Review: Love at First Flight by Marie Force

If you're a LRP virgin, you may want to subscribe to my RSS feed. It's free and easy! See you tomorrow! ~Keira.

arcrev1

Based on the back copy, I was fairly certain that at best this book was going to be disappointing. I couldn’t have been more wrong. The novel while sounding like it would be better in theater then in print is very entertaining. The hero and heroine start off in relationships with other people. They meet at an airport on their way to Florida to meet their respective partners. Both are long term relationships.

Juliana and Jeremy have been together for so long, their names sound as comfortable as peanut butter and jelly. Juliana is surprised to see sadness in Jeremy’s eyes when they make love. The next morning a woman calls and Jeremy tells Juliana he’s been wondering what it would be like to be with another. Devastated by this revelation, Juliana insists on breaking up – but Jeremy doesn’t want to do that. So Juliana enforces a three month separation where they can do whatever they want with whoever they want and decide later if they want to get together again or stay apart.

Michael has a big case starting. All he wants to do is write the opening for it. Instead he’s participating in a three-ring circus that is his engagement party to Paige. In reality it is a political party for her father, the Admiral. During the party, Michael sees his whole life unfolding before him jumping through hoops to please his fiancee and her dad. He begs Paige to marry him now and forget the lavish marriage ceremony, something Michael is sure she wants more than the groom. When she refuses and he finds out about her most recent manipulation he calls it off.

Juliana and Michael reunite on the return flight to Baltimore/D.C. and catch up. When Juliana’s car won’t start it becomes the beginning of a beautiful and lasting relationship… with one or two hiccups along the way.

Rating: 4 Stars

Buy: Love at First Flight

NEW Love at First Flight Force Marie 9781402220067

NEW Love at First Flight Force Marie 9781402220067

US $5.99
Sale

Originally posted 2009-07-09 03:44:26. Republished by Blog Post Promoter

Online Stores

Audio Review: Vision in White by Nora Roberts

I got the audio book of Vision in White after listening to Bed of Roses. Emily Durante reads it and does a pretty good job at it. She’s probably the only reason I kept listening to the novel. Vision in White is not nearly as good as Bed of Roses. It reads like a Nora Roberts, but it doesn’t feel like one.

The chemistry between Mackensie and Carter is fairly flat. Nora didn’t put much effort into them and it shows. In fact, I think they’re very poorly suited. Mac’s commitment phobic and neurotic. Her craziness will apparently pull Carter out of his quiet shy shell. Carter is meant to subdue Mackensie’s neuroses and add stability to her life. Honestly? I think they’d kill each other or divorce in five years, three if something happened to draw their ire sooner.

Much of the book is filled with Mackensie’s inability to deal with her dreadful mother. Mac is strong in everything but unable to stand up for herself. The woman ill uses Mac and plays every manipulative trick in the book. Mac and Linda both needed to grow up and deal with one another like human beings. It was too much and took too much away from developing the relationship of the main characters.

Carter is a beta hero. He teaches at a local high school even though he has a Ph.D. from Yale. Despite being very insecure with poor social skills when it comes to women, he is somehow an animal in the sack. Oh really now? Hmm… I would have been happier with a virgin hero or Mac taking him in hand and showing him the way.

I kept waiting for some actual conflict or drama to develop. Nothing ever really happened between Mac and Carter. Corina doesn’t count. It was very slow going.

Rating: 2 Stars

Buy: Vision in White, Vision in White (An Unabridged Production)[8-CD Set]

