Heroine: Lucy Merryweather is an American heiress. She’s also a spinster, a runaway, and a burgeoning adventuress intent on fulfilling most of her great aunt’s bucket list.
Hero: Cameron Effington, the youngest son of a duke, and a journalist with lofty intentions of writing a book, meets Lucy and his identity is mistaken for that of a bodyguard/private investigator. He continues the charade because Lucy is a great muse.
Review: I loved the exploits (listed below to reduce unintentional spoilerage). They were fun and cute and risque for the period (some of them anyway). Lucy is a wonderful heroine who combines sense with adventure. Does she trust the hero too quickly and without references, of course, but she does so to keep her own runaway adventures a secret from her folks for as long as possible. Cameron is a sweet and sexy protector. I enjoyed the pairing very much.
Narrator: Gemma Dawson is very good. I loved the voices she created for the story. Dawson exhibited nice pacing. I would listen to her again. She’s definitely a candidate for being one of my favorite readers.
Buy: The Daring Exploits of a Runaway Heiress
Exploits: painted nude, hot air balloon flight, ride an elephant, enter a gentlemen’s club, get a dog, make an unexpected friend, travel to England, dance with a prince
Hero: Patrick Ramsey, needs a woman. She must like children, be good with children, and able to teach children. And Viscount Drakely will get what he needs – a motherness – or a mother and a governess for his three girls (Celia, Helena and Kate), all rolled up into one female. He knows the perfect woman to fill the position – Juliet Hughes, because her family borrowed money to send her to school and to give her a London Season and are indebted to him.
Heroine: Miss Juliet Hughes, was educated at London’s finishing school for young ladies. She’s plain. She’s common. Not at all like her sister, Henrietta, who Patrick thinks is her and the one he wants. He doesn’t bargain for Juliet to be confident, determined, and strong-willed. She is his match and equal in every way and she won’t let him look down on her.
Review: If you like mistaken identities and big misunderstandings, you’ll love Her Secondhand Groom. Juliet tries to tell Patrick he’s wrong but he won’t listen now that he has a plan to put in motion. I liked Juliet’s nickname for Patrick – Lord Presumptuous. She’s a heroine who can call her hero out on his idiocy and pigheadedness. She does it so charmingly too. I liked her relationship with the girls and how they all interacted. About the only thing that doesn’t work is Patrick’s devotion to his dead wife who he later calls manipulative.
Narrator: Louisa Murray has a very nice voice and I enjoyed listening to her narrate the story. She was very lively in her recitations between Juliet and Patrick. I would listen to Louisa again.
Length: 8 hrs and 56 mins
Buy: Her Secondhand Groom (Groom Series Book 3), Her Secondhand Groom (Audio Book)
Hero: Lucas Colebrook, the new Earl of Stonevale, needs an heiress to finance the repairs of his crumbling estate and projects to revitalize the lands. He goes to his former love, the perfect paragon of society, Jessica (I can’t recall her last name.) She presents him with two choices – a young woman just out of the schoolroom (almost an exact replica of Jessica) or the very independent Victoria Huntington. Lucas knows instantly which heiress he’d prefer and strategizes how to win her. His conclusion is to give her exactly what she thinks she wants.
Heroine: Victoria Huntington, heiress, orphan, has fought off fortune hunters since being in leading strings. She’s even had suitors for her friend investigated by Bow Street Runners! Not easily fooled, Victoria knows if she waits just a little while longer, her status of spinsterhood will be sealed and the real adventures of life can begin. But she doesn’t really wish to wait – she wants to experience it all now and accepts Lucas’s escort through these experiences.
Review: Victoria is wildly reckless with her reputation and that of her friend’s. She doesn’t seem to truly grasp the consequences of any one of her little escapades. It off-balances the intelligence she seems to have regarding men. Lucas manages to distract her with what she wants – from adventures to watch boxing matches in the wee hours of the night or trips to brothels dressed as a man – and so escape her notice as another fortune hunter. He’s able to do this because Jessica is circulating that he’s due to receive a huge influx of funds. So, I have little sympathy when Vicky bemoans getting caught in the parson’s trap.
