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By: Marcia, guest reviewer
The great thing about a series is that the writer has the freedom to explore themes and develop characters in greater detail than in a single average sized novel. This is true of Lora Leigh’s ‘Tempting Seals Series’. Durango Team, of the Navy Seals, is working for Homeland Security trying to shut down a drug cartel and capture a mysterious terrorist. Each novel in the series follows the members of Durango Team as they meet and fall in love with their soul mates. Of course, love never runs smooth. Killer Secrets is the third novel in the series.
Ian Fuentes is the illegitimate son of Diego Fuentes, the leader of a very successful drug cartel. He is also a sadist and murderer. Ian hates him and has vowed to kill him for not protecting him as a child and for kidnapping and torturing a fellow Seal, Nathan. He is working, alone and undercover posing as traitor to the U.S., in his father’s drug cartel. In return his father has agreed to help him trap and kill the terrorist known only as Sorrell.
Kira Porter is an independent undercover operative for DHS known as the Chameleon. Her disguises are so good than no one has ever recognized her as the very wealthy socialite and niece of a very powerful Washington politician. She and Ian have crossed paths on occasion and he always recognizes her by the way her body moves and the shape of her ears. They have long ignored the attraction they feel for one another since the job always comes first.
This time they meet in Aruba at a weapons deal gone wrong. Kira has infiltrated a terrorist group with ties to Sorrell and has accompanied them to what is supposed to be a weapons deal. Unknown to her, the real objective is to kill Ian. In the mist of the action she recognizes Ian and quickly changes sides, helping him turn the tables on the terrorist group. Afterward, instead of disappearing, she rents a villa under her real identity with the intent of joining Ian’s operation. DHS has agreed and asked that she keep Ian from killing his father or Sorrell since both are wanted for the information they can provide. Ian is an admitted chauvinist and does not want a woman in his operation, especially Kira.
The themes of betrayal, trust, fear of intimacy and commitment unfold in a highly erotic, sexual arena. Leigh’s dialog is bold and her bedroom scenes leave nothing to the imagination. Romantic Times BOOKreviews is quoted on the cover as saying, “Leigh’s books can scorch the ink off the page.” This is certainly true. This book is HOT, HOT, HOT!
Four Stars
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Originally posted 2008-09-04 05:35:04. Republished by Old Post Promoter
Going Down Hard is the sequel to Coming on Strong and follows Belle’s best friend and Mitch’s cousin as they stumble into love. Half suspense – half sexy as sin, Tawny Weber puts out another top notch romance. Weber spins words like a top notch DJ spins tunes. She has a delightfully witty tone that is sassy and spunky; just like the heroine.
Sierra is receiving doctored photographs in the mail. Sexual in nature, they were at first funny because they were so terrible, but then the pervert got good at it. The creepiness just gets creepier as Sierra’s head gets attached to more and more degrading photos. The cops can’t do anything at the moment and with Sierra’s background they’re not likely too. Now the stalker is even threatening to ruin Eventually Yours, the business Sierra and Belle started, by sending pictures to their newest client Family.
That’s when Belle and Sierra decide it’s time to call in the big guns. Reece is an ex-military Kentucky cowboy with his own business in security. He takes the case for many reasons, one of them being Sierra herself. Their last encounter (in Coming on Strong) has left his head spinning and he wants more. Sparks fly, but Reece is persistent in getting behind that tough as nails exterior Sierra exudes to find the real woman.
Despite the heavy topic, I was amused and laughing all the way through. Here’s an example of some of the dialogue and admittedly my favorite piece:
“What reason? What proof?” She would have poked him again except he still held her hand captive.
When he didn’t immediately reply, she accused, “You had nothing. Admit it. Your jealousy meter dinged and you pulled on the Macho Man cape and set out to prove you could be a total idiot.”
Weber’s writing is sure to rile you up and make you gasp…
This lovely little book was a quick and delightful read. I was sad to finish it because it meant that I would have to let the leads Julian Ravenwood and Sophy Dorring go their own way. The novel starts out with Julian accepting Sophy’s refusal to marry him. The word was passed down to him through her grandfather and Julian is stunned. Little Sophy could not hope to make a better match and his offer was generous to the extreme. Determined to gain an audience with Sophy Julian contrives of a way to do so. He tracks her down and demands to know her requirements to marry him. She spouts of a few outrageous ideas and he agrees and adds a few of his own turning the tables and leaving Sophy stunned.