Vision in White Bride Nora Roberts Nora Roberts G

Vision in White Bride Nora Roberts Nora Roberts G

US $8.99
Sale
VISION IN WHITE by Nora Roberts CD

VISION IN WHITE by Nora Roberts CD

US $22.00
Sale
NEW Vision In White Roberts Nora Durante Emily

NEW Vision In White Roberts Nora Durante Emily

US $14.62
Sale
VISION IN WHITE NORA ROBERTS UNABRIDGED CD Audiobook

VISION IN WHITE NORA ROBERTS UNABRIDGED CD Audiobook

US $14.99
Sale
VISION IN WHITE unabridged audio CD by NORA ROBERTS

VISION IN WHITE unabridged audio CD by NORA ROBERTS

US $27.99
Sale

Nora Roberts Vision in White BRAND NEW 2009

Nora Roberts Vision in White BRAND NEW 2009

US $16.91
Sale
Vision in White by Nora Roberts 2009

Vision in White by Nora Roberts 2009

US $3.75
Sale
Vision in White by Nora Roberts 2009 Paperback

Vision in White by Nora Roberts 2009 Paperback

US $1.99
Sale
Nora Roberts Vision in White Hardcover

Nora Roberts Vision in White Hardcover

US $7.50
Sale
NORA ROBERTS VISION IN WHITE BRIDE QUARTET 1 TPB

NORA ROBERTS VISION IN WHITE BRIDE QUARTET 1 TPB

US $3.50
Sale
Vision in White by Nora Roberts 2009 NEW LOOK

Vision in White by Nora Roberts 2009 NEW LOOK

US $5.40
Sale
NORA ROBERTS Vision In White Lg Paperback New w Tags

NORA ROBERTS Vision In White Lg Paperback New w Tags

US $7.49
Sale
Online Stores

Darcy & Elizabeth: Finding New Aspects of Their Characters to Explore

by Abigail Reynolds, guest blogger and author of Mr. Fitzwilliam Darcy: The Last Man in the World

Darcy and Elizabeth are wonderful characters for variations because Jane Austen leaves so much unsaid and unexplored about them.  Depending on which passages you choose, you can form very different impressions of them.  Part of the fun of writing variations is finding new aspects of their characters to explore in each book.  Each Darcy and Elizabeth in my books is different.

Does this make the dynamics of their relationship different?  My answer would be yes and no.  There are certain basics about the Darcy/Elizabeth pairing that can’t be altered without destroying the basic dynamic, the one that makes them so magnetically drawn to each other.  For example, Darcy avoids talking about his feelings and assumes Elizabeth knows more about them than she does.  Elizabeth is lively and loves to tease, but because she does that with everyone, it is difficult for Darcy to guess what she means by it.  And, of course, there is the profound sexual attraction – Darcy is fascinated by Elizabeth’s intelligence and wit, but that doesn’t stop him from meditating on her light and pleasing figure.

But within that dynamic, there are details that can change depending on which features I highlight.  In Mr. Fitzwilliam Darcy: The Last Man in the World, Darcy’s lack of ability to read social signals, especially from Elizabeth, plays a prominent role. In most of my other books, Darcy is driven to pursue Elizabeth, but in this one, he withdraws.  That means Elizabeth has to take more risks.

Elizabeth is complex, drawing on some passages in Pride & Prejudice often overlooked by readers.  Jane Austen focuses her attention on Elizabeth’s lively spirits, but she makes it clear that her normally cheerful heroine also passes through periods of low spirits.  During her weeks at Hunsford following Darcy’s proposal, Elizabeth ruminates at length on both her own failures and those of her family:

In her own past behaviour, there was a constant source of vexation and regret; and in the unhappy defects of her family a subject of yet heavier chagrin. They were hopeless of remedy….When to these recollections was added the development of Wickham's character, it may be easily believed that the happy spirits which had seldom been depressed before, were now so much affected as to make it almost impossible for her to appear tolerably cheerful.

After she returns to Longbourn after Lydia’s elopement, she mourns the loss of Darcy in a way that again depresses her spirits and keeps her awake at night:

The present unhappy state of the family, rendered any other excuse for the lowness of her spirits unnecessary; nothing, therefore, could be fairly conjectured from that, though Elizabeth, who was by this time tolerably well acquainted with her own feelings, was perfectly aware that, had she known nothing of Darcy, she could have borne the dread of Lydia's infamy somewhat better. It would have spared her, she thought, one sleepless night out of two.

© Both Excerpts: Abigail Reynolds, Sourcebooks Landmark, 2010

So in this book, I wrote Elizabeth with a wider range of emotions than I’ve written in my other variations where I focus more on Elizabeth’s impertinence and her tendency to speak a little too much of her mind, but in this book, I worked from Austen’s original description of her reaction to Bingley and Darcy’s minor argument during her stay at Netherfield.  At first Elizabeth participates in the fray, but once she perceives Darcy to be somewhat offended, she checks her laughter out of concern for him, even though she doesn’t like him.   She is impertinent, but she also modifies her behavior out of a desire not to cause pain.  Thus my Elizabeth, when forced to marry the man she still despises, holds her tongue when possible to avoid conflict with Darcy, who she still perceives as ill-tempered and prone to holding grudges.

Writing a quieter, more careful Elizabeth was a challenge for me, but it paid off when the inevitable confrontation between Darcy and Elizabeth takes place, and even more so as they learn to love and trust each other.  I think it gives the ending more power and more joy, but then again, I love all my Darcy/Elizabeth pairs.  After all, who couldn’t love them?

Thanks for inviting me!

MR. FITZWILLIAM DARCY: THE LAST MAN IN THE WORLD

IN STORES JANUARY 2010!

In this sexy Jane Austen sequel, Elizabeth Bennet accepts Mr. Darcy's first marriage proposal, answering the "What if...?" question fans everywhere have pondered

" I had not known you a month before I felt that you were the last man in the world whom I could ever be prevailed on to marry."

