Entries Tagged 'Vampire' ↓
March 16th, 2010 — 3 Stars, Book Review, Clumsy Heroine, Contemporary, Love Triangle, Paranormal, Stephenie Meyer, United States of America, Vampire, Virgin Hero, Virgin Heroine, Werewolf, Young Adult
The second book in the Twilight saga is entitled New Moon and if the first book was about finding true love, then this book is about losing true love. I am not particularly fond of this book. It is because it contains so little Edward. We are introduced to the other paranormal group just up the road however. We meet those that live La Push Reservation, home to the Quileute Tribe. Some we've been introduced to before, like Jacob Black. Others are new.
If you couldn't wait for the library to hand you this next book in the series, you read the beginning chapter that was at the end of Twilight. A teaser that leaves you wondering what happens to Bella when she cuts herself at the Cullens house. Her blood makes them thirsty, none more so than Jasper who has the least control. Edward gets Bella to safety but the damage is done.
The next few days he becomes more and more distant to Bella. She's desperate to break through to Edward when suddenly he starts to talk to her again. Only she wished he wouldn't. I wished he hadn't too. He breaks it off with her at the edge of the forest. It is better than the sewers Angel dumped Buffy in, but I was heartbroken and Bella more so. Here it is, I thought, the end of a good story (but just you wait... keep reading).
So deep is her grief over losing Edward she loses herself and becomes a walking shell. It isn't until half a year later that she can even stick her head above the water. She does it only because Charlie is running scared and pulling ultimatums about going to Florida to live with her mother. Bella can't do that. Doing that means leaving the magic of Forks behind and relegating Edward to a memory and not a reality. So she asks a friend to the movies... anything without romance. She couldn't handle that. It's after the movies that the story gains interest again. She hears Edwards voice... in her head. His voice is a beautiful hallucination warning her of the danger ahead.
What follows next is a series of stupid reckless moves as Bella fights to hear his voice. She turns to Jacob Black to help her fix motorcycles, thinking the danger in riding them would provide her with Edward's voice. She becomes Jacob's friend, and over the hundreds of pages left he becomes the sun to warm the desolation of her life. I don't like Jacob. He keeps pushing the friend boundary, so certain of Bella turning to him and forgetting about Edward despite her repeated warnings that she'll never love anyone but Edward.
But then the story changes again and it's like sweet music playing in your mind because you just know Edward's coming back into the picture. And like Bella, you fear you are going to miss him, lose him again. The book ends on the sweetest note imaginable and you close this sad book feeling ridiculously happy. The ending is four and a half stars.
Rating: 3 Stars
Originally posted 2008-11-19 04:13:23. Republished by Blog Post Promoter
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March 13th, 2010 — Music and Video, News, Paranormal, Stephenie Meyer, Vampire, Werewolf
March 11th, 2010 — Music and Video, News, Paranormal, Stephenie Meyer, Vampire, Werewolf
March 10th, 2010 — Music and Video, News, Paranormal, Stephenie Meyer, Vampire, Werewolf
February 22nd, 2010 — 4 Stars, Book Review, Clumsy Heroine, Contemporary, Paranormal, Stephenie Meyer, United States of America, Vampire, Virgin Hero, Virgin Heroine, Werewolf, Young Adult
The first book in the Twilight saga as said by the author in the Amazon interview is about finding true love and is conveniently entitled Twilight. Stephenie Meyer was partial to calling it Forks, the name of the little town Bella goes to live. Her name was chosen because Stephenie Meyer would have named her daughter that if she had one. It fit so nicely with Edward. Bella's full name is Isabella Swan.
Isabella goes to live in Forks, a little town that really does exist on the map on the Olympic Peninsula in Washington State. Forks is full of rain. It never stops raining. It rains so much you never dry out. Isabella is horrified at the idea of returning to her childhood home to live with her father, Charlie, but she is going to go through with it. Bella is like that. Once she has made up her mind she won't change it. The agonizing and worrying and doubting happens during the decision making process only.
Bella moves to Forks so her mother Renee can move around from place to place with her second (new) husband Phil and not feel guilty. She wants her mother to be happy and by going to Forks she'll make Charlie happy. She's going to miss the sunshine and heat of Arizona. But most of all, Bella is going to miss how easily she blended despite her pale skin into the crowds of her large high school. Forks is small and can not hold a secret. Bella is afraid of her first day of sophomore year. She doesn't want to stick out like the clumsy sore thumb she is but knows she will.
At school things were going like she predicted and in ways she wasn't expecting. Boys were paying attention to her, she was the center of attention, and at lunch the most beautiful kids were staring at her. Who were they? Why did suddenly, the most handsome look up and glare at her? At the table sat the Cullens. Each was adopted by Dr. Carlisle and his wife Esme. They didn't hang out with anybody in school. Bella was told they thought themselves better than the rest.
But this did not explain the youngest Cullens' behavior. Why did he act like he couldn't stand her when she had done nothing to him? Why did he try to change out of biology before the school day was over? Why did he skip so much school? Was it to avoid her? Edward Cullens mystified Isabella Swan. That was until she found out he was a vampire. Then it made sense.
The Cullens are different from other vampires. The first of which I can't say since it is fun to hear of it in the third book. The second is because they are in their own terms, ‘vegetarians.' They choose to drink animal blood over human. You can tell when vampires shy from human blood because their irises are gold and not blood red. Bella can tell when Edward is thirsty or mad simply by the color of his irises. At first he is surprised, but then he relaxes. After all she was observant enough to notice he was a vampire when others simply ignored all the signs.
The sentence structure of Twilight is a little choppy and hard to get into. The story picks up, right where the author first dreamed about it. Stephenie Meyer wrote the scene in the meadow first and finished the story before returning to write the beginning. Beginnings are hard, and if you can push past the first one hundred to one-hundred-and-fifty pages then it gets good. That is when the story becomes captivating and hard to put down. Edward and Bella is a classic that only gets better.