Julian is an earl and all that implies. He’s the epitome of the controlling domineering alpha male. He’s also a widower; his late wife drowned. Not that this was a hardship, there was something wrong with the woman. Elizabeth, the dead wife, was for the lack of a better word a nymphomaniac. She loved to cuckold Julian, especially since she didn’t want to marry him in the first place. She took what was warm and good inside Julian and killed it. After the second duel to defend her honor, Julian came to the realization that his wife was not virtuous and didn’t have any honor. He labeled all women susceptible to the madness and vowed never to risk his fool neck for a woman again, but he needs a wife to supply him an heir and Sophy as far as he’s concerned is as different from Elizabeth as night and day.
Sophy is a typical unusual female for her times, but in slightly new way. She’s not put together and far from sophisticated. Pieces of her clothing and accessories like ribbons and feathers are always askew. She loves to read (mostly herbals and a treatise on women’s rights). She doesn’t trust seduction or lust without love. The reason Sophy doesn’t trust a man’s passion is because her sister, Amelia, was seduced and killed by one man’s passion. Sophy thinks sex without love is the epitome of masculine ruthlessness. She has the ring of the man who seduced Amelia and plans to find him and ruin him.
When Julian corner’s her for her list of demands she begs of him three things. One, that she not be forced into the childbed right away or more accurately forced into the marriage bed. Julian promises her three months of leeway. This is acceptable to her because she’s loved Julian since she was 18 not that the fool would notice, panting after Elizabeth as he was. She hopes to make him love her in the time they are not sharing a bed. Two, she wants to control her inheritance. Julian counters that his quarterly allowance for her exceeds the money her grandfather will leave her, but she insists. Three, she wants no interference from him on what she can and cannot read.
Sophy was quite loveable as a character I thought; Julian on the other hand at times was not. While his motives are quite known he still comes off as stern, intractable, and unwilling to reach compromises not in his favor… he breaks his side of the bargain while Sophy always keeps hers and dares to get mad when Sophy questions his honor. Depending on the reader you might be tempted to throw the book because of his outlandish behavior. Also true, however, is that you might enjoy his high handedness. In addition Julian is protective and concerned for his new wife. By the end I was persuaded to like him, but he was definitely ridiculous at times. Perhaps that makes him flawed realistically. Grin.
Rating 3.5 to 4 Stars
Originally posted 2008-12-19 19:25:35. Republished by Old Post Promoter
Q - I had so much fun reading Lady Anne and the Howl in the Dark; what was your inspiration for the book? Do you have any photos you worked from for the imposing castle and grounds?
A - Thank you, Keira… I appreciate the kind words! I am a rational person, and so is Lady Anne. When she hears a werewolf has been spotted, she thinks, ‘big dog on the loose’. Once I saw that, and put it together with the Georgian era, when there was a lot of superstition (not that there isn’t that now!) the rest flowed from there. As for photos of the castle… what actually inspired Darkefell Castle is a pen, ink and watercolor picture I bought at a rummage sale; it is of an old castle with a modern (Georgian modern, probably mid-1700s) addition, and it is exactly Darkefell Castle! I’ve searched and searched online, but I can’t find the original that the artist worked from.
Q - What was the hardest part of writing your book?
Thinking up the plot.
Outlining.
Writing it.
Editing final drafts.
Depends upon what stage I’m at working, what I would answer to that question. Right now I would say, final editing is agonizing, because you know that after it’s gone, sent off to your editor, you will likely not have any opportunity to substantially change the course of the book again. You have to be sure of it!
Q - How did Sourcebooks find out about your novel?
I have a great agent with his nose to the ground, looking for intriguing new opportunities. When we were looking about for a publisher for the Lady Anne series, he included Sourcebooks Casablanca among the recipients, as he found their recent acquisitions interesting. We took it from there, sending it to the acquisitions editor, Deb Werksman, and she like it!
Q - How much time do you spend writing each day (or each week, if you prefer)?
It depends on a) what I’m writing and b) what else is on my plate. If I have a book due, it’s full-time days writing. If I have a book being released, then promotion takes over. But most days, overall, I tend to write about five hours a day.
Q - What do you think is the greatest creative risk you’ve taken?
Blending mystery and romance so thoroughly in the Lady Anne series. I adore romances with mystery elements and love mysteries with a strong thread of romance, and I hope readers do, too. I mean, both romance and mystery are parts of life, why can’t they co-exist in a novel genre?
