One Of The Reasons I Wrote Solstice Surrender (Not the Obvious, Either)

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by Tracy Cooper-Posey, guest blogger and author of Solstice Surrender.

I was sitting staring out the front windows this morning, looking at the winter landscape before my husband headed off to work and I headed down to my office, and I remembered one of the reasons I wrote Solstice Surrender.

I think everyone on the planet should up stakes and move to a totally different country at least once in their lives – even for just five years. And it should be a country with as different a climate as possible. You don’t even have to pick a country with a different language. The climate difference will be enough to change your perspective.

It’s December 22, three days before Christmas, and the view I saw out my windows I actually saw this morning as a stranger once more. It was still dark, and the sky was iron grey and glowing from the city lights below, overcast, and looked low enough that I could reach up and touch it. Snow is about three feet thick around here at the moment, and no one has really had time to dig out properly yet, so everything is white, rounded and buried: cars, trees, paths, lawns, barbecues, hedges, the deckchairs the neighbours forgot to take in at the end of summer (oops), roads...everything. And a muffled silence that was almost total.

Up until I moved to Canada I had never seen anything like like. For the decades that I lived in Australia, if I had been sitting looking out the window three days before Christmas, I would have seen dazzling, sunlit neighbourhoods, a morning getting set for a 35+C day, washed-out blue and probably cloudless skies, and lawns that were already starting to look wilted because the watering bans had already kicked in for the year. At 6 a.m. or 7 a.m. in the morning, you can afford to have all your windows and doors opened up to catch the morning cool, but not for long. You want to start thinking about shutting everything down soon against the heat of the day. Three days before Christmas, in that climate, people are thinking about what they’ll be drinking for Christmas, not what they’ll be eating, and what patch of shade they’ll be lazing under.

It makes the scene I look at every morning now very strange and different in comparison. Being tipped into this strange new world and having to struggle to adjust to it was one of the key themes I wanted to inject into Solstice Surrender – and setting the book in the Canadian Rockies at Christmas time meant I could use exactly the same almost alien (to me) winter landscapes I had come face to face with when I moved here. In fact, there’s one at the very end of the book that sounds an awful lot like the one I described above – I just remembered that. J

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Jenna MacDonald, cynic extraordinaire, flees to Banff, Canada, for the holiday season to lick her wounds in private after an assignment takes a tragic turn. But trouble manages to find her even in the heart of the Canadian Rockies. A mystery-clad stranger called Rhys Cellyn exerts a powerful influence over her mind and her body, while Jenna struggles to stay afloat in the mythical world he plunges her into. Time is against her, for at the moment of the winter solstice she must make a fateful choice.

Buy: Winter Warriors: Maneater, Solstice Surrender, Turkish Delight

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Excerpt:

She shook her head, denying it. “This afternoon, that man in the coffee shop, the one that chased us…he didn’t call you Cellyn. He called you…A-Aveyon.”

“Avaon,” Rhys corrected. “It’s a name I used once, long ago. That is the name he knows me by.”

It was a perfectly straightforward answer, but the hints of a mysterious past, of different identities, annoyed her. It made her uneasy. “Who is he, then? He doesn’t have multiple identities…does he?”

“His name is Clement Hine, and no, he uses no other name.”

“Maybe I should have let him help me instead of you.”

His gaze remained steady. “You also know the truth of that, Jenna. You let your instincts guide you this afternoon, and you’re still safe. You knew without being told that you could trust me.”

She could not meet his gaze, could not acknowledge his truth. She would not willingly let him pull the conversation back to where he had been taking it, so she kept up the attack.

“And where were you in the coffee shop, then? I studied every face in that shop, before the coffee thing happened. And you weren’t there. Not before then.”

“Every face, huh?” he asked, with a small smile. “That’s not a common talent, remembering faces.”

“It’s not talent, it’s training,” she snapped. “And stay on the subject.”

“Training?” His eyes narrowed. “Wait…you knew we had lost them this afternoon…” He sat forward, the brows coming together. “You never asked why I bought the coat. You knew. What do you do for a living, Jenna? Whom do you work for?”

“I can’t say.” Wariness flooded her. The SIA’s secrets were not hers to divulge.

“You’ve already said too much.” Rhys leaned back and crossed his arms. “Not CIA or FBI…you don’t have that sharp, PC look about you. Royal Canadian Mounted Police?” He lifted his brow.

“Nice guess, as we’re in Canada. But I’m American. Anyway, I won’t confirm your guesses, even if by some wild chance you guessed right.” Which he would never do. The SIA—the Special Investigations Agency—was called that for a reason. While the CIA cavorted about in public drawing the gaze of civilians and other countries’ organizations, the SIA quietly moved in the shadows, getting the job done. No one knew about the SIA except those who worked for it. And even Jenna didn’t know every facet of the organization, just her small pocket of it.

Rhys’ frown deepened. “Given your appearance, your speech idioms and the hint of West Coast in your speech…all things considered, I’d say you work for the SIA.”

Jenna snapped her jaw shut before it could do more than sag open by a millimeter or two, but it was enough to tell him what she would not say.

He smiled. “Yes, I thought so.”

“How do you know that? How do you know about the SIA at all?”

“Simple. I have done contract work for them. And I know, from that work, that headquarters are in Seattle. I’m familiar with the type of people they employ. And you sound a little like a Seattle native. Add that to your unusual training…” He shrugged. “I won’t pry any more, because I know you can’t tell me anything, but at least we both know that you’re more than capable of looking after yourself if need be. That will help.”

“Help what?”

“For the solstice.” He nodded toward the window beside them, where snow built up against the glass. “They’re already starting to throw their defenses against us. What they will bring to bear on us during the solstice will need all our combined skills.”

The subject was turning back to the uneasy territory she’d nudged it away from. She grasped quickly for a deflection. “So where did you spring from this afternoon? I notice you carefully didn’t confirm that you weren’t in the shop before that coffee thing happened.”

He sat back, and Jenna could almost feel his sudden caution. “Why do you call it that? ‘The coffee thing’.”

“What the hell else should I call it?”

“What happened?”

“Then you weren’t there.”

Tell me.”

She shrugged. “I overheard a man ripping a woman to shreds—verbally, anyway. Then she…I dunno.” In her mind, she saw again the woman’s hand swivel around, the big coffee cup in it. The woman’s eyes widening in surprise—even before she tipped it upside down. “She got fed up with it. Got pissed off. Something. And she dumped her cup of coffee in his lap. Serves him right.”

“Is that what really happened?”

She felt the little jump of nerves inside her. “Of course it is!”

He lifted his fingers a little. A calming motion. Peace.

Screw that. She glared at him. “So if you weren’t in the shop when the coffee got dumped, then where were you and what made you decide to step up and help me?”

He studied her. And with the same certainty she had felt over his caution, she now knew he took her measure. His gaze did not fall away from her face by a millimeter as he spoke slowly and clearly. “When you dumped that woman’s coffee into her partner’s lap, I was a quarter of a mile away.”

His gaze wouldn’t release her, wouldn’t let her shy away from the bald fact he had just given her.

She realized her hands trembled and put them flat on the table, to hide the tremble. “Goddamn it…” Her voice was hoarse, and she cleared it. “What did I do to that woman? I sat a table away from her.”

“You did exactly what you’re beginning to suspect you did, Jenna. You made her dump the coffee.”

The surge, the mental thrust as she had silently shouted at the woman…

She touched her temple, felt the clamminess there. Cold sweat. “You can’t know that. You weren’t there.”

“I felt it, Jenna. Even from a quarter mile’s distance I felt it. You can’t control it properly yet, so you push the field too hard. I’m surprised Hine didn’t break out with a nosebleed, sitting that close to you.”

She recalled Hine’s face when she had first seen him. The etched brow. “He had a headache.” Then meaning of it hit her, and the trembling worsened. “Oh shit.” She realized she was rubbing her own temple, and dropped her hand. “No, no, no…this is…too bizarre. It’s a fairy tale, Rhys.”