Rating: 4 Stars
Buy: Twilight (The Twilight Saga, Book 1)
Originally posted 2008-12-01 01:36:27. Republished by Blog Post Promoter
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February 10th, 2010 — A-C, Erotica, Guest Blogger, Paranormal, Vampire
by Teal Ceagh, guest blogger and author of the Destiny's Trinities series.
I’ve been on a marathon viewing of the second season of True Blood
. The TV series is a huge departure from the Sookie Stackhouse
books by Charlaine Harris, which I’ve read at least twice over, all nine-point-five of them. I’m looking forward to reading book ten in May, when it’s released.
One of the more interesting convergences of the books and the series, though, is the question that constantly plagues both humans and vampires in the series: What is the difference between humans and vampires? And should vampires work to maintain their human-ness, or let it go and embrace their differences?
I find that a fascinating part of both series and I find the same questions tend to creep into the books that I write — although I tend to deal with the questions in much more intimate ways, as I’m writing erotic vampire romances. I love watching vampires struggling with feelings. After centuries of growing cynical and objective about temporal humans, seeing vampires brought to their knees by love, especially love for a human, is an especial treat — and the greater and more powerful the vampire, the more delightful it is to watch his or her topple from their ivory tower.
To fall in love with a human must be devastating for a vampire. They know from experience built over decades, centuries and sometimes even millennia, that the human they have feelings for will soon wither and die and still they cannot help themselves but feel romantic love for them. How does that make a vampire feel? Weak? Vulnerable? Powerless? An idiot? A fool? Human?
What if that human does not want to be turned to a vampire as they age? What if they prefer to age and die and leave the vampire to go on alone through the ages. Or what if the vampires refuses to turn the human when the human requests it?
There are dozens of moral, ethical and emotional questions and dilemmas that sex and romance between vampires and humans beget and beg to be explored. Is it any wonder that vampire romances are so popular? There’s so much uncharted emotional conflict still to be shaped into delicious stories and heart-stopping tales. I know I’m not about to stop writing them any time soon.
Nearly one hundred years after their last dance together, Eva’s long-lost love Edward makes contact again. Eva, now a lonely vampire, can’t resist falling into his arms and under his erotic spell. She’ll do anything he asks of her…
Until the spell is rudely interrupted by Ryan, a demon hunter on the trail of an incubus. He seduces Eva with a searing night of dance and passion—and attempts to avert the disaster that hovers over the delicate, beguiling creature.
Buy Eva's Last Dance
Excerpt
Usual warning folks…This is not kiddie fare. Read at your own moral risk.
Chapter One
Eva brushed her gloved hand down the length of her gown nervously and stepped out onto the roof, her heart pounding. At the other end of the roof, he was standing there waiting for her and she thought she might die.
“Edward,” she whispered, coming to a halt.
“Yes, it’s me.” He came toward her, holding out a rose. “I know it’s a shock but I can explain all that.” He handed her the rose. “Just as I know you can explain how you came to be here. Now.” And he smiled, just like she remembered, his blue eyes dancing, his easy smile lighting up his face. His blond hair was slicked back as always and he wore a white suit, just as she remembered too.
“You don’t look any different,” she said and her voice was husky.
“Neither do you.” He picked up her hand and drew her toward the centre of the roof. “It’s not the Waldorf, but would you care to dance?”
“I haven’t danced since…since then.” She looked around at the paper lanterns he had strung. “What about music?”
He pulled a small remote control from his pocket and clicked it. “Modern living has some advantages,” he confessed and a Strauss waltz emerged from an MP3 player and speakers set up on a small table. Waltzes. She loved waltzes the best and he knew it. She melted into his arms and wished that she was able to cry, to give expression to the overwhelming joy of being nestled in Edward’s embrace once more. Soon she would have to find out how this miracle had happened. But not now. For now she would simply enjoy it.
And dance. It had been such a long time.
Once, long ago, she and Edward had danced every night, their bodies pressed against each other, their eyes locked, the knowledge of their future together written in each others’ gazes.
She turned her head now to look him in the eye. “Edward.”
He looked at her and she saw once again the gleam in his eyes. The dancing had often been their only way of expressing their physical needs for each other, that they would not be able to fulfill until their marriage. Now she saw and understood the lust in his eyes and welcomed it. There was no impediment and her heart raced. As their steps slowed to a gentle swaying, his big hand gathered up the skirt of her gown, lifting it and his mouth captured her lips.
She moaned as his tongue pushed into her mouth, rough and commanding. Fright tore through her. They would never have been this daring when they were first engaged. Their families would have been shocked and horrified at the public display. But the fright was edged with arousal that swiftly overcame the old barrier. She wanted more.
Edward bent her over his arm, his hand sliding under her gown, past her stocking tops, to the tops of her thighs. His hand was cool but nevertheless, she found his touch made her tremble with anticipation. This was Edward, the man she had loved and thought she had lost.
His lips trailed down her throat to kiss her breasts above the low décolletage of her gown and his hand pushed between her thighs. She was slick with moisture and bare of undergarments. She longed for him to thrust his hand—
“Hey, asshole!”
Edward turned his head around toward the access doorway, questing like a wolf surveys the landscape.
Eva tried to stand up, for there was a man on the roof a few paces from the door, wearing a three-quarter length coat against the April chill, his legs spread in an aggressive stance. Black hair that was supposed to be short but needed cutting and glinting blue in the soft lights. Dark eyes surveying them with a world-weary expression and a sharp jaw set at a sardonic angle. Worse, there was a double-barrel shotgun over one shoulder.
Edward made a sound that was inhuman. A banshee howl. And he dropped her. She fell flat on her ass as he turned and strode toward the stranger, careless of the gun he had over his shoulder.
The man flipped the gun over and fired one barrel and Eva screamed as Edward clutched at his stomach with a shocked expression.
“Surprise,” the stranger said. “Think I’d use normal pellets on an asshole like you? Salt bound with holy water, with my compliments.” He walked up to Edward, put a boot on his shoulder and shoved and Edward fell on his back.
“What are you doing?” Eva cried, scrambling over to them.
