Reviewed by Sandra Scholes
Considering he thought he was only as good as the subjects he painted, prominent artist, Giovanni di Matteo is a modest man and often wonders why women of a certain age throw themselves at him, and although others who have commissioned paintings from him think him as an amazing artist, he is unsure of his talents. Giovanni has been at the top of his profession for many years since he had come to England, but his enthusiasm for painting as waned, his muse, his subject matter, not piquing his interest.
Although Giovanni is supposed to be commissioned to paint Lord Armstrong’s sons, he has a yearning to paint his daughter Cressida once he sets eyes on her, even if she is forbidden to him. Cressida, like Giovanni is intelligent and accomplished in scientific matters. She lives and breathes it and isn’t one to consider men, let alone marrying one that her father arranges. He does not regard his daughter as anything other than marriage material, while his sons are those he holds in much higher regard; so much that he wants him to paint his sons rather than her. For him this is annoying as all he wants to do is paint the elusive and attractive Cressida. When they talk in her father’s absence, she points out his dissatisfaction at his own work. He believes it only relies on the rules and principles of mathematics to appear brilliant. His work wasn’t always like that, earlier, he painted from the heart, full of enthusiasm and vigour, and even if he got harsh criticism for being at one with his art, he at least was true to himself back then.
Marguerite gives readers a first hand account of what Giovanni is like as a person. They get to see his whole personality in this volume, his thoughts that his painting hasn’t inspired him until he meets Cressida, the woman who fires his heart and gives him the drive to paint again. Giovanni finds her a beautiful woman who is overlooked by her family, mainly her father who is more concerned with his precious sons. It is easy to get into the story and the characters are made real by their backgrounds and personalities. Readers can be sure they will be entertained by this story, and it will be one to introduce them to future novels by this author. This is steamy and romantic, and one that if you don’t already, you will have an interest in art by they end of it! This is well worth a 5 star rating.
- Marguerite Kaye has an excellent grasp of the technical process of art, and the reader can feel she has researched it in full to make her character of Giovanni Di Matteo believable.
- Cressida plays the role of the ‘ugly duckling sister’ very well, yet doesn’t realise how beautiful she is inside as well as out.
- There is the contrast of Cressida’s cruel stepmother and father to her natural niceness.
What’s not to like?
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