Famous last words indeed! Elizabeth Bennet's furious response to Mr. Darcy's marriage proposal has resonated for generations of readers. But what if she had never said it? Would she have learned to recognize Mr. Darcy's admirable qualities on her own? Mr. Fitzwilliam Darcy follows Elizabeth and Darcy as they struggle to find their way through the maze of their prejudices after Elizabeth, against her better judgment, agrees to marry Darcy instead of refusing his proposal.

Two of the most beloved characters in English literature explore the meaning of true love in a tumultuous and passionate attempt to make a success of their marriage.

About the Author

Abigail Reynolds is a physician and a lifelong Jane Austen enthusiast. She began writing The Pemberley Variations series in 2001, and encouragement from fellow Austen fans convinced her to continue asking “What if…?” She lives with her husband and two teenage children in Madison, Wisconsin. For more information, please visit http://pemberleyvariations.com/

Giveaway: I have 2 copies of Mr. Fitzwilliam Darcy: The Last Man in the World up for grabs thanks to Abigail and Sourcebooks generosity. That means 2 winners! Open to US and Canadian readers only. Enter by sharing what you love best about Darcy and Elizabeth. One entry per relevant comment; multiple entries allowed. Ends January 14, 2010.

Online Stores

Are Romances Built On Hormones A Good Thing?

guestblog

by Tracy Cooper-Posey, guest blogger and author of Betting with Lucifer.

I’ve been touring Betting With Lucifer around a few stops now, and a lot of the feedback I’ve been getting is that it’s a great “old fashioned romance” where the characters really get to know each other as they fall in love and commit to a life together.

Which is lovely and flattering and all (and you should see the reviews!), but I’m really not leading off with this in order to rave about my book. I’m trying to make a point.

What are all the other romances doing, if their characters are not really getting to know each other as they fall in love and commit to a live together as well?

Are we all as romance readers getting so used to erotic romance and fast-paced, hip, sexy romances where the hero and heroine see each other and pow! -- instant lust and hot hard sexual tension that has the pages turning (nothing wrong with it – love the stuff myself), that we’ve lost track of the relationship stuff in the meantime? Have hormones replaced heartache in the modern romance?

You may not be aware of this, but I met my husband via the Internet. We courted on-line for eight months before I committed to moving from Australia to Canada to be with him. That was eight months of emails and phone calls when hormones and sex couldn’t get in the way (much!). Eight months of pure relationship establishment. I’m not saying that our relationship is any stronger or weaker than any other marriage, but I am absolutely saying that we have a foundation that will survive anything. We can work out anything. I know we can. We’ll have our problems. Any relationship will, as it endures, but we didn’t start off on the wrong foot. We’ve both admitted that had we met as strangers at a party, we probably wouldn’t have connected because we’re not the people we normally gravitated towards in those days. But we have a relationship now, so all bets are off. And we’ve survived fourteen years already.

So while the modern romance is all hip and sexy and wonderful – hell, I’m writing enough of them myself – and everyone is gobbling them up, I have to wonder...what are we teaching the up and coming generation about love and romance? Are we teaching them that this is what love is all about? Sex and lust and gotta-have-you-now? (Along with love-is-sparkly-vampires.) Because there aren’t too many old-fashioned romance books out there anymore with 100-proof romantic conflict in them anymore, if I’m to judge from the feedback I’ve been getting.

And if that is the lesson the next generation learns, is that part of the reason for the horrendous divorce rate the western world is observing these days? Because there isn’t any manuals out there teaching kids what love means. The romance genre really is the go-to-guy, whether we like it or not.

_______________

bettingwithlucifer_HiRes

Lyndsay is determined to outshine the memory of her mother's illustrious career. As head of the marketing department of the exclusive Freeman Hotel, high up in the rarefied mountain air of northern Washington, she grapples with her rival -- the charming newcomer, Lucifer Furey Pierse.

No one knows much about Luke except that he could turn a murder into a side-splitting comedy routine, and that he has an eye for women, including an inexplicable attraction for the prickly, definitely not-interested Lyndsay.

It starts with a bet that goes horribly wrong.  If Lyndsay wins the bet, then Luke leaves town—forever.  If Luke wins the bet, he gets a date with Lyndsay.  But when Luke wins the bet and Lyndsay is forced to pay the price, she learns more about Lucifer Furey Pierse than she thought existed...and the process of discovery for both of them becomes a bitter-sweet journey through their personal histories as they learn why they are the people they have become.

Then life hands them an unexpected twist that they must deal with...one that tests both of them to the limit.

_________________________

Lyndsay heard the tap on her office door and Luke’s muffled “’Night, boss,” exactly thirty seconds past five. The same time as last night and every night since Luke had begun working here.

Tonight it completely blew her concentration. She threw the pen down.