“Saving your ass, honey. Don’t get in the way.” The man reached under his coat and pulled out a black knife with a flat, wide blade. Edward lay clutching his stomach and gasping with inhuman, whimpering sounds and the man leaned toward him and thrust the knife into his heart.
Eva screamed. She leapt on his back, reaching for the knife, moving as fast as she could but before she could pluck it from Edward’s heart, he disappeared. She stared at the black, smoking outline where his body had been, disbelief crowding all thoughts from her head.
That was when the man flipped her onto her back on the roof and straddled her, his black eyes glinting dangerously. “You’re a fucking vampire!” he railed.
Ryan watched the delicate little blonde’s crystal blue eyes get very large. “How do you know that?” she whispered. “No humans—”
“I just off’d an incubus. You think I don’t know about vampires?” he railed. “Question is, what did the thing want with you? They go after humans. Not your kind.”
“You’re a hunter,” she said breathlessly, fear blooming in her eyes.
“Relax,” he said, sitting back on his heels. “I took vampires off my hit list five years ago. But that still doesn’t answer my question.”
“Edward…was an incubus?” she asked. She looked like she was about to burst into tears and Ryan put it together with an almost audible click. “Jesus Christ, they duped you, didn’t they? Who was Edward to you? An old boyfriend?” He got to his feet. Normally, he would have let her get up on her own but something about her dress—the olde worlde quaintness of it, the long gloves and the way her golden curls were piled on top of her head…or maybe it was just the way her big blue eyes were gazing at him with such desperate need for help and information—whatever, okay, all right, he was a weak-minded idiot—he picked her up around the waist and put her on her feet. And damn but his hands nearly met around her middle.
And just for a second he flashed on a mental image of gripping her waist as he pounded his cock into her petite little package, making her scream his name.
He stepped back, dropping his hands from her waist like she was a hot potato and picked up the shotgun and reloaded it, giving his suddenly shaking hands something to do.
“Edward…was my fiancé,” she said softly. “We were supposed to have married, May 1, 1912. I was to join him in New York and booked passage on the Titanic.” She looked up at Ryan with a small smile. “I was not one of the women who found an early seat on the lifeboats. But a man who found me as I was dying offered me an alternative and I took it. He made me into a vampire, which allowed me to survive the cold that night and pass as human until we arrived in New York on the Carpathia. I could not go to Edward after that. It was part of the price of becoming a vampire.”
Ryan expected her blue eyes to swim with tears, until he remembered that vampires could not cry. He cleared his own throat. “What happened to him?” he asked.
“He died in the great war,” she said softly. “A hero, they said.” She looked over at the still smoking outline of the incubus. “So when I got his note today, saying that he had returned and wanted to see me, I thought that perhaps he had found a way to live on, just as I had.”
Ryan recalled the image he’d seen as he’d first stepped onto the roof—the demon’s lips on her breasts, his hands between her thighs, the gown hiked up around her hips and realized that his cock was straining against his pants, beating a steady tattoo that echoed in his temples. He was lusting after a vampire. Shit. Who’d have thought?
He waved toward the blue satin dress she was wearing. It made her waist look tiny and her breasts look like they might spill out at any moment. The sleeves looked like they would fall from her arms if he gave them the slightest encouragement, further exposing her breasts. He already knew that beneath the long panels of the dress she wore delicate stockings that stopped just above her knees and nothing else.
“Is this what you used to wear, then?”
“Almost,” she said, with a small smile. “My momma would have spanked me for not wearing a corset, or…other items. But yes, this is what we wore then.” And she blushed.
Ryan knew he was lost then. The blush did it. That and the dress that covered up far more than women exposed these days, yet did more to say “fuck me” than most porn. He was gone. Hook, line and sinker. He wanted to wrap himself around her delicate beauty and at the same time pin her to the wall and fuck her until those blue eyes hazed over with sensual repletion.
“So the fucking bastard gives you one dance and you’re putty in his hands,” he ground out. “Didn’t you even stop to ask for his credentials?”
“It was Edward. Why would I ask? And he danced with me. We always danced. We…” Her blush deepened and she dropped her gaze. “We danced instead of…” Then she lifted her head and looked him squarely in the eye. “We danced instead of sex. It was the way of it in those days, Mr.…”
“Ryan,” he said stiffly, as ideas exploded in his mind. “Jesus Christ, you’re a virgin,” he said softly.
“I most certainly am not,” she said stiffly. “I’ve been a vampire for nearly a century, Mr. Ryan. I assure you, virginity is a technicality I left behind a long time ago.”
“Just Ryan.” He held up a hand, frowning. “Technically speaking, you might still be. These things count in the demon world, let me tell you. I’m not talking about toys, or other vampires, or the loss of a hymen, if that’s what you mean.”
Her chin remained up but her blush deepened and he knew he’d hit the mark. He put the shotgun down again, to make himself less threatening and dropped his hands to his sides. “Have you ever had sex with a human male?” he asked softly.
She took a breath. “No,” she admitted.
He nodded. “That’s what the incubus wanted—your virginity. They prey upon humans because they’re easy marks but finding virgins is becoming more and more difficult for them. But when they do, they get all the power that comes with that virgin’s blood. But a virgin vampire’s powers? Sex with you would give them power beyond belief. No wonder they went to such effort to fool you.”
She backed up and sat quickly in the fold up chair next to the table, like the strength had suddenly run out of her legs. “I had no idea,” she said.
“There’s a war on,” he said dryly. “Didn’t they warn you about this stuff?”
“I’ve never… I didn’t tell anyone,” she said.
Ryan knew he had to give her the rest of it. “They’re going to keep coming at you, you know.”
Her blue eyes looked up at him helplessly.
“They’re going to keep coming at you until you do something about it,” he finished harshly.
“What do I do?” she whispered.
His cock throbbed. “Have sex with a human,” he said. He fought for a casual, offhand tone. “I’m willing to help out, if you want.”
To buy this book from Ellora’s Cave, click here.