He exuded calm, a stoical patience. “You haven’t asked yet how I got to the coffee shop so quickly.”

But her mind slid away from contemplating that poser. The potential answers disturbed her too much to consider too closely. She shook her head. “Rhys…what have you got me mixed up in?”

He covered her fist with his big hand, and squeezed to keep it still. He looked at her steadily until she calmed down.

“I teleported.” The two words were soft, but perfectly clear.

She shook her head a little. “No.” It couldn’t be possible.

He gave her answers she didn’t want to hear; yet she knew he told the truth, the impossible-to-encompass truth. And he sat there, calmly waiting for her to take it in. To accept it.

“Okay, then. Teleport us to Florida. Out of the snow, away from Clement Hine.”

“I can’t do that.” He sat back once more. “The more powerful lords can teleport themselves over short distances. Only the most powerful amongst us can transport other people at the same time. There hasn’t been one with that sort of power for…centuries, that I can recall.”

Us. She shivered. Did he include her in that pronoun? “That you recall? What are you, some kind of historian?”

“Something like that.”

She pushed her glass away from her. “I can’t…just accept this…this fantasy. Not like this. For god’s sake, Rhys, I’m an agent. I move in the world of the real. I deal with facts, with harsh realities.”

“This is real. Believe me.”

“Take it on faith?” She grimaced. “I’m atheist. I don’t believe a thing about this business of yours, Rhys. It’s all fairy stories for little kids. In the real world there’s a reason for everything, and nothing goes bump in the night unless someone pushes it.”

He smiled. “That sounds like something someone else said once, that you’ve remembered.”

The sadness that seemed to permanently hover nearby these days descended over her like a pall, along with the pain and the fury the memories delivered each time she recalled them. “Yes, someone else did say that once.” Sudden tiredness drained all the resistance in her.

“Someone close.”

Tears pricked at her eyes, and she wiped them on her sleeve with an impatient movement. “Let’s change subjects.”

“Your lover.” Rhys frowned. “What happened, Jenna?”

She stared at him, and the full force of her fury and helplessness surged anew. “He’s dead, okay? He was on assignment with me, and someone screwed up and Kevin died. Now let’s change the goddamn subject.”

It was the first time she had managed to speak the words aloud, in the three months since Kevin had died. Her eyes swam with searing hot tears, and the lump in her throat threatened to tear out her esophagus, so hard and big did it seem. But she managed to ride out both tears and hurt, until she sat looking at the tablecloth, back in focus, the sting in her eyes clearing. Only then did she dare look at Rhys.

He sat very still. “Kevin Allen?”

This time she made no attempt to support her sagging jaw. “You knew him?”

“We…worked together a couple of times.” Rhys spoke as if his mind drifted elsewhere. Then he shook his head and gave a small gusty laugh. “Stars above, now it becomes so clear…” He spoke to himself. But then he focused upon her again. “Is that why you’re here in Banff, Jenna?”

“Sort of. Here…there is no one I know. Nothing I’m familiar with.”

His eyes narrowed a little, the ridiculously long lashes lowering. “Running away?”

“I prefer to think of it as detox and rejuvenation.”

His stare would not let her go. “You were injured? When Kevin died, you were injured, too.”

“Yes.”

“You’re mended, then? Physically?”

“The doctors tell me I’m well again, but I get weak. I still don’t feel…right.” The confession provided a surprising relief. The lag in her recovery had bothered her, even though she had not spoken of it to any of the doctors assigned to her case. She had dismissed it as simply the physical manifestation of her grief over Kevin, and conveniently ignored the small voice of denial inside her.

“It’s not just the altitude here?”

“It’s not the altitude. It’s a…weakness. I don’t like it. It makes me feel unsure of myself.” She stopped herself from revealing more, from speaking of the odd little things that had been happening lately that made her feel unsettled and adrift. Like the coffee thing.

“Yes, I can see how someone like you would find that disconcerting. But if you don’t like the unsettling feelings, then why come here, where everything is new and unsettling?”

“I don’t…I can’t stand the idea of waking up at home, Christmas morning. Alone.” She pushed away the wail of self-pity with a mental shove.

“Ah…of course.” He grimaced a little. “I’m sorry, Jenna.”

She shook her head. “We both knew the risks. Accepted them.”

“But it doesn’t take away the pain.”

“The guilt,” she amended, surprising even herself with that revealing word.

Even Rhys veered away from it. “Kevin Allen was a cynic of the first water. He had no time for anything he couldn’t put his finger upon and identify.”

“He was an engineer. A geek.” It seemed disloyal to use those words to describe him that way, but even Kevin had called himself a geek. He had got a perverse delight out of the title. She suspected that at times, Kevin had maintained his ‘show me the evidence’ attitude out of sheer stubbornness, and a contrary need to show how insubstantial and pathetic beliefs grounded on faith really were.

“How much of your inability to swallow the truth now is simply you clinging to his attitudes, Jenna?” His tone had softened.

“Truth?” She pushed the bottle of pills a little, making them tip and roll across the table with a small rattle. “All of what you’ve said is hearsay. And parlor tricks. There’s no evidence.”

“Today wasn’t enough evidence for you?”

She couldn’t hold his gaze. “She dumped the coffee because the ‘prince’ she sat with deserved it. Every woman in that shop wanted her to do it.”

“You made her do it, Jenna.”

He didn’t emphasize the words in any way, but she jumped all the same.

“No, I didn’t.”

He stood the bottle of pills back up. “That’s why you have this uncontrollable need for omega 3s and sugar right now. You’re not used to it. Your brain needs the restoratives, the energy.”

“No.” She was just tired. It had been a long day so far, and she still hadn’t recovered from the accident properly. That’s why she had this need for food and was lightheaded.

“It wasn’t Hine, Jenna. And it certainly wasn’t me. We were both surrounded by temporals and therefore under the injunction of Erceldoune’s Precept—but you don’t know the laws yet.”

“What’s a temporal?” The question spilled from her before she reconsidered the wisdom of following Rhys down this conversational path. Her curiosity, her need to know it all, prompted it.

“Human. Not one of us.”

“A muggle?” All her defensive energy suddenly drained, like air from a tire. This time she knew he included her in the “us”.

He grinned. “I wouldn’t have thought, given your cynicism about this, that you’d watch that sort of movie.”

“It’s just fun.” Then she amended herself. “I thought it was just fun.”

“That sort of stuff is just fun. Toads and wands.” He pushed the pills towards her again. “Take them. And you should eat more oil for a while—lots of polyunsaturates and monos. Olive oil. And up your water intake. Three liters a day, for someone your height and weight.”

She looked at the bottle, and heard Kevin’s voice in her mind, a voice from the past. All that hocus pocus stuff is such bullshit. Only idiots who need to prop up their egos with the idea they have a more important role in life than the one they currently own will swallow it. Anyone with any sort of self-respect can only laugh at it.

Oh, how he would have skewered Rhys had he been sitting here listening to this! He would have slivered him into small pieces, all with a polite smile and irrefutable logic.

She looked at Rhys, shaking her head a little. “I can’t.” It was far too much to swallow right now. “I can’t…accept this.”

“You can’t accept what you saw with your own eyes? Felt?”

“Kevin—”

“Kevin would have accepted it by now. He worked on a scientific basis. Empirical evidence. You got all the evidence you could ask for today.”

She bowed her head. Rhys was right.

Again she saw the woman in the coffee shop, her eyes widen with surprise as she watched her own hand swing around with the coffee cup in it. It didn’t matter how much she tried to rationalize it, that one image would destroy her every argument. It was evidence. Unsavory evidence she couldn’t make go away. She had to accept that something had happened in that shop that resided outside her experience to date. Something had made that woman act. Someone had influenced her. But how? And why?

Rhys’ explanations made a superficial sense. They fit with her own sense of rightness. But the facts supporting his reasons were the stuff of fantasy. Fairytale logic. And that’s the point where her defenses rose. To go against the ingrained attitudes of a lifetime…

She was saved from having to answer right away by the arrival of their food. She fell on hers, cutting into the salmon straight away. Rhys, too, tackled his plate with gusto. Well, he would need the EFAs, too.