Damn. A date, for heaven’s sake! Of all the things he might have laid on the line—vacations, time off, cash bonuses, a promotion, title—he’d held out for a date.

A date! The word left a sour taste in her mouth.

With brisk determination, she began tidying her files again, trying to realign her focus and bring it back to the work at hand. She had been spending more time than she could afford this afternoon wondering what on earth had motivated Luke to settle for a date. The more she thought about it, the more convinced she became that his sole motive was to humiliate her.

First, winning the bet—if he won the bet and that wasn’t a sure thing at all—if he won the bet, Lyndsay would die of mortification and he knew it. Having to humiliate herself by going through the motions of a date with Luke would just be rubbing salt in the wound.

She looked down at the paperwork she was supposed to be completing and grimaced. There was no way she was going to be able to finish it tonight. She might as well quit now, than waste the rest of the evening trying to get it done.

The worst of it was, this stuff didn’t come naturally to her. She knew she wasn’t going to be able to dash it off if she wasn’t mentally wide awake.

She gathered up the files, shoved them in her briefcase and snapped it shut. Maybe she could go home and work there. Perhaps a shower, dinner and talk with her father would put her in a more appropriate mood for work.

At the very least, at home she would not be on tenterhooks, waiting for Luke to interrupt her whenever he chose to. She might be able to put the horrid afternoon out of her mind. Just being able to forget about the bet would help.

She locked the office door and went to find Timothy. He almost looked startled when he saw the briefcase in her hand but his unflappable expression returned instantly.

“You have an appointment?”

“Did you make me any you haven’t told me about?”

“No.”

“Then no.”

“You’re going home?”

“Yes Timothy, I’m going home.”

He smiled. “Luke got under your skin, didn’t he?”

Lyndsay tried very hard to hide her surprise. “The only way Luke Pierse is ever going to get under my skin is if he turns into a tick. In which case, I’ll burn his tail off for him.”

Timothy’s smile widened. “You’d enjoy it too, I bet.”

“Speaking of bets…” Alexander stepped into the office, carrying a little notebook and pencil.

“No, we are not speaking of bets. Now, or for the next week,” Lyndsay said firmly, feeling her anger stir yet again.

Alexander hesitated, his dark face drooping almost comically.

“I mean it,” Lyndsay insisted. “I’m not turning the winning of a lucrative account into some kind of nine-day wonder.”

“You don’t call combining Lyndsay Eden and dates a nine-day wonder?” Timothy asked.

She swiveled to look at him, feeling a touch of surprise. “Since when did you sell out on me, Tim?”

“When was the last time you had a date?” he shot back.

“I’ve had plenty of dates!”

“When was the last one?” he pressed.

“I don’t keep statistics.” She could feel her indignation growing. Why was Timothy doing this? “Except, maybe, the size and capacity of my assistant’s brain.”

“I can tell you to the day when your last date was.”

“I also keep odds on how long my assistant is going to keep his job.” She clenched her teeth before hotter words tumbled out.

“Ten months and three days,” Tim supplied.

“Wow!” Alexander breathed, his notebook lowering.

“You can go home now,” she snapped at him.

“Right,” he agreed, hurrying out.

“I should can your butt,” she told Timothy.

“You won’t fire me.” He was serene.

“Give me one good reason.”

“Because you like having someone around who tells you the truth. Warts and all.”

That damped her anger. Instantly. Because it was true. She took a few breaths, letting the anger dissipate. “And you’re the only truth-teller around who has an invisible asbestos suit. I’m sorry.”

“Agh!” He waved his hand, his awkwardness with sentiment making his face flush. “I grew the suit after twenty years of living next door to you.”

“Thanks,” she said, simply.

He shrugged. “But I meant what I said. A date might do you good.”

“With Luke Pierse? You know he does nothing but make me spit with anger.”

“Exactly.”

She shook her head. She didn’t get it. “Well…”

“Go home,” he told her.

“’Night.”

She made her way to the elevator and the last vestiges of anger stirred back into instant, blazing life, for Luke was standing there with the general manager, Vince Gormley. Worse, their head were together. As she approached, they both started laughing, throwing their heads back.

Good ol’ boys.

Lyndsay gritted her teeth. Even though she reported directly to Vince, she knew she had never really been fully accepted by him and largely it was because of her lack of this intangible ability to mix and mingle. Luke had it in buckets, damn his eyes. He and Vince got along like father and son and every time Lyndsay saw them together her stomach would clench.

She pushed away the tendrils of alarm creeping through her. Just because she wasn’t into backslapping and golf, it didn’t mean she would lose her job. She was one of the best promotions managers the hotel had ever had. Almost as good as her mother had been.

Almost.