Q - What are some plot devices you like? Can’t stand?
I don’t know so much if they are plot devices, but I despise emotionally manipulative writers, the ones who set you up to have certain expectations, then dash them. I think they believe that it’s more ‘literary’ to put characters (and readers) through pain than to give them a happy ending. Not necessarily.
Also, I hatehatehate (I feel so strongly about this I had to repeat it three times!) writers who aren’t true to their characters. When I close a book, I want to know, even if the end is sad, that it makes sense, that how the characters acted was true to their soul as the writer created them, and not some behavior that feels superimposed by the author because he or she had a certain ending in mind.
As for plot devices I like, all I ask of a writer is that they are true to their characters, and I’ll go with almost anything!
Q - Could you provide a picture of your bookshelf?
I don’t have just one bookshelf! They’re kind of scattered all over the house!
Q - Share some of your favorite books!
Favorite books… ah, the list is endless! A Flaw in the Blood, by Stephanie Barron blew me away… such a great writer. People know her from her fabulous Jane Austen as a detective series, but she’s good at everything she writes. I like classics, of course. Who hasn’t been inspired by Pride & Prejudice? But for day-to-day reading, I love mystery novels! Anne Perry, Victoria Thompson, many others!
Q - What do you do to relax and get away from writing? Is there something that really gets you away from it all?
Mostly, just ordinary stuff. I love to read; I can’t imagine there’s an author alive who wouldn’t say that! Reading is such a great escape, and that’s what I try to write for my readers, a great escape from care and worry. I do have a few hobbies - including karaoke - and hanging out with friends on the weekend. That is about it. I’m a very simple gal. A good book on the patio and a glass of wine or cup of tea is about the perfect end of a day.
Q - I have a spoiler question… Will there be a sequel so that Darkefell can win over Lady Anne? Oh please say yes!
Okay, I’m not one to release spoilers, but I will say this much, in Lady Anne and the Ghost’s Revenge (August 2009) things heat up considerably between Darkefell and Anne, and in Lady Anne and the Gypsy Curse (November 2009) the passion reaches bonfire proportions on the heat scale! Some do like it hot!
Q - How do you define love?
Love: wow, definitions are tough, but my idea of love is caring so much about another person, that you put them first in your thoughts. You know their faults and don’t give a damn. You would make any sacrifice to make them happy.
Q - Is there anything else you’d like to share with us?
I had a great time with these characters; they often did quite unexpected things! And I hope readers enjoy them as much as I did writing about their adventures.
Visit me at http://www.donnaleasimpson.com for more information on the Lady Anne series, and if you’d like to learn more about the Georgian era, in which they are set!
Love You to Death by Melissa Senate is a light, summer read.
Who is turning Abby Foote’s life upside down? Abby has had the unfortunate (or fortunate) experience of loving and losing a number of truly unsuitable men.
Her latest is unable to attend the bris of her nephew and deserts her in LL Bean. But he is substantially better than her last love. While serious about him, she found him in intimate circumstances with the woman who is now about to become his wife. Or is he?
His engagement picture hits the paper the day of the bris.
Then he is found murdered. In the course of the investigation, it is learned that two other of her former lovers have had attempts on their lives.
Enter Detective Benjamin Orr, the best thing that has ever happened to her. She is the police’s number one suspect, but if she isn’t the one who has committed these crimes, then someone close to her is liable to harm her also.
To the author’s credit, the family dynamics, the fiance to her ex-love, and the co-workers are all developed well. There is a lot of humor as those close to her suck up to her, while claiming they don’t believe it, because they think she is capable of murder and who knows if they might be next on the list.
Then again, it is a serious subject and in real life it might not tie up as neatly. It’s a lucky thing for her that she is believed and the real murderer is found out.
I read a few gothic romances when I was much younger… you know, the kind with the cover that shows the girl running from a castle wearing a floaty dress. I keep getting, from readers and reviewers, that I write Gothic historicals, but I never set out to do that. Maybe Gothic style just comes naturally to me.
The usual set up of a Gothic, historic or modern, has the heroine trapped somewhere with a man who may be some kind of dangerous, murdering madman. Or… he may just be a nice misunderstood guy, but he insists on keeping secrets from the heroine and everyone else! The one facet of the heroine’s character that is vital to the Gothic plot, is that she cannot leave the mystery alone. She doesn’t pack her bags and escape the castle in a timely fashion, she doesn’t just shut her mouth and ignore the weirdness, she’s compelled to pick away at the hero’s mysterious behavior, open the door to the forbidden room, or descend to the cellar from which the weird, clanking noises come.