She sheered away from that line of thought, and pondered instead the question Rhys had raised. Would Kevin have accepted what he had seen if he had been there tonight? She looked at Rhys. “Did Kevin ever see you do…anything?”

He shook his head. “The law, the precept, prevents us—any of us—from using powers or displaying talents where a temporal will see them or be affected by them. The whole Corpus Temporalty was built around that precept. Temporals must never know, guess or even suspect our world exists.”

She continued eating, mulling it over.

They were drinking coffee before Rhys spoke again. He tapped his spoon against the side of the cup in a thoughtful way, then put it down. “Let me give you a demonstration.”

“Here?”

“Why not?”

“Won’t the brimstone and smoke draw attention?”

He rolled his eyes a little, then settled back in his chair, studying her, his long legs stretched out before him. The silence lengthened.

“And?”

Finally, he spoke. “In the coffee shop, you heard me when I told you to keep walking.”

“Well…yes.” She shrugged.

Yet I didn’t speak. The words echoed in her mind as if she had heard them, yet Rhys’ lips had not moved.

She swallowed. “Ventriloquism?”

He shook his head, almost smiling, and sighed. “Cognitive dissonance. You have a vested interest in not believing what you saw and heard today, so the details will already be hazy in your memory.”

“Am I really being that stubborn?”

“You’re not the worst case I’ve come across.” He smiled a little. “Let’s try something else. I want you to close your eyes, and…have you ever meditated?”

“Me?”

“Well, it helps if you’ve had practice clearing your mind. Close your eyes and think of a dark place—a tunnel, going endlessly back.”

Curious, she closed her eyes and tried to think of the nothing he had been indirectly asking her to think of. It took a moment for her to let go of her other senses. She heard the murmur from other diners, the soft chink of cutlery against the beautiful porcelain china they used here. She smelled her coffee and felt the rough burr of the tablecloth beneath her fingers.

And she was very aware of Rhys, sitting across the table watching her.

Then she took a deep breath and consciously tried to let it all go, to relax and fall deeper into the well of blackness she pictured in her mind, shutting down her hearing, concentrating.

In her mind’s eye she saw herself. It wasn’t her own thought—she wouldn’t think of herself from that outside perspective and besides, it had a quality, foreign and different, that marked it as not her thought. She saw a woman sitting at a table, one forearm resting across the tablecloth before her, her head bowed. She seemed slender to the point of illness. Her collarbones were starkly outlined above the scoop neck of the tee shirt, and her arms seemed thin. But her hair glowed golden red in the lights from the restaurant, rippling down across her shoulders. He wanted to push back the long lock there, that one, back over her shoulder…

Jenna jerked her head up to look at Rhys, and for a moment even when her eyes flickered open the image remained, and the unmistakable impulse that accompanied it. But it disappeared a second later. The delay, more than anything else, told her it was not simply something she had dreamed up on her own.

Rhys leaned over the table and lifted the lock of hair that lay against her chest, and pushed it back over her shoulder. “That’s better.” Then he leaned back again, his black eyes with the tiny crows feet marks at the corners watching for her reaction.

“How?” Her voice croaked. Her heart beat heavily. This was evidence. Proof. How could she deny it any longer and maintain any self-respect? And if she must accept this moment, then the other moment in the coffee shop must also be as Rhys had maintained. She had made that woman dump the coffee.

Her gut clenched tight, and her skin prickled with tension. “Why? Why any of it, what did Hine want with me…?”

“The how I can’t answer. The why…well, that’s for later.” He looked around. “For daylight and an absence of night fears.” He held up a hand as if she were about to protest. “I promise that there will be an explanation. For now, let me leave it at this: the skills we have all are a product of our fields. Some of us have large fields; others have small ones. Each of us can sense the others’ fields, and sometimes from long distances away. The closer we are, the more detail about that field we can sense.”

“But it wasn’t ‘sensing’! You put in my mind what you were seeing. What you felt.”

“Those of us working together can do that.”

“Working together?”

“Or simply being together. Close association builds bridges and sometimes unexpected synergies.” He rubbed his temple. “Which makes it impossible for us to lie to each other. You can’t lie in your mind. But enough for tonight, Jenna. You’ve got more than enough to think about.”

“Can I do that too? Give you my thoughts?” Then she blushed as she added, “Or have I been giving them to you all along?”

“It doesn’t work that way. It’s not like radio waves that are out there to be scooped up by any competent radio receiver. It takes an act of will to share your thoughts. But if you can hear me, then I most certainly can hear you, if you learn how.”

“How?”

“You pass it over. A deliberate decision, a determination to send it out…but don’t try it tonight, Jenna. You’re still recovering from this afternoon.”

Enough clues had been dropped for her to grapple with the problem. She married up what she had experienced a moment ago with her emotions and actions this afternoon in the coffee shop—the moment when she now realized she had been…what? Using her powers? She sidled away from that cliché, and studied Rhys instead. He watched her, his eyes narrowed a little.

She tried a simple thing. She ‘pushed’ a thought at him. Can you hear me?

No reaction. She shrugged. “You’re not hearing me.”

He smiled a little. “At first, it’s a lot easier to give something that has emotional importance to you. It’s easier to push.”

His use of the word ‘push’ to describe the process reassured her. She was on the right track, then. At the coffee shop she had been emotionally wound up. But what of emotional value could she push at him now?

She thought of the intoxicating need for him she had experienced the moment she had seen him. The disorientation…

She studied him. Rhys calmly sipped his coffee, looking urbane and comfortable, while her gut churned with the remembered maelstrom. She deliberately recalled the moment when he had finally looked at her. It built inside her, a hot ball of emotions and images jumbled together. And just like at the coffee shop, she pushed it at Rhys, a mental shove she could feel with her body.

She knew she had managed it when Rhys put his cup down very suddenly—exactly like he had been struck by a thought. His eyes widened. “Again.”

“If it’s just like a thought, can’t you simply recall it for yourself?”

“I have to have seen and felt it clearly the first time to recall it properly the second. It was too bright, too loud. Do it again.”

“I don’t know that I can.” Her cheeks prickled with heat.

His head bent a little sideways. “Don’t leave me confused, Jenna. I know what you were showing me. Today in the coat shop.”

“Yes.”

“Why that moment?”

“Because…well…” Showing him would explain it better and faster. She let the hot ball of feelings well up inside her again, and pushed it out towards him, trying not to shove so hard. She kept the single moment clear in her mind, and the feelings that went with it, discarding the rest of the package.

“More.”

She replayed the next few minutes, alternatively recalling them, then nudging them towards him. Then she discovered the trick of thinking and sending at once, and let the rest of the confusion, the feelings of betrayal, the lingering emotions over Kevin’s death, play out in her mind.

Then she opened her eyes and looked at Rhys, her gut still churning. What would his reaction be?

He nodded slowly. “I see.” Then he swiveled to face her squarely. “Let me show you something, now. It may ease your mind.”

A feather of fear touched her. “How well did you know Kevin?” she asked. “Is it something about him?”

“No.” He smiled a little. “Kevin and I got along tolerably well, given our differences of opinion. But he would never have confessed anything to someone like me.”

Jenna took a deep breath. “Or me.”

He nodded again, as if it wasn’t a surprise. “Close your eyes. You’ll find it easier that way until you’ve had more practice.”

She closed her eyes, and tried to think of the black well she had used before. And suddenly the images appeared there, firm and detailed. She immersed herself in them, caught by their intensity, the emotions in them, drawn into the story they unfolded…

A young Rhys, a long time ago—how long, she couldn’t figure. No reference appeared for her to establish time beyond the certainty that this memory came from long ago. Rhys…staring out across the Atlantic, towards the shores of North America, knowing he was doomed to leave his home, his country, that he was being called there. She was there: the unknown woman who held his fate in her hands.