It was the “almost” that made her heart sink when she saw Luke and Vince together. In the back of her mind, never quite articulated even in her thoughts, was the knowledge that her mother would have been in there mixing it, slapping her thigh right along with them, fully accepted as one of the boys.

Lyndsay marched up to the elevator control panel and prodded the button with energy. Luke continued to talk and Vince to listen with rapt attention, a smile lingering, his eyes twinkling with merriment.

“The judges declared that the packaging had to be green and the meat to be fresh. Frozen wouldn’t do. Well, Aunt Mary had won the scavenger hunt for the last twenty-five years and wasn’t about to go down for an upstart who had been in the neighborhood for only twelve years. Her pride was on the line.”

Another one of Luke’s mad relative tales, Lyndsay realized. None of them were true, of course. They were too ridiculous to be true.

“So what did she do?” Vince asked.

“Okay. The supermarket was closed and she knew there wasn’t any meat packaged in green to be had anyway. What company is going to package meat with a green label? It’s too bizarre, makes the meat look rotten before its time. So she sat down, had a long, hard think about it.”

“And?” Vince asked, echoing Lyndsay’s thoughts.

“So she stripped naked, tore holes in the bottom of a green garbage bag and wore it like a dress. Walked right on up to the judges. ‘Meat on the hoof’, she called herself and declared they couldn’t get fresher if they went to the abattoirs.”

“No!” Vince began to laugh, a helpless chuckle that swiftly grew to a loud bellow.

“Did she win?” Lyndsay asked, lifting her voice above the laughter.

At that moment, the elevator arrived, announcing itself with a loud chime. And at the same moment, Vince got control of himself and stopped laughing.

Luke turned his head to look at her, as total silence fell. His dark eyes narrowed a little. The effect was too eerily like she had interrupted him and her question was unwelcome.

The elevator doors slid open behind her.

Damn, she thought. She’d got sucked up into his tales yet again. “Never mind,” she muttered and scurried into the elevator.

Vince stuck out his hand toward Luke. “Anyway, Luke, have a good evening. I’ll see you on Thursday, okay? Ten o’clock, remember!”

Lyndsay hit the lobby button with a vicious jab, hoping the doors would slide shut before Luke could disentangle himself from Vince’s farewell. Miraculously the doors began to slide shut. At the last minute, Luke’s shirt-sleeved arm chopped down between the closing doors and they bounced harmlessly back again.

He stepped into the lift and shot a glance at Lyndsay.

She sighed. Well, it was only ten floors. It wouldn’t kill her to share an elevator with him for ten floors.

But her heart was racing along unhappily.

She remained silent, hoping Luke would take the hint.

“She won,” he said quietly.

“Who?”

“My aunt. She won.”

“How nice for her.”

Eight…seven…come on, Lyndsay mentally encouraged the creeping light.

“This bet is bothering you, isn’t it?”

“The bet?” she inquired airily. “Not at all.”

Five…four…

“That’s why you’re going home early. You’re worried you might lose, after all.”

Worried? She spun to face him. “You’d be the last person I’d tell if I were worried!”

His hand hit the panel of lights, slamming down over the emergency stop button.

“That’s exactly what the bet is about,” he said, his voice flat, forceful.

She looked at the panel with the bright red LED display flashing its alarm. “What are you doing?” she demanded. “You can’t just halt an elevator like that. They’ll penalize you, or charge you or something. I don’t know what the penalty is for unlawfully halting an elevator but if it’s anything like stopping a train—”

“Just shut up for one minute, will you?” he said quickly, as she paused for breath.

She shut up. It was something in his eyes, rather than his words, that made her fall silent. His eyes in the dimly lit elevator car were almost obsidian black and the thick, deeply dark brown weight of his hair fell over his forehead, shadowing the eyes even more. There was something in his face… She groped to define the subtle expression and could feel a growing frustration. Other people would be able to name it instantly, would understand that strange light straight away.

“You have no idea why I bet what I did and it’s chewing you up,” he said, his voice very quiet.

“Aren’t you at all worried that you might lose?” she asked. “That you might have to leave Deerfoot Falls?”

He smiled a little. “I’ve been kicked out of bigger and better places than this one. And you’re changing subjects on me. Not this time, Lyndsay.” He stepped closer to her and suddenly the sides of the car seemed to close in around her. Too small. Much too small a space to house her and Luke at the same time.

She almost gasped.

“Have you ever wondered what it might be like to kiss me?” he asked softly.

She stared at him, flummoxed. Had she really heard him say what she thought he’d said?

“I-I… What?” She blinked at him. Out of left field. Out of a blue sky. “What on Earth…?”

He smiled and it seemed to her that the smile was bitter. “I guess I have my answer,” he said, reaching for the small button that would restart the elevator’s descent.