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Giveaway: Teal is offering to giveaway one copy of any of the three books from the DESTINY’S TRINITIES series, (BETH’S ACCEPTANCE, MIA’S RETURN or SERA’S GIFT). The winner gets to choose their prize. As they’re a series, it’ll depend on what the you have read so far, as Teal says they really need to be read in order. To enter leave a comment. One entry per relevant comment; multiple entries allowed. Ends: February 28, 2010. Good Luck!
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January 29th, 2010 — News, Paranormal, Stephenie Meyer, Vampire, Werewolf
The official countdown for June 30th has begun. That means it’s time to get ready for your Eclipse party. Every Twilight themed party needs games. Below are some of the games you can entertain your party with while waiting in line or at home before/after the movie:
Eclipse Movie and Breaking Dawn
Forks Yearbook:
You will need paper, pencils, and a timer.
How to Play: Players have one minute to name all the characters, actors, and places in the Twilight Saga that start with any given letter of the alphabet.
Who Wins: The person with the most names listed or with the most unique names listed (derived by crosschecking everyone’s lists) wins.
Twilight Charades:
Divide the group into Team Jacob/Werewolves and Team Edward/Vampires. Evenly. If there’s an odd number, have the person who sits out designate what the others will act out and keep time.
How to Play: Every member of the Jacob/Werewolves Team will impersonate a vampire or human character. It’s up to Team Edward/Vampires to figure out who they are as quick as they can. Afterwards it’s time to switch and the Edward/Vampire Team will impersonate a werewolf or human character (preferably different humans than already depicted) with the Jacob/Werewolf Team guessing.
Who Wins: The team with the shortest time wins!
Alice’s Visions:
(Game Name taken from Twilight Scene-It.) You will need paper and pencils or a chalkboard/dry erase board and chalk/markers.
How to Play: Players will try to stump the group by drawing scenes from the Twilight and New Moon movies. Each drawing is given three minutes. How many turns taken depends entirely on the amount of players participating, if necessary divide group into teams again. For every drawing guessed correctly, the guesser/team will get a point. In team play, if at the end of three minutes the scene is still unknown the team of the drawer will get one minute to guess. If they get it right the team earns two points.
Who Wins: Team with most points.
Eclipse Jeopardy:
If a small party, play as individuals. If a large party divide into teams.
Set up: You will need index cards, pencils, and tape. Come up with 5 questions to fit 6 categories for a total of 30 questions. Put the questions and answers on one side of the index card and the value amount for the question on the other side. Create a board from the index cards by taping them up on a wall or window.
How to Play: A player or team will pick a category and dollar amount. Someone will take the index card down and read the question on the back. A correct response earns the dollar value of the clue. If the response is incorrect, reveal the answer and no points are distributed.
Category ideas include: Individual Actors, Entire Cast, Movies, Twilight, New Moon, Eclipse, Vampires, Werewolves, Humans, and Stephenie Meyer.
Who Wins: The person or team with most money at the end of the game.
Newborn Hunt:
Play in backyard, at a local park, or soccer field. You will need a flashlight and perhaps a pair of extra batteries.
How to Play: This is a mix of hide and seek and tag. Players try to hide from the seeker who guards the jail or safety zone depending on rules. If it is the jail, then all players hit with the light must go to the jail and wait. If it's the safety zone, players will try to get there while avoiding the seeker.
Additional Ideas for Game Play:
- Have players form pairs or teams. Any untagged pair or team member can release a caught person from jail.
- If teams are formed and there's no jail, just a safety zone, you can play by points. Team with the most safe people at the end of two rounds wins.
- Play starts with just the seeker, no teams, as the seeker tags other players, these players join in the hunt. The winner is the last man standing. If a new round begins, the last player tagged is now the seeker.
Who Wins: No real winner. Game is ongoing as the seeker position is handed over, usually to first person tagged.
Standard Games:
Eclipse Game Prizes and Party Favors:
If you’re interested, here are some ideas for party prizes and favors.
Got other party ideas? Share them below!
Adapt New Moon Party ideas to your Eclipse Party: New Moon Bash: Party Ideas!; More New Moon Movie Party Ideas
Twilight and Eclipse Party Favors:
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January 12th, 2010 — About, Contemporary, Poll, Stephenie Meyer, United States of America, Vampire, Werewolf, Young Adult
Boy Type: Aloof Artist
Edward Cullen is the gorgeous aloof boy who sits with a select group of people at lunch. He keeps to himself and has a fantastic brooding expression that simply makes the girls drool. He's into music: listening to it, playing it, and creating it. On top of all that he's a vampire and that gives him the bad boy edge. Can we say swoon?
- Jacob Black
Boy Type: Mr. Fix-It
Jacob Black is the ultimate handyman. The place you're likely to find him is the family garage as he loves cars and spends all his time, efforts, and money fixing them up. In fact, Bella's truck is just one of his pet projects. Jacob is good at fixing more than just cars-- he can fix problems and people too. Must be his warm and fuzzy nature. His friendship with Bella is what brings her out of the dark in New Moon.
Boy Type: Guy Next Door
Mike Newton is the boy next door. His life is pretty easy. He has good friends, a good family, a good entry level job, and good looks. He can be pretty bright too and make smart observations. He wishes Bella would give him the time of day. He's persistent to a point and yields defeat when it's apparent things won't be changing.
Boy Type: Sweet Nerd
Eric Yorkie is on the school newspaper, part of the yearbook staff, and on prom committee. He's active and smartly dressed, a little dorky, but that's all part of his charm. He's not used to asking girls out and misses his chance more than once. Perhaps all he needs is a little nerd girl loving!
Boy Type: Popular Jock
Tyler Crowley is the popular jock. He's definitely into something athletic like basketball or football. Like Mike Newton, it's not hard for him to find a date, unless it's expecting that date to be Bella. Tyler is a flirt and very outgoing. If it isn't his muscles flashing, it's his shiny car as it comes toward you.
Loading ...