A flicker of impressions came, too fast for Jenna to separate them individually, but the overall sense of time passing: hard work, fear, loneliness. Danger, and the constant search for her. The one that he had come to America to find. The signs had faded, the search turned cold. But he had continued the fight, knowing that his future was set.

And then the sense of her had flickered back into being, like a candle coming back to flame. Weak at first. Hazy and out of focus, difficult to locate. But she was near. Very near.

And then the burst of energy, the increasing strength…which drew the attention of others besides himself. They all began to draw in upon the growing power, the untouched field…

Banff, where the call had inexorably led him. His hunt through the streets, in search of a woman he did not know, and would not recognize. And then, clear as a shout, the surge that had grabbed his heart and mind and told him without words her location. The jolt had pushed him into teleporting without pause to consider the wisdom of jumping to a place he didn’t know, where people would see him. He jumped, pulled by the imperative quality of the surge in her field, and the hovering presence of another field, one he knew, far too close by her. It had been instinctive, and pure luck. He arrived just outside the back door of the coffee shop as the uproar went up inside, and hurried in, brushing past bewildered staff, just in time to see Hine get to his feet, ready to confront a tall woman walking towards him.

It was her. He knew it with utter certainty. And she was in danger.

He let his instinct lead him. He pushed his mental command at her to keep walking, and stepped beside her, bringing her within his own field, which was potent enough to keep Hine at bay—especially while in public. But while Hine couldn’t use any esoteric methods to halt or delay them, he could still use physical force, so when they had reached the pavement outside the store, Rhys had instantly begun to run. He’d hoped to put distance between her and the reinforcements he knew Hine would call up.

And marvelously, she’d followed him without endless badgering demands for explanations. She’d accepted everything he’d done almost as if she’d known why he did it…and now he knew that she did know, was a consummate professional in her own right. Of course, it all made sense…her life, whether she’d known it or not, had been destined to serve the human race, and she would have naturally found such a niche on her own.

And then, because she’d behaved so sensibly, he’d risked showing her his face in the store. She’d recognized him, as he’d known she would, but for a stunning second his own astonished delight gripped him. She was…perfect. No other way existed to describe her. Had he been able to choose her, her hair, her eyes, her clear skin, they would all have been assembled to create the woman before him. And while he bathed in the pool of delight, he wondered if the fates that dictated such destinies had arranged things this way. Although fate often seemed capricious and cruel, sometimes it showed unexpected empathy for the people it shoved hither and yon.

For moments after that first stunning examination of her, he’d been busy with details of survival, strategies and plans, but when finally he could draw breath and pause, the impact of her presence crowded in on him again. She was here. He could touch her. He must touch her, or go mad. The pressure of years of wondering, of waiting, must be released.

And now she sat before him at the table…hotheaded, and damned sexy with it…and with every moment that passed as she struggled to offload a lifetime of prejudices that she thought were incontrovertible fact, as she tried—oh, so hard—to give him a fair hearing, to find a way to accept everything that bore down upon her, his admiration for her grew in leaps and bounds. Such a woman! She was worthy, indeed.

He looked at her, at the signs of recent sorrow, and the markers of strength: the squared shoulders, the clear-eyed gaze, the fine line between her brows. The pressure to touch her again simmered. The need to take her, make her his…it was a hot cauldron burning within. But patience…she was strong, but she had been bruised badly—

Jenna gasped and opened her eyes, reaching automatically for the water glass, for anything to keep her eyes from his. She gripped the stem of the water glass and took an unsteady sip. Her body tingled, every nerve ending alive, writhing with the dammed-back pressure of a sexual need that threatened to explode. She ached with the need to be touched, to make love. And that, finally, made her look at him.

Despite all the fiery impatient emotions broiling within him that he had just revealed to her, Rhys sat in his chair calmly watching her.

She took a breath, trying to still her frenetic heartbeat. “Do you know what you’re doing, what that…does to me?”

“To the mind, a remembered emotion is no different from an emotion prompted by something in the present moment. If you were to vividly recall an argument you had with your boss a year ago, it would recreate the same physical response as having an argument right now. And, we’ve discovered, an emotion given to us by another as I just did to you, does the same thing.”

“You know what you showed me, don’t you?”

His gaze held hers again, not letting go. “Yes, I know what I showed you.”

She licked her lips. “Isn’t it a little unfair…making me want you?”

“As you did to me a moment ago?”

His calm matter-of-fact handling of such a sensitive subject, such a strange subject, allowed her to deal with it as prosaically as he. She could acknowledge the truth. “I had forgotten about that.” But her cheeks still burned.

“It can get confusing, Jenna. You may end up wondering what came first, like the chicken and the egg. That is why I had to show you that what I’m about to do next isn’t because of what you just showed me. That it isn’t your emotions goading me.”

Her heart gave a little jump. “What you mean is that you…” She took a deep breath.

Tell me this way if you can’t speak it aloud. His voice sounded in her mind. We two will never be able to hide from each other.

The long-term implications in his thoughts, in the memories he had shared with her… Jenna knew she would have to deal with that soon, but for now, she took a deep breath and deliberately spoke aloud. “You wanted me before I gave you my thoughts. That is what you wanted to show me.”

“Yes.”

“Why?”

So I can show you this…

And the images/feelings came at her as a sensual junket…too entwined to differentiate, to even separate out the perspective. Her body, naked, against his. Hot flesh against hot flesh, the overwhelming joy of sliding his cock into her, the heavy weight of her breasts in his hands, the shape of her nipples against his tongue, brushing his teeth, and her hair, sliding across his chest, the intoxicating scent of it wreathing him. Softness. Warmth. Striving for the climax, straining against each other. Murmured delight…

Without warning, the glass in Jenna’s hand snapped at the base, giving way beneath the pressure of her fingers. The bowl of the glass smashed upon the table with a sodden crack. She jumped backwards, trying to avoid the cascade of water, her heart ricocheting against her ribs with more than surprise at the mishap.

The waiter hurried over to sop up the damage with a clean napkin, while Jenna attempted to pick up glass fragments with fingers that felt thick and clumsy. All the while she felt Rhys’ gaze upon her, knew he probably found her telling reaction amusing.

The waiter waved her hands away from the cloth. “No, no, your fingers. You will cut them, mademoiselle. Come, sit at another table. A clean table. Then we can clean up this mess and bother you no more.”

She had to look at Rhys then, to see if this was to his liking. And was shocked to realize that far from being amused, Rhys—finally—showed a reaction to their exchanges. His eyes had narrowed, and his breathing had quickened.

She didn’t want to move to another table. She wanted him to take her upstairs, and do to her what he had just shown her. She wanted…oh! She wanted to screw, make love, fuck wildly, until she was an empty husk, drained and depleted.

She wanted, above all else, to feel him slide his cock into her—that supreme moment that only came once, the sweet novel pressure of him pushing into her, hard and hot, and deeply satisfying.

She threw the thought at him, realizing that already the trick came easier, took less concentration to manage.

And she saw his chest lift on a sharp inhale.

He looked at the waiter. “We’ll just pay and go.”

________________________

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Review: Betting with Lucifer by Tracy Cooper-Posey

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There are quite a few things I admire about this romance. The first is that the characters are dramatically different than most any I have read—especially the hero.

Betting with Lucifer reminded me strongly of LaVyrle Spencer’s Morning Glory not because the setting or plot was the same but because both leads were powerless characters. Now looking at their positions in their careers you wouldn’t expect it but both the hero and heroine are deeply flawed individuals.

The heroine, Lyndsay (Linny, Lynds) Eden is the Director of Marketing at her late mother’s hotel (not to say the mother owned it, but worked at it too). Her goal is to be promoted to General Manager in the same time frame her mother did. How she figured on doing this, is hard to say. Lyndsay is an extremely timid person. It terrifies her to small talk and glad-hand. Thus Lyndsay works herself very hard and pushes herself more to man up; to get in front of people to do her job.