Lyndsay kept very still as the elevator started up and slid down to the lobby level. She kept her eyes on the display, afraid to look around.

Her heart was racing as if she’d run a mad hundred yard sprint and her mind was churning with bewilderment. What was going on? She didn’t understand it at all. It was as if that one glimpse into Luke’s eyes, the small, singular note of bitterness, had opened up a whole new facet to Luke…and she wasn’t sure she wanted it opened.

The doors slid open, revealing the pink-marbled, gold-and-crystal-enhanced lobby and a swell of pride lifted her heart a little. The Derwent was a classy hotel, no doubt of it. Small enough to be intimate, large enough to be sophisticated.

She was about to step out when Luke’s arm came across the opening, jamming the doors back with the flat of his palm and blocking her way. He looked at her, lowering his chin a little to do so.

“You know, when I first arrived here, I was a little bit intimidated, a little in awe of your unrelenting dedication to your career. I’ve never met anyone quite like you before. But after a couple of weeks, I began to wonder when you were going to stop for breath. I started watching for it. I figured sooner or later you’d have to come up for air. But you didn’t.”

Lyndsay bit her lip. “You don’t understand—”

“No, I don’t. I don’t even admire it any more, Lyndsay. After six months of waiting for you to fall off the pedestal, I started getting really uneasy. Now, when it comes right down to it, mostly what I feel when I watch you doing your thing is…” He paused and she saw him draw breath. “I pity you.” His voice was very low.

He let the doors go and stepped out.

Lyndsay stepped out behind him and watched him walk across the rugs and marble to the bank of glass doors leading onto Queen Street, sliding into his jacket as he went.

She didn’t know whether she should be angry or upset. Neither seemed to fit with the churning inside her. Luke’s words had been mild but his attitude, the quiet depth of feeling behind the simple words had stirred up a huge, hard ball of reaction that she had no idea how to start dissolving.

He patently disapproved of her—that much was clear.

Well, she didn’t like him much, either.

So why did his disapproval strike so deeply, then?

__________________

To buy Betting with Lucifer, click here.

To visit Tracy’s website, click here...Facebook...Twitter.

Don’t forget to leave a comment!

Giveaway: Tracy is offering up a copy of DARE TO RETURN to one lucky commenter as a prize. To enter leave a comment; multiple entries allowed. Ends: December 24, 2009. (Details about Dare to Return). Good luck!

Online Stores

Get into Bed with Hellen Hollick (Author Interview #2)

authorinterview9

Hello Keira – thanks for welcoming me to your Blog!

Keira: How has Gwenhwyfar and Arthur's love evolved from what it was in The Kingmaking to Pendragon's Banner?

Helen Hollick: Things have moved on from the close of The Kingmaking. Gwenhwyfar now has one young son and is expecting another child. Arthur is attempting to consolidate his victories by making peace with the Anglo Saxon English – but not everyone agrees with his ideas, not even Gwenhwyfar. When he insists she goes with him to visit an English settlement she is horrified. Not only is she frightened by not knowing these people, or their customs and traditions, she is about to have her baby.

The relationship between her and Arthur is pushed to the limit – and beyond – in this middle part of the trilogy. Tragedy can either draw a couple together or rip them apart….

Be warned, a box of tissues may be needed!

Keira: What are some challenges that will be put to them to challenge the strength of that love?

Helen Hollick: There are quite a few, some of them tragic, some of them frustrating, some downright infuriating. But sorry I’m not telling you about them as it will spoil the read!

Keira: Arthur is now King – what challenges will he face in Pendragon's Banner? How does he hope to overcome them? How must he change?

Helen Hollick: Arthur’s goal is to unite his Kingdom and bring peace. It is an uphill struggle for him though, as other people seem set on stopping him. Even Gwenhwyfar….

Keira: Arthur’s stubbornness and Gwenhwyfar's temper are sure to cause problems. Outside of their relationship, how do their flaws affect life at court, politics, and situations?

Helen Hollick: There are quite a few exchanges of stubbornness and temper in this one. Arthur is single minded – he knows what he wants and is determined to get it, but members of his Council, especially his uncle, Ambrosius Aurelianus are equally as determined to stop him, which heads disastrously towards what could be an end of the Kingdom and peace.

We find out a lot more about Morgause in Pendragon’s Banner as well – and her daughter, Morgainne, the lady of the Lake. Arthur meets her and the inevitable happens. There are a few scenes where Arthur should have kept his breeches fastened – no doubt Gwenhwyfar feels the same!

Winifred, Arthur’s first wife also has her fingers dabbling in several pies. She wants her son to be the next King.

Gwenhwyfar has her own distractions. Her children, her worry and concern for Arthur – her jealousy of his other women. But then, she has a few male friends too. Friends who spark Arthur’s retaliatory jealousy.