In this sense, I suppose Lady Anne and the Howl in the Dark (Sourcebooks Casablanca - April 2009) does follow classic Gothic sensibility. There are mysteries here, weird things afoot at night, and Lord Anthony Darkefell, the dark brooding hero, is not telling all he knows. Lady Anne Addison is the ultimate intrepid heroine, not willing to let the mystery rest. She must know the truth! However, Gothic heroines often seem to blunder mindlessly through the novel, making discoveries by accident, and Lady Anne uses all of her wits and considerable skepticism.
One enormous difference between Lady Anne and the Howl in the Dark and the true Gothic is the use of the hero’s viewpoint. Gothic novels never feature the hero’s viewpoint, because to do so dilutes the ‘unknown’; a viewpoint character exposes some of their soul to the reader, or it’s not proper characterization. I wanted readers to get to know Darkefell, to understand him, and his changing feelings for Anne.
I guess when you get down to it, the use of some aspects of the Gothic is just plain fun, both for the reader and writer. In Northanger Abbey, Jane Austen had great fun with Gothic sensibility. Her heroine, Catherine Morland, imagines all kinds of horrible things-that General Tilney murdered his wife, or imprisoned her-until she is shown how wrong it is to let her imagination run riot like that.
Now, in a true Gothic, Catherine’s worst fears would have been proved right!
Another big difference between my Lady Anne books and classic Gothic style, is, you never get a sequel to a Gothic. I have managed to stretch the series to Lady Anne and the Ghost’s Revenge (Sourcebooks Casablanca - August 2009) and Lady Anne and the Gypsy Curse (Sourcebooks Casablanca - November 2009), and having fun all the way, with Lady Anne and Darkefell’s increasingly romantic entanglement.
I hope you all enjoy the books, and I would be interested in hearing if you feel there are Gothic elements in the book, and how they work to the story’s benefit, or detriment. I had a great time with these characters; they often do quite unexpected things!
Donna Lea Simpson is giving away one copy of Lady Anne and the Howl in the Dark today. Open to US and Canada readers only. Enter by leaving a question for Donna or by telling us why you love/hate Gothic elements in romance! Winner will be announced April 1, 2009, no joke… sorry couldn’t help myself.
I have a funny story with this book and by story I mean an epic fail. I was returning some books back to the library and somehow Lady Anne sneaked back with them. When I realized what I’d done it was as if I’d been amputated! So painful. Of course I returned the books on a Sunday; the only day in the week the library isn’t open until late in the afternoon or early in the day.
After a pretty good freak out, I waited until I could call. Ended hanging up once because I was on hold for five minutes and called back. Then I had to wait on the phone for twenty plus minutes before somebody from circulation got to me. They either forgot me or they were busy. I told them about the book and the person I talked with probably never got a call like this before because I was given a hard time.
Finally, I managed to convince them that the book was mine and not a library book. I don’t understand how this was so difficult as 1) it is not stamped with the library name nor was it 2) tagged with a detector strip or that pocket thing and 3) clearly says advance review copy on the cover! This is why I write in books to identify and claim them.
In the end they put the book on hold for me and now it was a matter of getting back over there. The library where I dropped the books off while on errands was all the way across town. I really didn’t make this easy on myself. Luckily I got there, but it was close! One more red light and it would have been better luck next time. Needless to say I was very, very pleased to get this book back and finish it… which I did later that night.
What I liked best about Lady Anne and the Howl in the Dark was its tribute to Gothic romance, followed swiftly by a capable intelligent heroine. The hero liked that best about her too so how could you not fall in love with him? Lady Anne is very plain and a spinster to boot, which are some of my very favorite things to read in romance.
Simpson writes in a witty and engaging voice. I loved Lady Anne. She was such a treat. Her musings on Lord Darkefell are particularly fabulous:
It was either that or go back to pondering the feel of Lord Darkefell’s too-perfect lips pressed against hers. And his too-perfect body against hers. He was entirely too perfect—if there was such a concept as overabundant perfection—in a physical sense and entirely too maddeningly imperfect in every other way.
Without giving anything else away I will say this: if you like mystery, intrigue, werewolves, and Gothic you will love this book! Oh and chances are you’re going to jump to conclusions about the mystery and be totally wrong - I was!