The hero, Lucifer (Luke) Pierse, was technically an orphan growing up. His surviving parent was an alcoholic who never saw him. He on the surface is everything Lyndsay is not. On her business-communications marketing team, Luke unnerves her without trying. His outgoing, wise-cracking, good old boy, routine works well in Luke’s favor on most days but really hides a second nature of himself. Sometimes he is even aware at how he secretly sabotages everything he does.

The two have a very rocky road to travel to find their HEA, especially when Luke is promoted to Director of Public Relations, a stepping stone Lyndsay was hoping to claim for herself.

That said while I enjoyed the risk Tracy took in writing these leads, they just didn't do it for me. I did not really like Luke as a hero and there were times when all I wanted to do was shake some sense into Lyndsay.

Rating: 2.5 Stars

Available at Ellora's Cave. Click: http://www.jasminejade.com/p-7571-betting-with-lucifer.aspx

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Are Romances Built On Hormones A Good Thing?

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by Tracy Cooper-Posey, guest blogger and author of Betting with Lucifer.

I’ve been touring Betting With Lucifer around a few stops now, and a lot of the feedback I’ve been getting is that it’s a great “old fashioned romance” where the characters really get to know each other as they fall in love and commit to a life together.

Which is lovely and flattering and all (and you should see the reviews!), but I’m really not leading off with this in order to rave about my book. I’m trying to make a point.

What are all the other romances doing, if their characters are not really getting to know each other as they fall in love and commit to a live together as well?

Are we all as romance readers getting so used to erotic romance and fast-paced, hip, sexy romances where the hero and heroine see each other and pow! -- instant lust and hot hard sexual tension that has the pages turning (nothing wrong with it – love the stuff myself), that we’ve lost track of the relationship stuff in the meantime? Have hormones replaced heartache in the modern romance?

You may not be aware of this, but I met my husband via the Internet. We courted on-line for eight months before I committed to moving from Australia to Canada to be with him. That was eight months of emails and phone calls when hormones and sex couldn’t get in the way (much!). Eight months of pure relationship establishment. I’m not saying that our relationship is any stronger or weaker than any other marriage, but I am absolutely saying that we have a foundation that will survive anything. We can work out anything. I know we can. We’ll have our problems. Any relationship will, as it endures, but we didn’t start off on the wrong foot. We’ve both admitted that had we met as strangers at a party, we probably wouldn’t have connected because we’re not the people we normally gravitated towards in those days. But we have a relationship now, so all bets are off. And we’ve survived fourteen years already.

So while the modern romance is all hip and sexy and wonderful – hell, I’m writing enough of them myself – and everyone is gobbling them up, I have to wonder...what are we teaching the up and coming generation about love and romance? Are we teaching them that this is what love is all about? Sex and lust and gotta-have-you-now? (Along with love-is-sparkly-vampires.) Because there aren’t too many old-fashioned romance books out there anymore with 100-proof romantic conflict in them anymore, if I’m to judge from the feedback I’ve been getting.

And if that is the lesson the next generation learns, is that part of the reason for the horrendous divorce rate the western world is observing these days? Because there isn’t any manuals out there teaching kids what love means. The romance genre really is the go-to-guy, whether we like it or not.

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Lyndsay is determined to outshine the memory of her mother's illustrious career. As head of the marketing department of the exclusive Freeman Hotel, high up in the rarefied mountain air of northern Washington, she grapples with her rival -- the charming newcomer, Lucifer Furey Pierse.

No one knows much about Luke except that he could turn a murder into a side-splitting comedy routine, and that he has an eye for women, including an inexplicable attraction for the prickly, definitely not-interested Lyndsay.

It starts with a bet that goes horribly wrong.  If Lyndsay wins the bet, then Luke leaves town—forever.  If Luke wins the bet, he gets a date with Lyndsay.  But when Luke wins the bet and Lyndsay is forced to pay the price, she learns more about Lucifer Furey Pierse than she thought existed...and the process of discovery for both of them becomes a bitter-sweet journey through their personal histories as they learn why they are the people they have become.

Then life hands them an unexpected twist that they must deal with...one that tests both of them to the limit.

_________________________

Lyndsay heard the tap on her office door and Luke’s muffled “’Night, boss,” exactly thirty seconds past five. The same time as last night and every night since Luke had begun working here.

Tonight it completely blew her concentration. She threw the pen down.

Damn. A date, for heaven’s sake! Of all the things he might have laid on the line—vacations, time off, cash bonuses, a promotion, title—he’d held out for a date.

A date! The word left a sour taste in her mouth.

With brisk determination, she began tidying her files again, trying to realign her focus and bring it back to the work at hand. She had been spending more time than she could afford this afternoon wondering what on earth had motivated Luke to settle for a date. The more she thought about it, the more convinced she became that his sole motive was to humiliate her.

First, winning the bet—if he won the bet and that wasn’t a sure thing at all—if he won the bet, Lyndsay would die of mortification and he knew it. Having to humiliate herself by going through the motions of a date with Luke would just be rubbing salt in the wound.

She looked down at the paperwork she was supposed to be completing and grimaced. There was no way she was going to be able to finish it tonight. She might as well quit now, than waste the rest of the evening trying to get it done.

The worst of it was, this stuff didn’t come naturally to her. She knew she wasn’t going to be able to dash it off if she wasn’t mentally wide awake.

She gathered up the files, shoved them in her briefcase and snapped it shut. Maybe she could go home and work there. Perhaps a shower, dinner and talk with her father would put her in a more appropriate mood for work.

At the very least, at home she would not be on tenterhooks, waiting for Luke to interrupt her whenever he chose to. She might be able to put the horrid afternoon out of her mind. Just being able to forget about the bet would help.

She locked the office door and went to find Timothy. He almost looked startled when he saw the briefcase in her hand but his unflappable expression returned instantly.

“You have an appointment?”

“Did you make me any you haven’t told me about?”

“No.”

“Then no.”

“You’re going home?”

“Yes Timothy, I’m going home.”

He smiled. “Luke got under your skin, didn’t he?”

Lyndsay tried very hard to hide her surprise. “The only way Luke Pierse is ever going to get under my skin is if he turns into a tick. In which case, I’ll burn his tail off for him.”

Timothy’s smile widened. “You’d enjoy it too, I bet.”

“Speaking of bets…” Alexander stepped into the office, carrying a little notebook and pencil.

“No, we are not speaking of bets. Now, or for the next week,” Lyndsay said firmly, feeling her anger stir yet again.

Alexander hesitated, his dark face drooping almost comically.

“I mean it,” Lyndsay insisted. “I’m not turning the winning of a lucrative account into some kind of nine-day wonder.”

“You don’t call combining Lyndsay Eden and dates a nine-day wonder?” Timothy asked.

She swiveled to look at him, feeling a touch of surprise. “Since when did you sell out on me, Tim?”

“When was the last time you had a date?” he shot back.

“I’ve had plenty of dates!”

“When was the last one?” he pressed.

“I don’t keep statistics.” She could feel her indignation growing. Why was Timothy doing this? “Except, maybe, the size and capacity of my assistant’s brain.”

“I can tell you to the day when your last date was.”

“I also keep odds on how long my assistant is going to keep his job.” She clenched her teeth before hotter words tumbled out.

“Ten months and three days,” Tim supplied.

“Wow!” Alexander breathed, his notebook lowering.

“You can go home now,” she snapped at him.

“Right,” he agreed, hurrying out.

“I should can your butt,” she told Timothy.

“You won’t fire me.” He was serene.

“Give me one good reason.”

“Because you like having someone around who tells you the truth. Warts and all.”

That damped her anger. Instantly. Because it was true. She took a few breaths, letting the anger dissipate. “And you’re the only truth-teller around who has an invisible asbestos suit. I’m sorry.”

“Agh!” He waved his hand, his awkwardness with sentiment making his face flush. “I grew the suit after twenty years of living next door to you.”

“Thanks,” she said, simply.

He shrugged. “But I meant what I said. A date might do you good.”

“With Luke Pierse? You know he does nothing but make me spit with anger.”