There are several scenes in Pendragon’s Banner that draw from the early Welsh stories of Arthur, you may recognize a few or them. Weaving them into my novel in a plausible and practical way was my own challenge.

Keira: Why do you think people are drawn to King Arthur's story? To Medieval stories?

Helen Hollick: I think people enjoy the familiar Medieval tales of Arthur and the round table, Holy Grail and knights in armour because they conjure up a long-gone era of courtly love, honour, respect and Doing Noble Deeds. The whole chivalric image that brings out our romantic emotions.

But my Arthur is not from those stories. My Arthur is a rough, tough, down-to-earth war lord and soldier. The sort of man who can be an utter b*****d – but will fight to the death to protect you, and will always be there when you need him.

The figure of Arthur, in legend and fiction is one of the most enigmatic and intriguing of all the characters of English history and literature. What is it about him that makes people discuss him, read about him, write about him?

Google for King Arthur, and you will spend weeks going through the links. There are discussion boards, forums, facebook profiles, blog pages, myspace sites. He is there in virtually every genre of fiction, from fantasy to thrillers. There are movies of Arthur, poems about Arthur, plays centred around Arthur – you name it its been done.

People argue about whether he lived in the Iron Age, Roman period, Dark Ages or the 11th Century, the 12th, 13th…..

He was a local warlord in the north of Britain. He fought in Scotland, Wales, Brittany or came from the West Country – Cornwall, Somerset.  He is the King of myth and fantasy. Magic and mystery surround Arthur and his deeds.

Was he from the realm of Magic – or was he a real man, a soldier who led a war band into battle? The sad fact is - there is not a shred of evidence to prove he actually  existed!

For the truth about Arthur there are no answers.

And it is that which makes him so fascinating, why again and again we write about him, read about him.

I fell in love with Arthur while I was writing the Pendragon’s Banner Trilogy. I intimately knew that man for more than 13 years while writing the Trilogy – it took a long, long while to get him out of my system and move on to creating my next main character (Harold Godwineson in Harold the King. –  also to be published soon by Sourcebooks Inc)

But that feeling is not unique to me.

I wrote to the wonderful author Rosemary Sutcliff just before she died. I had completed The Kingmaking, but it was still in the process of being made ready to be published, so I could not send her a copy. I told her all about it though, and my ideas of Arthur. I received back a handwritten letter (complete with her cartoon motif of a dolphin attached to the last ‘f’ of her signature.)  She confided that after she had written her novel about Arthur, Sword At Sunset, she had not been able to get him out of her mind for at least six months.

I know what she meant…. And that is why Arthur is so popular. His spirit, his charisma, his presence goes on, living for ever.

No wonder the legends state that he will come again when he is needed. He never left. He is always here, dwelling in the minds of his loyal subjects, those of us who read and write about him!

Helen Hollick

Main Website: www.helenhollick.net
Blog profiles: www.acorne.blogspot.com
Facebook: www.facebook.com/helen.hollick
Monthly Journal: www.helenhollick.net/journal.html

Follow Publicist Paul on Twitter: @psamuelson01

http://www.helenhollick.net/culpa41.html my own hints and tips for aspiring writers.

Buy: Pendragon's Banner: Book Two

Online Stores

Review: Saving Sophie by Elle Amery

bookreview

This was a very sweet storyline, but there are some flaws. Amery writes a light humorous story. She's dead funny on BOBs and teenage girl crushes.

Jake is a former Broadway star. He's one of New York's up-and-coming directors. Legions of fan girls inspired that career sidestep, allowing Jake to enjoy the theater but without the scary mob. This weekend, he's back home participating in a egad... bachelor auction all for his best friend's little sister.

When Jake spies his high school ex waving her paddle, he knows he's doomed. A beautiful blond in the back is his only chance. By only chance, I mean, the only option he finds acceptable. Mouthing the words, "Help me," at her, Jake is relieved when she enters the bid war.

Sophie feels her blood shimmer at those words. She can hardly believe it, Jake was her high school crush, getting him to help out at the event was a feat but this... this could be the coup of a lifetime. Now if she could get him to break that no relationship rule...

Overall, I felt it could use more polish as there were several parts where I felt I was observing far above the scene instead of being a part of the scene. Does that make sense? Kind of like watching yourself dream, a bit out of body, not quite grounded in the tale. I wanted more sticky in the writing, something that would grab me and hold me in the moment.

Rating: 2-2.5 Stars

Buy Paperback: Saving Sophie

Buy Kindle: Saving Sophie

Online Stores

Get into Bed with Jill Mansell (Author Interview)

authorinterview

Keira: How did the ideas for An Offer You Can't Refuse and Miranda's Big Mistake come to you?

