes, and the positions of the women in the hero’s life. They are all the same or at least very, very similar. Proof (spoilery):
TBAB = To Beguile a Beast
TRP = The Raven Prince
Fairytale:
Truth Teller soldier fairytale in TBAB.
The raven prince fairytale in TRP.
Heroes:
Hero is scarred in TBAB: Missing eye, missing fingers, facial scars.
Hero is scarred in TRP: Pox marks all over face and body.
Both heroes are gruesome looking.
Hero in TBAB writes on flora and fauna of New England.
Hero in TRP writes on agriculture.
Heroines:
Heroine works as housekeeper in TBAB.
Heroine works as a secretary in TRP.
Similar Hero Character backgrounds:
Hero in TBAB lost his fiancé to fever.
Hero in TRP first wife died in child birth.
The only big difference that I saw was:
Heroine in TBAB has two children.
Heroine in TRP has no children.
I was bored with To Beguile a Beast. It may be because I read Raven Prince so soon before reading this book. I believe, however, that I would have disliked it even without reading Raven Prince. The magic in the tale simply wasn’t as enthralling as the Raven Prince. I closed Raven Prince feeling satisfied and happy. I struggled to make it through each chapter of To Beguile a Beast. I was glad to finish TBAB, simply so I could move on to another story. If you read it, do you feel the same way?
I have wanted to read this book for a while. I can’t tell you how happy I am that I finally did read this book! As I closed the book, I was gushing. There were so many aspects of this story that I liked, it’s hard to find any to point out as negatives, but there are two side plot arcs that could have been left well enough alone and the story would have been tighter focused and undiminished.
As both arcs together make the bigger blackmail arc in the story, I’ll just detail them really quickly. One was the woman who slept with Anna’s late husband, and wanted that information hidden. The other was the lover of the woman who wanted his pockets lined. Of the two, the male lover blackmail arc was completely superfluous and unnecessary.
What I liked:
Anna working as Edward’s secretary.
Edward’s internal monologues.
Anna masquerading herself and claiming Edward at a “luxury” brothel.
Edward’s proposals.
The sex. Hot stuff, I tell you.
Anna is a respectable widow. Her late husband a complete scoundrel and adulterer. She can’t have kids, or so she thinks (as is the way with most romance novels - the heroes just have mightier seed - it’s a fact!).
Edward’s late wife died in childbirth. He found out after he married her just how much he disgusted her. He won’t make that mistake twice. He’s currently wooing a baron of an old family line for his daughter, and reassuring himself more than once that the daughter wants to be wed to him. This side arc makes sense for the time period, but it was just another unneeded obstacle in the story.
Meanwhile, Anna has gone to work for him. From the moment he meets her officially, he can’t take his mind off of Anna. She’s invaded his senses so much, he runs to London to seek release in a high end brothel so he won’t ruin her respectability. Little does he know… evil grin.
In parting I want to add just how much I loved the wren and raven symbolism and it’s correlation to the fairytale posted at the beginning of every chapter.
This book read a little slow for me and the storytelling didn’t capture me particularly. I read through perseverance more than any real desire to finish.
I like the Medieval period but I would never go back to that time period. As Lynn points out, it’s not safe for a woman outside of the walls of a palace or castle or keep. Sometimes, even then it’s not a guarantee as Lady Sarah of Remy learned.
At a young age, Sarah’s father left her under Queen Eleanor’s care. He left her without any wealth to call her own and more importantly without lands. Completely at the Queen’s mercy, Sarah grew up thinking she was quite blessed… until the Queen began her demands in return for all she’d done for Sarah.
Branded as the Queen’s whore, Sarah is used to the way the other women treat her at court. She spies for the Queen without complaint, hoping one day the Queen will fulfill her promise and marry her off to a titled nobleman. That hoped is crushed when the Queen commands Sarah to wed William of Bronwyn.
William looks like a fierce and unloving man. His muscles bulge and his scowl is harsh, not to mention his reputation… why he is everything Sarah fears. But reputations can be deceiving as both William and Sarah both will learn.
This novel is definitely one of my overall favorites of Heyer’s so far. It’s easy to read and follow despite the language and research. I loved all the side characters and Rule most of all. The leads were very well matched for each other.
Lizzie Winwood, the Beauty, is engaged to the Earl of Rule, an older man whom she does not love. Edward Heron holds her heart, but Lizzie is too well bred to ignore the duty she owes her family to accept this great match. Her youngest sister, Horatia—Horry—Winwood, decides this situation will just not do. In a scandalously forward manner Horry approaches Rule and offers herself up in trade to her sister despite her disadvantages in looks and speech. She knows she’s not his first choice, but as Marcus obviously does not know Lizzie well enough to love her, he must agree any Winwood would do. Amused by the young girl, (he’s twice her age), Rule accepts her proposal and marries her right away.
Horry experiences wealth and freedom for the first time and goes a little wild. She learns to gamble, though she does fairly poorly, purchases things without any real thought to cost, and makes friends with unacceptable members of society. Horry comes off immature for the first half of the book because she is, but Rule keeps an eye on her in his usual casual and easy going manner and does not involve himself overmuch. He came to the marriage thinking he was in love with a widow. He did not marry the widow because he knew she could not, or perhaps, would not be faithful in the years to come and has determined Horry is and will be even if she is young and prone to fancy.
Rule’s amusement and fondness easily translate themselves to the reader. From his actions you can tell he’s falling for his young new wife. It’s harder to tell with Horry, as she spends a good portion of the book running around after Lord Lethbridge in pursuit of his friendship and the chance to pit her card skills against his. Lord Lethbridge is after revenge against Rule and uses Horry in an attempt to instigate it. Other characters seek to help him or eagerly wait in the wings watching for a chance to run to Rule with news of her scandalous ways. Luckily Rule, her brother and his friends come time and again to Horry’s rescue. A Convenient Marriage is an amusing romp through Regency England and sure to win your heart.
retold from Darcy’s POV. He’s very wordy–can you imagine? His version is in three parts! Part one of the Mr. Darcy, Gentleman trilogy, An Assembly Such as This, and the only one I’ve read so far, details his time in Hertfordshire. It starts with the Meryton Assembly and ends after departing Netherfield and before Jane Bennet arrives in London. 
. Where I recognized the characters was from the third 
pays homage to Jane Austen’s original masterpiece while reinventing it. My friend, who is not a Pride and Prejudice fan—blasphemous I know!—loved this film. My other friend, who is a huge fan of Pride and Prejudice, to the point of being a purist, loved it also. Two endorsements right there! Make that three as it has mine also!
and 
in the sense that the author takes multiple facets of mythology and history combining them to make her own margarita concoction.
the more I think about it. Or take for example, Grimm, a Highland warrior with extraordinary powers who has the ability to turn into a Berserk, a raging human beast of exquisitely irreconcilable power bred to destroy.
which brings back Adam Black (aka Puck aka “the Fool” aka The Black Fairy/Fae).
One of the most interesting characters brought to life is Aoibheal, the Queen of the Fae. She’s sexy, alluring, smart, wicked, spiteful, playful, yet, very firm in her beliefs and way of life. It’s through her and Adam that most of the issues throughout the seven books occur. Well, it’s through Adam most of the issues occur, it’s through Aoibheal that the problems are fixed. Together, these two characters add a stream of sensual humor that is unique and brands Karen Marie Moning’s style as an author.
.
for the very first time just two days before I got this book from the library. I know it’s in bad form to judge a book based on another book, but as both are by the same author, I figure this could be the exception to the rule. To Beguile a Beast read like a poor man’s version of the Raven Prince. There were so many similarities between the too, it was astonishing.