“Exactly.”

She shook her head. She didn’t get it. “Well…”

“Go home,” he told her.

“’Night.”

She made her way to the elevator and the last vestiges of anger stirred back into instant, blazing life, for Luke was standing there with the general manager, Vince Gormley. Worse, their head were together. As she approached, they both started laughing, throwing their heads back.

Good ol’ boys.

Lyndsay gritted her teeth. Even though she reported directly to Vince, she knew she had never really been fully accepted by him and largely it was because of her lack of this intangible ability to mix and mingle. Luke had it in buckets, damn his eyes. He and Vince got along like father and son and every time Lyndsay saw them together her stomach would clench.

She pushed away the tendrils of alarm creeping through her. Just because she wasn’t into backslapping and golf, it didn’t mean she would lose her job. She was one of the best promotions managers the hotel had ever had. Almost as good as her mother had been.

Almost.

It was the “almost” that made her heart sink when she saw Luke and Vince together. In the back of her mind, never quite articulated even in her thoughts, was the knowledge that her mother would have been in there mixing it, slapping her thigh right along with them, fully accepted as one of the boys.

Lyndsay marched up to the elevator control panel and prodded the button with energy. Luke continued to talk and Vince to listen with rapt attention, a smile lingering, his eyes twinkling with merriment.

“The judges declared that the packaging had to be green and the meat to be fresh. Frozen wouldn’t do. Well, Aunt Mary had won the scavenger hunt for the last twenty-five years and wasn’t about to go down for an upstart who had been in the neighborhood for only twelve years. Her pride was on the line.”

Another one of Luke’s mad relative tales, Lyndsay realized. None of them were true, of course. They were too ridiculous to be true.

“So what did she do?” Vince asked.

“Okay. The supermarket was closed and she knew there wasn’t any meat packaged in green to be had anyway. What company is going to package meat with a green label? It’s too bizarre, makes the meat look rotten before its time. So she sat down, had a long, hard think about it.”

“And?” Vince asked, echoing Lyndsay’s thoughts.

“So she stripped naked, tore holes in the bottom of a green garbage bag and wore it like a dress. Walked right on up to the judges. ‘Meat on the hoof’, she called herself and declared they couldn’t get fresher if they went to the abattoirs.”

“No!” Vince began to laugh, a helpless chuckle that swiftly grew to a loud bellow.

“Did she win?” Lyndsay asked, lifting her voice above the laughter.

At that moment, the elevator arrived, announcing itself with a loud chime. And at the same moment, Vince got control of himself and stopped laughing.

Luke turned his head to look at her, as total silence fell. His dark eyes narrowed a little. The effect was too eerily like she had interrupted him and her question was unwelcome.

The elevator doors slid open behind her.

Damn, she thought. She’d got sucked up into his tales yet again. “Never mind,” she muttered and scurried into the elevator.

Vince stuck out his hand toward Luke. “Anyway, Luke, have a good evening. I’ll see you on Thursday, okay? Ten o’clock, remember!”

Lyndsay hit the lobby button with a vicious jab, hoping the doors would slide shut before Luke could disentangle himself from Vince’s farewell. Miraculously the doors began to slide shut. At the last minute, Luke’s shirt-sleeved arm chopped down between the closing doors and they bounced harmlessly back again.

He stepped into the lift and shot a glance at Lyndsay.

She sighed. Well, it was only ten floors. It wouldn’t kill her to share an elevator with him for ten floors.

But her heart was racing along unhappily.

She remained silent, hoping Luke would take the hint.

“She won,” he said quietly.

“Who?”

“My aunt. She won.”

“How nice for her.”

Eight…seven…come on, Lyndsay mentally encouraged the creeping light.

“This bet is bothering you, isn’t it?”

“The bet?” she inquired airily. “Not at all.”

Five…four…

“That’s why you’re going home early. You’re worried you might lose, after all.”

Worried? She spun to face him. “You’d be the last person I’d tell if I were worried!”

His hand hit the panel of lights, slamming down over the emergency stop button.

“That’s exactly what the bet is about,” he said, his voice flat, forceful.

She looked at the panel with the bright red LED display flashing its alarm. “What are you doing?” she demanded. “You can’t just halt an elevator like that. They’ll penalize you, or charge you or something. I don’t know what the penalty is for unlawfully halting an elevator but if it’s anything like stopping a train—”

“Just shut up for one minute, will you?” he said quickly, as she paused for breath.

She shut up. It was something in his eyes, rather than his words, that made her fall silent. His eyes in the dimly lit elevator car were almost obsidian black and the thick, deeply dark brown weight of his hair fell over his forehead, shadowing the eyes even more. There was something in his face… She groped to define the subtle expression and could feel a growing frustration. Other people would be able to name it instantly, would understand that strange light straight away.

“You have no idea why I bet what I did and it’s chewing you up,” he said, his voice very quiet.

“Aren’t you at all worried that you might lose?” she asked. “That you might have to leave Deerfoot Falls?”

He smiled a little. “I’ve been kicked out of bigger and better places than this one. And you’re changing subjects on me. Not this time, Lyndsay.” He stepped closer to her and suddenly the sides of the car seemed to close in around her. Too small. Much too small a space to house her and Luke at the same time.

She almost gasped.

“Have you ever wondered what it might be like to kiss me?” he asked softly.

She stared at him, flummoxed. Had she really heard him say what she thought he’d said?

“I-I… What?” She blinked at him. Out of left field. Out of a blue sky. “What on Earth…?”

He smiled and it seemed to her that the smile was bitter. “I guess I have my answer,” he said, reaching for the small button that would restart the elevator’s descent.

Lyndsay kept very still as the elevator started up and slid down to the lobby level. She kept her eyes on the display, afraid to look around.

Her heart was racing as if she’d run a mad hundred yard sprint and her mind was churning with bewilderment. What was going on? She didn’t understand it at all. It was as if that one glimpse into Luke’s eyes, the small, singular note of bitterness, had opened up a whole new facet to Luke…and she wasn’t sure she wanted it opened.

The doors slid open, revealing the pink-marbled, gold-and-crystal-enhanced lobby and a swell of pride lifted her heart a little. The Derwent was a classy hotel, no doubt of it. Small enough to be intimate, large enough to be sophisticated.

She was about to step out when Luke’s arm came across the opening, jamming the doors back with the flat of his palm and blocking her way. He looked at her, lowering his chin a little to do so.

“You know, when I first arrived here, I was a little bit intimidated, a little in awe of your unrelenting dedication to your career. I’ve never met anyone quite like you before. But after a couple of weeks, I began to wonder when you were going to stop for breath. I started watching for it. I figured sooner or later you’d have to come up for air. But you didn’t.”

Lyndsay bit her lip. “You don’t understand—”

“No, I don’t. I don’t even admire it any more, Lyndsay. After six months of waiting for you to fall off the pedestal, I started getting really uneasy. Now, when it comes right down to it, mostly what I feel when I watch you doing your thing is…” He paused and she saw him draw breath. “I pity you.” His voice was very low.

He let the doors go and stepped out.

Lyndsay stepped out behind him and watched him walk across the rugs and marble to the bank of glass doors leading onto Queen Street, sliding into his jacket as he went.

She didn’t know whether she should be angry or upset. Neither seemed to fit with the churning inside her. Luke’s words had been mild but his attitude, the quiet depth of feeling behind the simple words had stirred up a huge, hard ball of reaction that she had no idea how to start dissolving.

He patently disapproved of her—that much was clear.

Well, she didn’t like him much, either.

So why did his disapproval strike so deeply, then?

__________________

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Best of October 2009

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So how did everyone do on the candy count yesterday? Let's take a look at the last month of activity at LRP! First I would like to thank all the guest bloggers and reviewers, you all rock! Next, all the commenters and readers of LRP because without you the blog would be dead (and that was a terrible zombie joke in reference to yesterday's post.)