Terry Spear weaves paranormal, suspense, and romance together in one non-stop rollercoaster of passion and adventure. I was pleasantly surprised to find myself enjoying a protagonist werewolf plot (I’m more inclined to favor vampires) and a mystery thriller plotline (again not something I usually go for). I love this novel’s front cover (hmm sexy). Don’t you? This book reminds me a bit of Only With Your Love by Lisa Kleypas. Overall, there were many pieces that I enjoyed in this book and many pieces that I did not. Of course the story wouldn’t be the same story without the parts that I like least… and all the parts I’m not in favor of can be contributed to the dead sister Larissa.
Larissa is dead. How did she get there? Her living triplet Lelandi is in Silver Town to find out. Her discoveries show just how much of a royal mess Larissa made of her life. One of them (and this is what gets me) was to take Darien as her mate. Darien has a special gift to find his true soul mate through dreams. Larissa claims to be the one he dreams about while knowing the real woman of his dreams is her sister Lelandi. Talk about some sisterly backstabbing!
When Lelandi comes to town to find the truth, her very presence upsets and stirs Darien. He’s attracted to her as he never was for Larissa. He thought the dream mating must have reflected a truer connection than the physical one, which is why he always felt sort of bereft after making love to Larissa. After discovering who Lelandi is and what she really means to him, Darien vows to move heaven and earth to claim Lelandi as his mate.
Throughout the developing passion, Darien and Lelandi unravel the mystery surrounding Larissa’s last months in an effort to find her murderer. Lelandi soon becomes a target herself, but that doesn’t deter her from seeking justice. The clues will reveal a most surprising culprit.
Rating: 3.5 Stars.
Book is categorized as interracial because of the pairing of two different breeds of werewolf… red and gray.
I managed to sneak another romance novel in time for Halloween that has a spooky overtone. Wild Sight by Loucinda McGary takes place in a fictional town in Ireland with a lot of real cities and sights thrown in for good measure. This little mystery romance has a paranormal edge with the hero having what the Irish call, “The Sight.” So we get the spectral ghosties in Wild Sight to complement the passing of the Samhain, which actually falls within the books timeframe.
Samhain, if you don’t know, is an Irish holiday or at least a word derived from the ancient Celtic month bearing a similar name. On this day the veil between the spirit world and the human world is thinned and can be breached – kind of like the witching hour superstitions but allocated to a date instead of a time. The corresponding days to our calendar is Halloween or All Saints Day, October 31st and November 1st. It also marks the end of summer.
The Sight, which Donovan O’Shea possesses, manifests itself in different ways for everyone. For Donovan he comes near or in contact with an object or place of an event and he receives a vision. These visions leave him with buzzing, headaches and take place with a swirl and bright flash of colors. His mother possessed it too, but it’s not elaborated how the Sight is different from her to him. We do get to see a little bit of another version of the Sight by a character in Donovan’s past.
Donovan at age seventeen left Ireland behind as fast as he could. He’s now a naturalized American citizen, a CPA to be exact on the east coast. The start of the novel has us meet him a month or so after he’s arrived back in Ireland. He’s here to visit his ailing father, who has suffered a massive stroke, that’s left him partially immobilized and without the ability to properly speak. Donovan is hurriedly trying to sell off the old family land, has started the process to sell the pub his father owned to a third partner, all in his attempts to get the hell out of Ireland before the Sight takes him.
Too bad for Donovan, he’s a little too late.
Rylie Powell is in Ireland trying to track down her MIA father; the very same father she has never met, the one who abandoned her and her mother a very long time ago. She had once promised her mother never to track him down as sometimes the reasons people leave are reasons you don’t want to know. But now that her mother is dead, Rylie doesn’t feel obliged to keep that secret. She feels guilty about her step-dad’s acceptance of her need to come face to face with her real father, but not guilty enough to not go. She takes the directions her hired PI gave her and tracks down her father’s pub. When asking to meet with Dermot O’Shea a tall hunky guy unfurls himself from a corner booth.
She never imagined step-brothers… Older, seriously gorgeous half-brothers.
For Rylie and Donovan it’s instant lust that they fight as they search out the truth of her parentage. Donovan is dead certain his father is not her father (he’s right of course or there wouldn’t be a novel). Rylie wants to believe him, because she doesn’t want to feel sexual desire toward a half-brother. But she fears he’s wrong as she has a history of being attracted to the wrong men and who could be more wrong than Donovan?