Originally posted 2009-05-15 05:19:28. Republished by Blog Post Promoter
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December 23rd, 2009 — Defining the Genre, Paranormal, Time Travel, United States of America, Vampire, Werewolf
What is paranormal romance?
Well we can easily define paranormal romance as subgenre of romance. But what is it really? Paranormal romance combines the supernatural world with that of the real, the natural, the plain. One lover is sure to be something special and the other lover is special because they are so plain; something is found in their ordinariness that strikes a cord with the extraordinary lover.
More than not these stories take place in America, especially when dealing with vampires, but it's not a requirement for the genre. Paranormal romance usually blends mystery, thriller, or suspense as part and parcel of its tale. You could consider these novels to be more than a bit Gothic in theme. Anita Blake Vampire Hunter and the Twilight Saga are two such series that can be found within the category of paranormal romance.
Why do people like it so much?
The sales of paranormal romance have risen over the years. It is not uncommon to find several titles of paranormal fiction in romance aisles. Why is that? As I said when discussing Edward and Bella in the Twilight books, I believe it is because we are all craving that extraordinary romance.
As with time travel romances, paranormal romances that involve vampires have that glorious advantage of a love out of time. One person waits, separate from the time stream of the normal world with all its stresses and hectic schedules just for you. Waters run deep in the one that has been waiting, he (or she) knows just what it is like to live a small eternity in loneliness and now that you've been found, you won't be let go. He (or she) will love you forever.
Besides vampires what fits into this category?
Magic users, lycanthropes (like werewolves), selkies, fairies, ghosts, superhuman capabilities (like flying), gods and goddesses, and angels and demons are all perfectly acceptable.
If you have more on the subject of paranormal romance feel free to add!
Originally posted 2008-07-01 08:32:53. Republished by Blog Post Promoter
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December 12th, 2009 — Author Interviews, Erotica, J-L, Vampire
Today's intimate interview is with Rhonda Leigh Jones, the author of Maestro's Butterfly, which was reviewed the other day. I'm excited to share her with you today as we're going to be discussing audio books, epublishing, her books, writing and more!
Q: I have just finished listening to Maestro's Butterfly on audio and it was wonderful. What was your inspiration for the book?
A: First of all, thank you for listening, and for having such kind things to say. For me, characters usually come before story, and so I was aware of Claudio for some time before I began to write MB. I didn't know his name at first; I just had a face and the hint of personality. That actually came from a minor character in a movie I'd watched.
Q: Have you had the chance to hear your audio book? How did you feel hearing your writing the first time?
A: It was both thrilling and painful! Thrilling because Rebecca did such a wonderful job. I really wasn't expecting French accents and the whole nine yards, and so it was a great pleasure to hear someone "act" my story. But hearing her say some of the things I'd written made me blush terribly. I kept putting my hands over my ears and saying, "No, turn it off; turn it off!" And then, "Turn it back on!" I can't believe I write these things, lol.
Q: What do you think of your narrator and the voices? Did she give you chills? My favorite voice was that of Claudio. Shiver. Grin.
A: Yes, it's pretty amazing that, on one level, you hear this woman reading the part, and on another level, you hear his voice, at the same time. I think she did a great job with Claudio. He was so much fun to write. If I have a character that could be considered my "Lestat," meaning that I love him as much as Anne Rice
obviously loved Lestat, then that would be Claudio. He's such a beast, lol. There is an interview with him on my blog by the way, and another with Chloe.
Q: Do you think readers get more out of the audio version than they do in the print?
A: I think it depends on the reader. And I think it's hard for the writer to say, because I'm so close to the material. I personally get a lot out of the audio version because I've been looking at this book in print for years, and I'm fairly sick of seeing the words. But when it comes to me in a different format, it's like experiencing the story for the first time. For the first time, I can really step back and see - or hear, rather - what I did. I'm very glad there is an audio version because I know that there are plenty of people who would rather experience books that way. And who knows? Maybe some readers will like the story so much they have to experience it both ways.
Q: Do you prefer listening to or reading erotica?
A: I would rather read it because, honestly, I tend to skip a lot. I'm a very tough customer, and easily bored. Especially when it comes to sex, because my buttons are hard to reach. And I'm a very visual person. And if I'm terribly interested in a story, I'll devour it quickly, which you can't do with audio.
Q: Can you share a bit about Maestro's Apprentice and Maestro's Maker? What order should your books be read or does it matter?
A: Maker is the second in the series, but it's actually the prequel. It's the story of how Claudio became a vampire, and it's set at the beginning of the French Revolution. "Claudio" is actually an Italian name, so we see how he got that. If you look beyond Claudio's arrogance and his frightening qualities, you'll see that he really is a very loyal man who is very concerned with family. Maker goes into that, and also reveals some of the reasons why that is true. And there is another person in the book that Butterfly readers will know. Apprentice takes place right after Butterfly, and focuses more on Adam, although it's really more about one of the feeders. All of these books are really about how Claudio affected other people. So, though he's the series main character, the books have their own main characters-the women he has affected.
Q: Of the three works, which is your personal favorite and why?
A: Easy! Maestro's Butterfly, because it was the first. It was the work that really taught me how to write a novel. I suffered terribly while writing it because I wasn't sure at first what the story was, but Claudio's presence was so strong I couldn't stop tinkering with it. It was a very romantic time of my life. I spent many late nights working for my vampire muse. And it led to my meeting one of my best friends, who is also a writer with a sexy vampire. We would both be up working late, and so ended up emailing and supporting each other quite a lot.
Q: I sort of have this mental picture of Claudio in my head and you mentioned earlier that he was inspired by a minor character... so dish if he were played in a movie by an actor, who would it be?
A: LOL! Stephen Rea, because he looks like Rea's Santiago in Interview With the Vampire. Except that was 20 years ago, so Rea is a bit older now, so we'd have to get someone younger. But Victoire would definitely have to be played by Adrien Brody, lol.
Q: Tell us a little about your experience with Ravenous Romance and epublishing. How are you finding the whole affair?