October's 11 Most Commented Posts:

Guest Bloggers:

Author Interviews:

Guest Book Reviews:

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Get into Bed with Tracy Cooper-Posey (Author Interview)

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Susan:  I was wondering Tracy, what are Tim Tams? Or will you keep LRP readers in suspense?

Tracy: I’ve been getting this one a lot – especially since I won the RomantiCon Superstar Award for the “Most Erotic Use of a Chocolate Chip Cookie” – because the scene in question didn’t actually feature a chocolate chip cookie at all. It was a Tim Tam. And Tim Tams are an Australian institution. They’re a chocolate praline centre sandwiched between two chocolate biscuits, and the whole lot is coated in a thick layer of real milk chocolate – not the compound cooking stuff, but real honest to goodness milk chocolate. I was trying to explain to someone at the conference last weekend that Australian women use Tim Tams the way American women use icecream: for treats, to go with coffee, for when they get dumped, when they’re down, for that time of the month, for any excuse they can think of at all.

The original Tim Tams I’ve described above. There’s about fifteen different varieties in Australia now, including caramel and mint chip, and so forth. Arnott’s, who make them, export only a few of the varieties. I can get original, dark and caramel in my local grocery store — sometimes.

Readers at the convention told me there are some stores in the States that also carry them. You have to hunt around though.

Wikipedia has a (mildly inaccurate) page about them – they’re that notorious! http://en.wikipedia.org/wiki/Tim_tams

Keira: What or who inspired you to start writing?

Tracy: George Lucas inspired me to write romance, which sounds bizarre, I know. I fell in love with Star Wars (the original movie), and wrote the sequel. I didn’t realize that what I was doing was called fanfic – they didn’t have a name for it then, and I didn’t tell anyone what I was doing. I was too embarrassed. But I had Han Solo and Leia falling in love long before George Lucas got around to it in the second movie.

But nothing I wrote ever topped Han Solo’s damned near perfect “I know” in response to Leia’s confession of love in the second movie — or Harrison Ford’s desperate expression as they put him into the carbon freezer. That moment, and the lesson in romantic conflict, character, emotional intensity and the art of not saying everything has stayed with me and I’ve been striving to deliver the impact of that moment in my romance novels ever since.

TraceyCP

Susan:  In Ningaloo Nights you describe the weather & Ningaloo as if you were an Australian native. Have you ever visited, lived or dreamt about Australia?

Tracy: I am an Australian native. I was born and grew up in Australia, very near Ningaloo, in fact, in Geraldton. I toured around Ningaloo with my parents when I was a teenager. I moved to Canada in 1996 when I met my husband on-line.

Keira: What’s your favorite aspect of erotica romance?

Tracy: Surprisingly, it’s not the sex, although that’s certainly an appealing part of it. The greatest part of writing for Ellora’s Cave in particular is the complete freedom in story-telling. Along with the sexual freedom comes an ability to slip the leash and tell any story I want. There’s very few taboos in erotic romance and readers are usually self-aware, accepting, open-minded and more than happy to try new experiences, so an author can write stories that are very different from what traditional New York publishers are able to offer. I’m always grateful for Ellora’s Cave readers’ abilities to go with the flow in that regard. They’re happy to try anything!

Keira: Sex – what makes it great in a story?

Tracy: In two words: Sexual tension. You can have pages of description about the deed itself, but they pale in comparison to a page about the possibility of what might happen. To quote Tim Curry from Rocky Horror Picture Show, “Antici......pation!” In plain vanilla romances like Harlequin/Silhouette, you have the hero just panting lustfully at the heroine – that’s sexual tension -- but in erotic romance, the reader wouldn’t sit still for that. She wants sex, and lots of it, and she wants it really early in the book...not a tasteful closed door scene at the end. But you can still use sexual tension to make sex in erotic romances hum like a barber shop quartet, too.

For instance, I adore some of the classic Lora Leigh books in the cave...who doesn’t? But if you actually break down the hot, hot, hot sex in them, you’ll notice that she never actually gets around to consummating the sex for pages and pages. It’s all about the tension, the teasing, the promise of what’s to come. And phew, does Lora Leigh sell, or what?

Susan:  I understand you write under a few pen names, how many do you have?

Tracy: I write under my own name, Tracy Cooper-Posey (which really is my own name, although lots of people have expressed disbelief over that), and under Anastasia Black. Anastasia Black came about because Julia Templeton and I co-wrote a couple of erotic historical romances together for Ellora’s cave, and we didn’t want to put both our names on the cover. We both have really long names and it would have left no room for the title and image. And as we were both writing outside our usual genres (at that time), we created the pen name.

I have one other pen name that I use for a sub-genre that is totally different to anything I write for Ellora’s Cave as Tracy Cooper-Posey. I use the pen name so that readers that read my novels that I write as Tracy Cooper-Posey don’t get confused by my suddenly producing something outside that genre. I’ve done this in the past and it makes for depressed sales and confused readers, who drift away and never come back. For that reason, I won’t share the pen name here.

If I was to begin writing in yet another totally unrelated genre – although that’s very hard to imagine as I’m having trouble keeping up with the marketing and writing of just those I already have! – then I would start yet another pen name. But for now, that’s all I have.

Susan:  Does writing with different pen names cause you to forget who you really are? (LOL)

Tracy: Sometimes it does get confusing! I’ve had the occasional slip with email accounts and blog comments <grin> But the pen name is really just me with a bigger mouth and louder opinions, so it’s not like I totally lose my personality under her shadow! <grin> She’s just me with the volume turned up.

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Keira: How do you define love?

Tracy: Good question! Never had that one before. I love plotting romance novels so that the romantic conflict is sharpest right toward the end of the novel where the hero or heroine really face a crisis point where they genuinely risk losing the wo/man they’ve fallen in love with over the course of the novel. They’re facing a choice. Often that choice is the harshest choice of all: Everything they’ve always wanted, or the person they love. Pick one. And they pick the person they love for no better reason than they love them, and that’s more important than everything they’ve always wanted. That’s love defined, in my mind.

I tripped over City of Angels on video-on-demand last night, and haven’t seen it since it first came out in the late 1998 so on a whim I rented it. I’m not a huge Nicholas Cage fan, but I loved him in that. He was perfect for Seth. At the very end of the movie, he’s crying over the loss of Meg Ryan, and the other angel asks him if he’d known he was going to lose her, would he have done it – taken the leap and given up immortality for the single night he got to spend with her as a human. And he says yes.

That’s love.

Keira: Is there anything else you’d like to share?

Tracy: I’d like to thank LRP for hanging in there and entertaining us despite your tribulations and trials lately, and for giving me the opportunity these last couple of weeks to introduce readers to me and my work, and to Ningaloo Nights in particular.

  1. Buy page for Ningaloo Nights http://tinyurl.com/yg4nhud
  2. My website:  http://www.TracyCooperPosey.com
  3. My blog:  http://www.TracyCooperPosey.com/blog (There are pics of the conference there if you’d like to see them, including me in neon pink go-go boots.)
  4. Follow me on Twitter:  http://www.twitter.com/TracyCP
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My Own Personal Cloud

guestblog

by Tracy Cooper-Posey – guest blogger and author of Ningaloo Nights

I’m so glad to see Love Romance Passion back up and running on their new home. I hang out here on a daily basis, and have found some interesting new-to-me authors and titles, like Jo Davis and her fabulous book When Alex Was Bad, which I discovered right here on LRP.

ningaloonights_msrThe Internet is a fascinating place, when you really think about it. It actually doesn’t exist. There’s a term some geeks and more and more communications people use for it: “The cloud”. That’s an interesting way of referring to it because it really is a nebulous thing that you can see from a distance as a solid, attractive-looking thing, but when you get up close and personal, it really isn’t anything at all. It’s a bunch...well, okay a whole lot...well, alright, millions of computers talking to each other. That’s it. That’s all the Internet really is. Somewhere in the middle of all those computers talking is a very, very busy junction point that in our minds we’ve built into this mental image of a meeting place that we’ve come to know as the Internet – a cloud that doesn’t really exist, but feels as solid, warm and friendly as many other brick and mortar meeting places we know in our home towns. And for a lot of people, the Internet is far more warmer, safer and friendlier than our home towns. It can also be a lot more romantic. I speak from experience...I met my husband here, thirteen years ago, and moved from Australia to Canada to be with him.