As Rylie unravels the mystery of her parentage, a murder twenty years old is exposed on Donovan’s land as archeologists try to uncover ancient Celtic history. Dermot is implicated and Donovan must find out the truth – even if it means evoking the Sight on purpose. He really must be crazy.
Rating: 3.5 Stars if you don’t like mysteries with your romance and 4 Stars if you do.
Originally posted 2008-10-29 10:40:33. Republished by Old Post Promoter
I have been reading The Price of Desire by Jo Goodman these last few days and at 200 pages in I knew it was going to be a disaster. This review contains a lot of spoilers so be warned. I think many readers will find it helpful to read the spoilers as the book is very dark and angsty when everything else about the book leads one to think it’s going to be a fun story. The back is titillating and gives no clue to what’s really inside the book. Real quick it goes something like this: Alastair has promised his sister Olivia to Griffin to pay off his gambling debts and both Olivia and Griffin take the biggest gamble on each other.
Before I learned more about the characters past I knew it wasn’t going to be pretty. At 200 pages in they’ve shared one kiss. Overall it’s been very slow reading as the heroine is very withdrawn and so is the hero. While at 200 pages in it’s no longer at the painful level to read and be witness to their story it certainly is not as engaging as it could be and there’s already been a settling of a 1000 pound debt (mainly the brother handing Olivia over to the hero), attempted rape (by some drunk in the hell that came upon her room), a fire (that started during the attempted rape- she gets him in the end by nearly strangling him to death with a towel), and confrontation with the delinquent brother (after he fails to get the funds to release her from the hero’s care). In any case, I can tell the hero cares somewhat, but the emotional exchange between the two is so dry that there’s hardly any connection.
At 350 pages in, they’ve exchanged bodily fluids and words of love and we come to learn a lot about Olivia and this is where it gets me. I’m sorry but I read romances to enjoy myself and get a few moments to escape reality. Nothing about Olivia’s past is enjoyable. Beyond the attempted rape scene from before we learn that Olivia was raped in her past. As if that weren’t bad enough her father ‘played’ with her when she was younger than six years old a ‘touching’ game. When the nanny brought this to the attention of Olivia’s stepmother, Olivia gets sent to a boarding school for young girls where priests tortured the girls as punishment for small infractions by sitting/standing on seatless chairs. Somehow her father reaches the school to continue his sick game and rapes his daughter all part of his and a few other men’s game and setup involving carriages and gifts. Olivia between ages 6-12 was used and it only stopped because she started her menstruation cycle. The following is in her own words…
“I was not his only little girl, I knew that. But I also knew I was his favorite… He gave me to them, Griffin. He sent me to them when it pleased him to do so. To sit at their table while they played cards, to deal for them as I’d been taught, perform on command, and later… as any one of them was struck by a fancy… I was a present on some occasions… his marker on others.”
Needless to say this book has a rating of 0.5 Stars. I don’t know anyone who’d willing read any further once they got to that revelation. As for me I closed the book and started writing this post. It was too much trauma, perversion, and sickness of the mind to deal with and I certainly didn’t want to keep thinking about it. Hopefully Olivia wins happiness in the end, the girl clearly deserves it, but I just didn’t want to dwell on the matter any more. I blame the publishers for letting a novel like this hit the shelves.
Originally posted 2008-10-03 06:48:19. Republished by Old Post Promoter
Gothic romance is a genre you can’t find all too easily today. It was a popular genre a few decades ago and lovers of this romance sub-genre will have to troll secondhand bookstores to find titles. Classics of this genre are novels such as Wuthering Heights and Scarlet Letter. Well known authors of Gothic romance/horror include Ann Radcliffe of the past and Stephen King of the present.
A typical Gothic romance revolved around conflict and mysteries. It made the heroine choose between two male characters for love. One is bright, sunny, cheerful and charming. The other was dark, mysterious, secretive, and brooding. Plotlines of cursed leads and daring adventures took place on wind-swept moors, and places that were haunted. The heroine would embark on a thrilling journey to discover if her hero was worthy of love. Her task usually boiled down to find out if the hero really murdered his first wife, brother, mother, insert other relation.
It is interesting to note that Radcliffe introduced this brooding male as the Gothic villain, which developed into the Byronic hero. She is considered a pioneer of the genre. The movie Becoming Jane shows a meeting between Radcliffe and Jane Austen but there’s not basis for this meeting. However it does provide an interesting backdrop on the dual rise of the two types of popular novels.