A: That would be so much easier to answer if I had something to compare it to! They've been very good about keeping in touch and troubleshooting things and listening to me. I know that friends who are published by traditional publishers have communication issues that I don't have. And if a mistake is made, it's very easy for Ravenous to fix it. They seem very enthusiastic about what they're doing. In addition, I think they're on the cutting edge, because the industry is changing, thanks to the alternatives that technology gives us and the shifting economy. I really like the idea of epublishing for various reasons. It's greener. It's convenient. You can have so many more books this way. So I've been happy with the experience. And I think the name is perfect, since my first series happens to be about vampires!
Q: What do you think makes a great [written] bedroom scene?
A: I'm glad you asked me this, because almost everybody does it wrong. A great sex scene is all about the conversation. It isn't enough to tell readers who is doing what to whom. Let's face it: Sex is basically "insert Tab A into Slot B." The rest is foreplay and there are only so many variations. Once you see where a scene is going, physically, you don't need to read the rest. However, if the scene is about how and why this or that is done, then you have a conversation. If you stress the conversation, then you have as many unique scenes as you want to write. The conversation of sex is going to be different at different times, even with the same couple. The actions should show mood, power structure, and whatever else is going on in the person's mind.
For instance, think about blow jobs and power. If the dominant male demands that his submissive female give him a blow job and she complies happily, that is one story. But what if she is angry with him? That should come out in the scene. What if it is a dominant female giving her submissive male a blow job? What if she is angry with him? See how many different scenes you have? And all with the same act. Nuance is everything.
Q: Got any pet peeves when it comes to romance or writing?
A: I hate HEAs. I do. I like a certain realism in writing and I don't want things tied up neatly at the end. It seems silly to me. So I write Happy For Nows. I like to have the suggestion of motion present, even at the very end. I prefer grit and darkness, which is why I write about things like punishment. Real corporal punishment is something you will see in every erotica story I ever write. As far as writing in general goes, I don't like it when authors get so happy about what they can do with words that they forget to tell a good story. If you must sacrifice prose or story, sacrifice prose.
Q: Is there anything else you'd like to share with us?
A: I can't think of anything at the moment, but something may come later.
Thanks again. 
Rj
It was a pleasure to talk with you Rhonda! Be sure to check out Rhonda's blog at http://rhondaleigherotica.blogspot.com.
You can buy the audio version of Maestro's Butterfly here.
Originally posted 2009-03-16 05:20:18. Republished by Blog Post Promoter
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December 9th, 2009 — 4.5 Stars, Book Review, Contemporary, Erotica, J-L, Kidnapping, Musician, Paranormal, Rape/Abuse, Runaway, United States of America, Vampire
Listening to the Maestro’s Butterfly is an experience that will leave you flushed and begging for more. You’re in luck too because there are two more books after this! Rebecca Rogers is a truly phenomenal narrator. Her character voices are a treat and she’s a real actress. Quivering sighs, harsh words, moans, groans, she does them all without ever breaking form. Rogers draws you into Jones’ secret world of vampires and you can not escape… just like Miranda you are trapped, captivated and set a fire.
Jones' mythology is unique. Her vampires have heartbeats, never get sick, can't reproduce, and fangs that extend. The feeders once bitten become the perfect meals, producing more blood, become slightly stronger, and live longer younger. Holding one's breath even ruins the flavor of blood. To be taken by a vampire is to know the true meaning of sex as they love to combine feeding with intercourse.
In the Maestro’s Butterfly, Rhonda Leigh Jones sets a sexy stage and does not fail to deliver. If you’re into dominant/submissive power plays, vampires, and kinky sex you will love this story. There are elements of S&M, including whipping, public/stage sex, voyeurism, sex with multiple partners (not at the same time unless you count in sync with watching others), and anal sex. Very hot!
Miranda wants to be dominated. She wants to include fear, surrender, and the unknown in the bedroom. She longs for it and is afraid of her desires. Her dreams involve running down darkened streets and being caught and forced upon by the mysterious hunter. In her day life she’s a musician and with a lucky break gets Claudio du Fresne to tutor her for half price. One night after a performance of his, he invites her back to his place and along the way they strike a bet. He will be the partner she has always dreamed of and if at the end of 30 days he will make her his forever… if not she will allowed to leave and he will continued to tutor her at the prearranged deal.
But there is a darker side to this story. Miranda is unaware of Claudio being a vampire. That’s not all… in addition Claudio has struck another bet, this time with his brother, Victoire "Jack" du Fresne. If at the end of 30 days Miranda stays with Claudio, Jack will pay for Claudio quarter of a million dollar performance piece. If however, she bolts like Jack suspects, Miranda will belong to Jack… whether she wants to be or not.
Rating: 4.5 Stars
Get the audio version here.
Originally posted 2009-03-15 05:57:29. Republished by Blog Post Promoter
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December 9th, 2009 — 3 Stars, Book Review, Contemporary, Crime and Protection, G-I, Lycanthrope, Necromancer, Paranormal, Rape/Abuse, Survival, United States of America, Urban Fantasy, Vampire
Ever start a series and just want to keep reading it even when parts of it make you want to abandon ship and never look back? Anita Blake is like that for me. It's very love-hate right now when earlier it was all love-love. There have been times when I was so disappointed in how the story was progressing that all I wanted to do was dump the books off my keeper shelf and lock them away forever in a silver chain wrapped coffin. Other times I was so giddy with glee over what was happening that I could hardly stand how much time it took to read a page and turn it!
I surprised myself by picking Skin Trade up in the library recently. I’m glad I did because the last few books bummed me out a lot. I have very definite opinions on this series and how exactly I want Hamilton to handle Anita Blake’s ardeur. She’s got lust and anger versions of it and I am still anxiously waiting for it to turn solidly into love because as Anita says she’s got too many men on her plate! (Of course I love 90% of them and would hate to see them go but the large cast makes it hard I feel to truly develop them into full fleshed out characters.)