Jill: With Offer, I was very keen to write about a sparky bookshop manageress who loves books, and my readers seem to have appreciated this - mainly because they're readers too! With Miranda, I wanted to set the story in a hair salon as I think they're amazing places for eavesdropping, gossiping and fun. I don't enjoy having my hair done, but I still love going because I know I'll come away with enough ideas to fill ten books!

Keira: Do character names come easily for you or is there a trial and error process?

Jill: Good question. I use my books of babies' names to find them, and sometimes they work straight away, but occasionally they don't work out and need to be changed. A lot easier to do now, with word processors, than in the old days when you had to sit down with your 600 typed pages and a bucket of Tippex...

Keira: Do you prefer a heroine, hero, or couple over the other and why?

Jill: Sorry, I don't understand this question. Is this an American term? I like all my main characters!

Keira: What do you think is the hardest thing for anyone to do in a relationship?

Jill: Ooh, another great question! Personally speaking, my other half is tidy and I'm not, so I have to try very hard to clean up after myself. And he has to try very hard not to mind when I fail! I suppose, in a nutshell, we're talking about compromise.

jillphotonewcolor2

Keira: For you, what is the appeal of contemporary romance?

Jill: It's easy entertainment and I don't think there's anything wrong with that. We like to relax and escape from the pressures of life. I write feel-good fiction and people tell me I've cheered them up. For me, that's just perfect.

Keira:Is there anything you struggle with when writing? How to do you overcome that?

Jill: At the moment I'm struggling because my heroine has taken a job working in an office. The problem is, I've never worked in an office so I haven't a clue what she's supposed to be doing all day. If it was something more specific I could look it up on Google, but I'm just having to guess! (My agent had to break it to me that secretaries don't take shorthand any more...)

Keira: If you could be one of your characters - either book - who would you be?

Jill: Either of them, but Miranda is probably the nicer person, so I'll go with her. And she gets to see a great tennis match on the Centre Court at Wimbledon , which would make my year!

Keira: Fill in the blank: If you're not writing you are ______

Jill: ...Feeling very naughty and guilty, as if I've taken a day off work when I'm not even sick. Even when I'm doing other things, I'm probably still thinking about the characters and the plot at the back of my mind. (That ' s my excuse, anyway.) Yesterday was such a beautiful sunny day that my daughter and I went to Bath for lunch at Jamie Oliver ' s restaurant. We sat on the terrace, ate wonderful food and had the best time. Then we went shopping afterwards. Today I ' m working extra-hard to make up for it!

Keira: What inspired you to put pen to paper as it were and write in the first place?

Jill: This sounds terrible, but I really started because I wanted to become rich! I had no money at all and saw a magazine piece about successful romance writers whose lives had been transformed. I sat down and wrote a book. And now I've written twenty in total. It's been wonderful and it has completely changed my life.

Keira: Is there anything else you'd like to share with us?

Jill: I'd just like to say thanks, Keira, for asking to interview me. I'm so thrilled to be published in the States and everyone's being so kind about my books. The feedback has been fantastic. I couldn't have asked for a better response. You're all stars!

You can visit Jill at her website and follow what she's up to by checking out her diary. In the meanwhile, you can Buy: An Offer You Can't Refuse or Purchase: Miranda's Big Mistake.

Online Stores

Love Like a Geek: Princess and Toad

The following video is the ultimate expression of love not only in gaming but from one geek to another. Not only is the song cute, so is our singer BlinkTwice4Y. He's 26 years old and lives in the Bay Area of California. One day he'd like to be a professional singer, but even if he never aspires to that dream, BlinkTwice4Y has entered pop culture with his lyrics and music, especially with Mario Kart: Love Song. This video was featured December 2008 on YouTube. Unfortunately for gamer chicks everywhere he's in a relationship and therefore unavailable to be our Toad.

Follow BlinkTwice4Y on Twitter.

Here are the lyrics:


Just in case you miss a word...

Verse One:
You be my princess
I'll be your toad
I'll follow behind you
on rainbow road
Protect you from red shells
wherever we go
I promise.

Verse Two:
Noone will touch us
if we pick up a star
If you spin out
you can ride in my car
When we slide together
we generate sparks
in our wheels and our hearts

Chorus:
The finish line
is just around the bend
I'll pause this game
so our love will never end
Let's go again

Verse Three:
The blue shell is coming
so I'll go ahead
If you hang behind
it'll hit me instead
but never look back
cause I'm down but not dead
I'll catch up to you

Bridge:
Don't worry about
Bowser or DK
Eat this glowing mushroom
and they'll all fade away

Chorusx2

to the mushroom cup
and the flower cup
and the star cup
and the reverse cup

walalalalala
walalalalalawaluigiiiiii

Online Stores

Free Email Updates