As Gothic or dark romanticism developed it became more distinctly separated. The first direction of Gothic novels glorifies gore. The second took on the key aspects of modern romance. This new evolution made the focus on the romance instead of the mystery. These are the romances that disappeared after the eighties.
So what is a Byronic hero?
Trivia: The name of this hero comes from the English poet Lord Bryon.
The hero himself is highly intelligent, urbane, sophisticated and introspective. In other words he’s arrogant, mysterious, seductive, and moody (see bipolar). We see male figures like this all over, you could make the argument that Mr. Darcy is a Byronic hero on top of being a Regency hero, as Byronic heroes dislike social formalities and functions. Of course Mr. Darcy doesn’t have a troubled past or flippant air towards the wealthy and privileged, as he is one of that set. While Mr. Darcy was disliked he was not a complete social outcast and exiled from polite company. All these things are attributed to the Byronic hero.
What’s a good modern Gothic romance?
Some titles of the modern Gothic romance include:Bells of Widow’s Bay by Miriam Lynch, Castle Midnight by Evelyn McKenna, and Satan’s Rock by Marilyn Ross.
Authors to look for include (past and present authors): Victoria Holt, Dorothy Daniels, Theresa Weir, Phyllis Whitney, Barbara Michaels, Allison Knight, Mary Stewart, Joanna Challis, and Megan McKinney, Kay Hooper, Eve Silver… to name a few.
Trivia: In the 1980s Harlequin had an all Gothic line of books. See here for Gothic titles. Harlequin Intrigue also contains several titles that could satisfy your craving.
Originally posted 2008-09-24 15:10:30. Republished by Old Post Promoter
Sarah from Smart Bitches and Jane from Dear Author are co-hosting another contest. The prizes are pretty sweet and well worth the time to get involved.
First things first, what contemporary romance started this contest?
The answer to that is Victoria Dahl’s debut novel Talk Me Down. The heroine in this novel, Molly Jenkins, is an erotica romance author. She publishes under a pen name, not because she’s ashamed of writing erotica, but because she knows how awkward it would be for family and friends. Molly Jenkins leaves city life to return to her small home town after some unpleasant activity with her law enforcer ex-honey/stalker. A small inheritance makes moving back home easy, but Molly is stuck. She’s not inspired to write again until running into an old high school hunk, Ben Lawson, now chief of police.
Sarah says this about the sexual interactions within this book: “This, folks, is realistic sex. Gritty sex. Passionate pent-up sex. And most of all? FUN sex.” While the Romantic Times reviewer labeled the heroine “as a dog in heat.” In response to the RT comment Jane says, “I’m not going to even try to rebut it because that’s one of the things I liked best about this story.” Based on these different reviews, the conclusion to be drawn from this is that the sex is frank, up front, and enjoyable if you like your sex in romance novels to be frank and up front.
Q - How much time do you spend writing each day (or each week, if you prefer)?
, by Stephanie Barron blew me away… such a great writer. People know her from her fabulous Jane Austen as a detective series, but she’s good at everything she writes. I like classics, of course. Who hasn’t been inspired by Pride & Prejudice? But for day-to-day reading, I love mystery novels! Anne Perry, Victoria Thompson, many others!
(August 2009) things heat up considerably between Darkefell and Anne, and in Lady Anne and the Gypsy Curse (November 2009) the passion reaches bonfire proportions on the heat scale! Some do like it hot!
(Sourcebooks Casablanca - April 2009) does follow classic Gothic sensibility. There are mysteries here, weird things afoot at night, and Lord Anthony Darkefell, the dark brooding hero, is not telling all he knows. Lady Anne Addison is the ultimate intrepid heroine, not willing to let the mystery rest. She must know the truth! However, Gothic heroines often seem to blunder mindlessly through the novel, making discoveries by accident, and Lady Anne uses all of her wits and considerable skepticism.
, Jane Austen had great fun with Gothic sensibility. Her heroine, Catherine Morland, imagines all kinds of horrible things-that General Tilney murdered his wife, or imprisoned her-until she is shown how wrong it is to let her imagination run riot like that.
shows a meeting between Radcliffe and Jane Austen but there’s not basis for this meeting. However it does provide an interesting backdrop on the dual rise of the two types of popular novels.