Skin Trade starts with a head mailed to Anita at her Animators Inc. desk. The message in St. Louis and Las Vegas is clear: “Come and Get Me.” Vittorio is a serial killing master vampire with extraordinary powers and a penchant for strippers. Joining Anita are Marshals Otto Jefferies (Olaf), Ted Forrester (Edward), and Bernardo Spotted Horse giving Skin Trade a feel of Obsidian Butterfly
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Jean-Claude is upset to find Anita has run off again to solve crime without notifying him. He sends her a team of bodyguards that double as food: notably Wicked and Truth, the bad boy vampire brothers. They get to star in very yum scenes later in the novel.
If a serial killing vampire on the loose with an unheard of weapon wasn’t bad enough Marmee Noir makes a reappearance giving Anita all kind of trouble (and I suspect that though she seems to be taken care of that in fact won’t be the case.)
Beyond vampires, Anita is having trouble controlling her gifts such as keeping shields in place and is dealing with local cops attacking her sex and personal life every chance they get. It got to be very frustrating because every time you thought the trust and dislike issues were solved they cropped up again.
Overall it wasn’t a favorite of mine, but it wasn’t half bad. I can’t wait to get back to St. Louis and Jean-Claude.
Rating: 3 Stars
Buy: Skin Trade (Anita Blake, Vampire Hunter, Book 17)
PS On one note as I was checking out the upcoming ABVH novels on LKH's site, I was surprised and as creeped out as LKH that a lot of readers like Olaf romantically. Say what?! He's not Edward. The man's an absolute crazy sociopath/serial killer! No. Bad reader. No cookie for you!
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December 7th, 2009 — Author Interviews, Contemporary, Historical Romance, Paranormal, Regency, S-U, Vampire
I can't think of a better way to start the weekend off than with an author interview with romance writer Lynsay Sands. I got the opportunity to pose a series of questions about her writing and tips and advice for new writers. Her responses are a joy to read! Thank you again, Lynsay for interviewing with us, and now on with the interview!
LRP: So first question, what do you enjoy doing besides writing?
Lynsay: Walking and nature. Luckily the two things go together.
LRP: You like to write paranormal romance on top of historical. What do you think is the appeal of vampires?
Lynsay: Actually, I just like to write, period. I don't prefer any genre. I have written medieval, regency, vampires and shape shifters. I've also written contemps and will do so again. I wouldn't mind trying my hand at horror too, although I don't think I write dark enough. My horror would probably be black comedy rather than strict horror.
As for the appeal of vampires, I can't really answer that, that's not what it's about for me. With the Argeneaus it was the family and the situations that appealed to me. The vampire stuff was just handy as a problem of sorts, something that was both a blessing and a little bit of not-so-much-a-blessing at the same time. These are people who just happen to be vampires. They still have the same issues everyone else does.
LRP: How do you decide on character names and book titles?
Lynsay: That is the hardest and most important part for me. The names usually have a lot to do with their character for me and when I say I struggle at the beginning of writing a book, the name is part of what I'm struggling with. I can change the name several times until I find the character and the name that suits them.
As for book titles . . . I suck at those and my editor is always changing them. The Accidental Vampire is one of the few they didn't change.
LRP: What is your advice to would-be authors?
Lynsay: Write what you enjoy and do it for your own pleasure. Do not go into writing for the money, or even thinking you'll make any. Most writers don't make much money. I've been lucky of late and can work at only this, but most writers have to continue to work a day job throughout their career. And this is HARD work. Believe me. At least it is for me. I work long hours. It isn't just the writing you have to do. You come into it thinking it will just be writing your stories, but there is the writing of the book, the corrections, the proofs, the fan letters, the promotional stuff they want you to do, etc. etc.
And then it isn't like accounting or engineering where if you get it right, it's just right across the board. Writing is more subjective and a story is NEVER just right. You can't please everyone and there is ALWAYS going to be someone who hates your story and seems to delight in telling you that. Even those who like them overall, may criticize the pants off you for something. That is life as a writer. You either develop a thick skin quickly, or . . . So make sure you love it if you're going to give it a go.
LRP: How long does it take you to write a novel on average? What work took the shortest amount of time and what book gave you the most trouble?
Lynsay: Usually a month for the first round, I tend to write them straight through. The fastest I've ever written one was two weeks. That was my first book, The Deed. The one that gave me the most trouble was A Quick Bite. It was my first book for a new publisher and I was a bit anxious (read panicking like CRAZY) so I really struggled with it.
LRP: How do you handle writer's block? (Or better still... coffee or tea?)
Lynsay: Tea . . . and sometimes coffee. As for writer's block, moving work to a coffee shop and writing there by hand in a notebook usually loosens things up.
LRP: What is your favorite aspect of writing?
Lynsay: Finishing it. LOL. That's not really true, though sometimes it is a relief to print them up and send them out. There are several aspects of writing that are great. Working from home is one. My commute is a short walk to the sunroom and I can go there in pjs or a toga if I like (grin).
Making my own hours is nice too, although with me, I tend to not know when to stop, I just work around the clock which isn't good. But I guess the stories themselves are my real favorite part. I am experiencing them as I write them. It's kind of like reading them but it takes longer and involves more work (grin). However, I laugh, or smile my way through the stories, and sniffle at the occasional touching scenes too and for me, that's probably the best part. I get to enjoy the stories as I write them, and I write exactly what I enjoy. I'm just lucky others seem to enjoy them too.
LRP: What do you think makes a good bedroom scene?
Lynsay: I'm not sure. I've been told I write them well, but I'm not sure that's true and if so why it is. I have a friend who has a real struggle with the sex scenes. I think she thinks too much. She seems to think people will think it's her sex life she's writing about, so she gets all self-conscious and is very stiff when writing them. I don't get caught up in that. For me the beginning of the book is where I struggle. I can often write the first chapter or two twenty or more times. I've come to realize that what's happening then is I'm getting to know my characters. Once I have a handle on them (how they think, feel, react, etc) the stories usually flow after that and become a film in my head that I'm just typing up as quickly as I can, sex scenes and all. That gives me a certain amount of distance from it all I guess and less self-consciousness than others might suffer.
