By: Sasha Muradali, guest reviewer
Highlander, Book 1: Beyond the Highland Mist
Flung back in time, Adrienne de Simon got thrust into medieval Scotland from modern day Seattle.
A captive twice over in a century foreign to her, Adrienne became faced with the challenge of dealing with the Scottish laird they called ‘Hawk.’
Described as irresistible, seductive and passionate – Adrienne swore to keep him as far from her as possible.
But how possible, is the impossible, when she’s been forced to marry him via a thick plot to destroy him.
Brought to the sixteenth century by the mighty Black Fae himself, of the mythical Tuatha Dé Danaan race, Adam Black, Adrienne is determined not only to go back to her own time, but to swear off men…that’s how she got into the mess to begin with; she swore off men.
Sounds easy enough? Well no.
While, Beyond the Highland Mist is filled with alluring mysticism, betrayal, mystery and action, it bleeds hyper-masculine eroticisms that are anything but enchanting from the very beginning.
From Adam, to the Fae Queen, Aoibheal, and even Adrienne’s keen sense of humor, nothing quite makes up for Hawk’s soft-abuse of Adrienne that is supposed to be sexy.
Like his name, Hawk, decides to train Adrienne to make her love him, in his eyes, he’s bringing out her love of him. Hawk blind folds her, strips her naked and leaves her in a dark bedroom for unaccounted periods of time. He talks to her as if she is one of his falcons that he’s training to be obedient.
While, Adrienne never suffers physical abuse from Hawk, the mental tauntings are not only freakishly haunting, but disturbing:
She stopped screaming only when her voice gave out.
Stupid, she told herself. What did that accomplish? Not a thing. You’re trussed up like a chicken about to be plucked and now you can’t even peep a protest.
“Just take the hood off, Hawk,” she begged in a gravelly whisper. “Please?”
“Rule number nine. My name from this moment forward is Sidneach. Sidneach, not Hawk. When you use it, you will be rewarded. When you don’t, I’ll permit no quarter.”
No woman in her right mind would choose willingly to stay with a man who treats her that way. Especially, if said woman, has been previously abused by men, has sworn them off and is supposed to be a feisty chick from the 21st century.
It makes no sense.
While, I thoroughly enjoyed the premise of this introduction into the world of Karen Marie Moning’s Highlander series, its opening title falls short of hooking.
The novel’s only true saving grace is the literary universe created and expanded upon by Moning; it is what will have you coming back for more…time and time again.
Rating: 3 of 5 stars.
Buy: Beyond the Highland Mist
Originally posted 2009-06-26 05:15:23. Republished by Blog Post Promoter
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So how do you rate a romance novel where the romance part was exceptional but the side story was wholly unnecessary? Once again I’ve managed to pick up a story where the author seems to think that it’s a good idea to include a history of sexual perversion on kids. What’s with this? The young girl that was abused was not the heroine this time but the side character who ends up doing unspeakable things herself on innocents and sinners alike in the name of justice seemingly unable to tell the difference. Why include this? I mean really? Who wants to read this? I don’t!
Most of this stuff is hinted at throughout the novel about the hero’s father being such a sleaze ball, a building that the son had to remind himself was not a fault for what happened, etc. The bastard is dead mind you at the start of the novel so we don’t see a continuance, just back story. It’s becoming gratuitous to the point of being like a retarded bathroom scene in a movie. Anyway you are warned ahead of time if this is not your cup of tea to deal with topics like this in a novel.
Now that that is out of my system, the romance between Grant and Gillian was a wonderful unfoldment. The Scottish Companion starts with Grant’s return to Scotland when his brother dies of a blood disease following shortly after their other brother died of the same cause. Dr. Feyton is worried that Grant may be suffering from the same disease and Grant decides if this is true he must marry immediately. Not wanting to go through the hassle of finding a bride he asks about Dr. Feyton’s daughter. A marriage arrangement is agreed upon and they go their normal ways.
Arabella would rather play at being a physician than be civil to anyone. She doesn’t like to be touched, talked to, interrupted, or forced to do anything. So right off the bat she hates the idea of marrying Grant and does her best to be disagreeable. Everyone finds her to be exactly that and many make asides to Grant about his foolishness.
Grant himself is feeling foolish because immediately upon seeing Gillian he finds himself attracted to her. She is a magnetic force on his life and he can’t seem to stop himself from seeking her out. He knows she’s hiding something and desperately wants to be let into her world. She makes him forget his losses, and overwhelming duties; she challenges his authority and is an intelligent companion who he seeks to impress with his experiments.
Gillian for her part knows that as the companion to Arabella, Grant can never be hers. She was foolish once in love and paid the price with her innocence and virtue. She lost the protection of her family, the love she thought was hers, and was censured by society. Only under Dr. Feyton has she received a modicum of protection and sense of purpose. She knows the price of love and passion so how come she can’t seem to resist the handsome earl? She wants to experience his kisses, she wants to be his, and she wants what Arabella is so blithely willing to toss away.
Rating: 2.5-3 Stars
Originally posted 2008-10-17 05:10:30. Republished by Blog Post Promoter
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