I’ve never been back to Australia since I arrived here on October 4, 1996. The cost of airfares vs. a writer’s income has a lot to do with that. So when Ellora’s Cave asked me to participate in the Going Down Under series, I jumped at the chance because it was an opportunity to return to Australia at least in my imagination ...my own personal cloud, you might say. The more interesting counterpoint to that is that my office is in the basement of our house, and I wrote Ningaloo Nights during the early summer – in June, which this year was quite hot — for Alberta Canada, I hasten to add. Here, if it hits 30 degree Celsius (about 85 or 90 degree Fahrenheit) people start to talk about heat waves, which even after thirteen years of Canadian summers I still find hilarious (although I keep that to myself). Although, given that Canadian winters can drop down to 40 degrees below zero (which is actually minus 40 in Fahrenheit, too), the houses here are the mostly perfectly insulated and sealed boxes in the world. So even at a measly 30 degrees in summer, being stuck inside can be uncomfortable.

TraceyCPExcept that in my office it’s bloody freezing, all summer long. I even have to turn on a radiant fan heater under my desk to keep my toes from dropping off, and I wear tights, too. I get strange looks from delivery people and other daily door-knockers when I answer the door wearing a sweater and tights and have my arms wrapped around me while they’re sweating on the porch. J And that was the conditions I experienced while I was writing Ningaloo Nights where the hero and heroine sweated through the 40+ Celsius dry, dry heat that I remembered from my years of living in Western Australia. I had to try and conjure up the imagery of the dazzling, flat and dusty West Australian countryside during the hottest month of the year, while I was stuck in a dark basement, while my toes were shoved up against a fan heater.

Believe it or not, I had a blast writing that book. I barely noticed my actual surroundings. I was very much living in my personal cloud. I was out driving around the Exmouth gulf territory with Mason and Sherry, soaking up that dry heat and feeling my skin bake under the sun....oh, and imagining what Mason might do to me next!

  1. Buy page for Ningaloo Nights http://tinyurl.com/yg4nhud
  2. My website:  http://www.TracyCooperPosey.com
  3. My blog:  http://www.TracyCooperPosey.com/blog (There are pics of the conference there if you’d like to see them, including me in neon pink go-go boots.)
  4. Follow me on Twitter:  http://www.twitter.com/TracyCP

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Giveaway: Tracy has kindly offered the readers of LRP a chance to win an ebook copy of Ningaloo Nights. The winner can choose from one of these formats: .lit, .pdf, mobipocket, rocketbook, and html. To enter all you have to do is ask Tracy a question or leave a relevant comment. Multiple entries allowed. This contest ends October 26, 2009.

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Review: Ningaloo Nights by Tracy Cooper-Posey

guestreview

by Susan Sigler, guest reviewer

Ningaloo NightsNingaloo Nights is a smooth, well-executed, hot steamy read. So hot in fact, I’d attach the following warning. Tracy’s novella may cause:

Glasses to fog, an increase in blindfold sales, addictions to chocolate biscuits, a greater demand for hot Aussie men, increased sales of Ute trucks by single men, and stores will have to work diligently day and night to keep up with the demands of pink panties.

Changes in behavior to watch out for: clothes ripping behavior. If the Earth shakes again; its Tracy’s sex scenes causing an 8.0 on the Richter scale.

Sherry Abandonato is a guarded, tough, foul-mouthed New York Cop who travels to Ningaloo, Australia with a heavy heart; hoping to find her missing sister. She's referred to the only man who can help her, a former guide named Mason Hayward. He’s a blue eyed, delicious looking Aussie; who also happens to be well tanned, and well endowed.

Sherry doesn’t have enough money for the trip to Derremawan; where her sister (Pepper) and boyfriend (Ryan) are thought to have been. In lieu of the rest of the money; Mason devises other ways she can make up the difference. Their journey is filled with hot sexual encounters, and a sex scene against a Ute truck that puts the ecstasy in erotica.

Tracy’s novella is comparable to the movie 9 1/2 Weeks. There are new explorations at every turn, with blindfolds, melting chocolate, and sex toys.

I recommend Ningaloo Nights for erotica lovers, those who enjoyed 9 ½ weeks, and romantic suspense readers.

Mason’s character is every woman’s fantasy. He’s compassionate, caring, concerned, strong, endowed, and sexually dominating.

There are no distractions from secondary characters, only brief appearances by (Bruce) Mason’s employee & police officials. Tracy focuses solely on the developing relationship between Mason and Sherry.

Ningaloo Nights contains loads of sex, some heartbreak, and a beautifully written happily ever after.

A hot read, indeed!

5 Star Rating.

Ellora’s Cave Publishing, Inc., Breathless, Contemporary Erotic Romantic Suspense, E-book, Novella, 81 pages. Copyright October, 2009. ISBN# 978 141 992 395 1

Link to Book at EC.

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Winners and Answers to the Author Contest

Thanks to all those who commented and emailed. Susan did such a great job pulling this contest together. The questions were really tough! But now it’s time to reveal the winners and the answers! Hold your breath… the winners are:

  1. Lady Vampire with 10 right.
  2. Rigoberto Sanchez with 7 right.

Congratulations! Be on the lookout for an email from me. Lady Vampire you get first pick of the books and the remaining book will go to Rigoberto Sanchez.

Answers to the Author Contest:

DaretoReturn

Author #1: Julie Garwood
Author #2: Tracy Cooper-Posey
Author #3: Jennifer Haymore
Author #4: Isabel Roman
Author #5: Kerrelyn Sparks

A Hint of Heather

Author #6: Rebecca Hagan Lee “A Hint of Heather”
Author #7: Marie Harte “In Plain Sight”
Author #8: Sherrilyn Kenyon (Dream Hunter /Dark Hunter)
Author #9: Jenna Mills “The Perfect Target”
Author #10: Judi Fennell “In Over Her Head”

InPlainSight

Author #11: Diane Gaston
Author #12: Janice Jay Johnson “SnowBound”
Author #13: Nora Roberts
Author #14: P.C. Cast “Goddess of Spring”
Author #15: Lynsay Sands

Goddess of Spring

Author #16: Devyn Quinn
Author #17: Kimber Chin “Selling Forever”
Author #18: Nina Bruhns “Ghost of a Chance”
Author #19: Donna Lea Simpson
Author #20: Gena Showalter “Playing with Fire”

Ghost of a Chance

There you have it! How well did you do? Which ones did you get right and which ones were a complete surprise?

Are you ready for a round two yet? lol :D

Many thanks go out to Susan S. for sponsoring this contest! It's been such a blast!

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2nd Edition of Romancing the Novel Carnival


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Welcome to the second edition of romancing the novel since it's reinstatement. We were a little light again this month on submissions so I filled them in with posts that I enjoyed. There's plenty to read and explore which I hope you will do. For the dads out there, Happy Father's Day!

Between the Sheets

Book Intros

Book Reviews

Get into Bed with...

Industry News

On Genre and Subgenre

Misc.

  • Tracy Cooper-Posey presents The Ten Best Romantic Moments In Film History posted at Tracy's News & Gossip, saying, "Romance lovers tend to love films, too -- especially the really romantic moments IN movies. But the film industry doesn't treat romance well, calling it "romantic interest" and treating it as a sub-plot on most occasions. I've pulled together the ten best moments in film, the ones that stopped a dedicated romance reader's heart...and the list might surprise you."

Thank you to those who submitted! That concludes this edition, tell me what you think!

I need lots of submissions to make this the best possible carnival. Submit your blog article to the next edition of romancing the novel using our carnival submission form. Past posts and future hosts can be found on our blog carnival index page.

Photo Credits: l.giordani
Technorati tags: romancing the novel, blog carnival.

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