LRP: What do you hope your readers will gain from your books?
Lynsay: I hope they get an escape from their everyday lives, a chance to relax and hopefully smile if not laugh. I don't aspire to write something that makes them stop and think or changes their views on anything, I just think life is tough and we all need a break from it and I hope my books give readers the opportunity to do that
LRP: Thank you again Lynsay, for taking the time to answer all my questions.
Lynsay is really friendly and welcomes questions. Be sure to visit her website @ http://www.lynsaysands.net/.
Lynsay also writes a blog, which you can visit @ http://lynsaysands.spaces.live.com/.
Don’t miss out on her upcoming vampire novel this fall: The Rogue Hunter (Argeneau Vampires, Book 10)
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What's your favorite book by Lynsay Sands?
Originally posted 2008-11-23 19:17:17. Republished by Blog Post Promoter
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December 5th, 2009 — Alien, Demon, Dragon, Fey / Fae, Ghost, Lycanthrope, Magic Users, Merman/Mermaid, Necromancer, Paranormal, Super Hero, Supernatural, Vampire, Werewolf
Truth or another whiny complaint from males about our reading material? Does paranormal romance hopelessly increase our expectations in a man? Let’s examine the paranormal hero to find out:
- He isn’t human. The paranormal hero is vampire, lycanthrope, demon, shapeshifter, angel, or other. Can a normal man get that irresistible dangerous edge? Yes, and he needn't even have a romantic suspense hero occupation. Role play and grab that Halloween cop uniform! Practice your growl. We love it when men growl their excitement!
- He has otherworldly powers. The paranormal hero is powerful in many aspects from his body to his personality, from his wealth to his influence and even to the impossible. Just because the paranormal hero can enter our minds, doesn't mean a real man can't guess what's in ours. Hint: A glass of wine, and a backrub will give any man superhuman powers.
- He’s ridiculously good looking. It’s our fantasy! Besides have you never heard of a gym? You expect us to be perfectly coiffed, made up with shaved legs, I think a few hours in a gym is not asking too much. Quit complaining and give me twenty! Or two hundred as twenty a six pack does not make.
- He’s an out of this world lover. The paranormal hero is a skilled lover. He’s sex walking and a giver of multiple orgasms. Nervous? Don’t worry. Real men can be phenomenal lovers too. It’s all about the E^E equation: Experimentation ^ Experience = Amazing in Bed.
- He’s too perfect. Not all the time! If the paranormal hero didn’t screw up sometime he wouldn’t be so perfect now would he? Flaws create the perfect character. Real men have flaws too.
Conclusion: Paranormal men sparkle. Real men can sparkle too.
Photo Credits: http://weheartit.com/
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November 30th, 2009 — 5 Stars, Book Review, Clumsy Heroine, Contemporary, Love Triangle, Paranormal, Stephenie Meyer, United States of America, Vampire, Virgin Hero, Virgin Heroine, Werewolf, Young Adult
Book three in the Twilight saga is by far my favorite of those books published. (Breaking Dawn, book 4, is coming out in August)
Eclipse is simply beautiful. It’s longer than the other two books but does not contain chapter one of the next book (darnit!). In Twilight, true love was found. In New Moon, true love was lost. In Eclipse true love is a choice.
Eclipse is all about Jacob and Edward and their love for Bella. Edward hates Bella’s attachment to Jacob, but he feels he should not get between. Why? Simply put, because Edward feels he should suffer the consequences of his actions last year. That having to deal with Jacob is part of the price he has to pay for his foolish decision to leave Bella.
Victoria, the vampire out to get Bella from the last book is still at large. It is Bella who puts all the clues together and comes up with the answer. Edward and Jacob and the rest of the Cullens and Werewolves have to work together to protect her. Are the dogs and bloodsuckers really going to work together? Hmm… you could say trouble is in the air.
I have three favorite scenes in this book. The first is the night Bella goes over to the Cullens for her weekend abduction (this is part of the plan with the werewolves and the vampires) and stays with Edward alone. I won’t say exactly why I like this scene, but if you could probably guess if you have read the other books by this point. I loved it. It is hands down the best scene out of all three books. I laughed out loud quite a few times because of Bella's remarks.
The second is Bella’s quasi dream where she overhears Edward and Jacob talking in the tent. Jacob asks that Edward speak plainly since he can’t hear his thoughts like Edward can hear Jacob. They talk about Bella and Edward is so noble in this scene you just want to find him and cuddle him to death. Pun intended. Their truce ends at daylight.
And lastly I loved the ending scenes from the time Bella stops crying to the very end. They feel like one big scene, culminating once again in Edward and Bella’s meadow. It is here he’s determined to be the selfless he’s ever been. He’s been watching her and it seems she’s doing everything everybody else wants, making them happy at her own expense. So he puts his wants aside and lets Bella choose how to best make herself happy. She’s happy right where she is and the other pain will fade in time… she hopes.
The point of view changes from there to Jacob’s and as I read it I was feeling vindictive. Not a very nice thing to begrudge a fictional character, but I was glad for his pain. I still am. It’s just another sign in my opinion at Stephenie Meyer’s skill at writing her own characters. We don’t get that wrapped up in the story too often. It is very rare, last seen in Harry Potter, the story of the boy wizard. I hope you will pick up this saga and find yourself as riveted by this compelling love story as I was.
Rating: 5 Stars
Happy Readings!
P.S. What book four will be about I can not begin to guess. True love is able to heal all wounds? What do you think? Leave a comment and tell me!
Originally posted 2008-11-27 10:05:57. Republished by Blog Post Promoter
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, 
, 
- More fun than Barbies! From what I can tell, they're better looking than the Twilight versions of the characters.
- Cute shirts are a complete win!
– snuggle up with your favorite love triangle
– snuggle up with your favorite werewolf
– snuggle up with your favorite vampire
- snuggle with your favorite couple.
– because we all are
or 
– a surefire crowd pleaser
– listen to the first book in your favorite YA series
– time to feed the human… for the Bella Swan/chef in you