Lucas is patient and protective. His scheme is manipulative, but his intentions are roughly pure. He wants to aid his tenets and bring prosperity back to the region. I loved his stodginess and how it played with Vicky’s recklessness. They rub off on each other. He becomes a little less stodgy and she a little less reckless. I loved how he’d climb garden walls for her even with a wounded leg. Very romantic.
In the novel, he decides quickly he wants Vicky for more than her money, but doesn’t reveal his true need for the wedding until it is much too late. On their wedding day, before their wedding trip, Jessica reveals all to Vicky in an attempt to beg kindness for Lucas. What a little viper! Jessica is not a paragon – she’s clearly manipulative and while her words don’t endear her to hero or heroine, there’s no true repercussion. Vicky takes it out on Lucas instead of Jessica… and then in the end the couple uses Jessica once more. I find that very odd.
Narrator: Anne Flosnik is one of my favorite narrators. I liked listening to her immensely.
Buy: Surrender, Surrender
Hero: Andrew Clifton is Lord Amberstall. On his return to London society, he realizes he is being followed and takes measures to evade his pursuers. At first it seems like a successful attempt to escape… but then his horse nearly lands on a young woman and he gets thrown.
Heroine: Katie Moore used to love horses until she had a bad fall off of one that left her with a permanent limp. Her retreat to the countryside was a decision she took knowing she would never be on the marriage mart again. Terrified to be near horses, Katie is still determined to save Lord Andrew’s horse.
Review: First of all, I love this book title. How fantastic is it? I think it’s great. I also love the series title. The hero and heroine couldn’t be more opposite. The hero is pragmatic while the heroine is overly sentimental. Katie is determined to put her foot down on Andrew’s decision to shoot his injured horse. He says it’s a fatal injury. She claims it is not. Who is right? What is humane? If the horse can be rehabilitated it won’t be able to walk or run like normal. Katie is not impressed. She wins the first round by refusing to lend Andrew a replacement horse and invites him to stay on her father’s estate while the horse mends. I’m sad to say, that both characters were kind of flat for me and I was never really involved in the story despite the intrigue around Lord Andrew.
Buy: How to Lose a Lord in 10 Days or Less (Tricks of the Ton)
[phpbay]how to lose a lord elizabeth michels, 10, 377, “”[/phpbay]
Hero: Sir Peregrine “Perry” Lampman is a good guy and effortlessly charming. He’s the toast wherever he goes. He has many male friends and many female admirers. He’s the toast of most parties as everyone adores him and respects him. He’s a beta hero and is kind in a way more romance novel heroes are not depicted. He stands apart for that kindness and his gentleness. He’s unflappable, sturdy, and trustworthy.
Heroine: Grace Howard is a spinster living with her vicar brother, who is dead at the start of the novel. When Perry offers for her hand in marriage to save her from destitution she confesses that she is not a virgin and once had a child (now dead). She implies the father of the child is dead. He still wishes to marry her because of his friendship with her brother.
Review: The sex scenes in this book are very mild. Perry is invested in them, but Grace is absent. It’s the only word I can think of to describe it. She lies there and holds him but doesn’t actively participate in their intercourse. It made perfect sense in the beginning because of both character’s pasts and personalities. That said, it bugged me that she never allowed herself to be coaxed into a more active role. Was she really so broken? Could Perry’s love not heal her? The inner monologue for both characters was stuck on repeat. All could have changed if they overcame an unwillingness to voice their wants, needs, and desires either because they felt lacking or were too embarrassed or both. In short, this is a slow romance with a focus on renewal and reconciliation. It gets credit for being a different storyline than the usual fanfare.
Buy: The Temporary Wife/A Promise of Spring
[phpbay]promise of spring mary balogh, 10, 377, “”[/phpbay]