Writing a Series

guestblog

by Judi Fennell guest blogger and author of Wild Blue Under

Thanks so much for having me here to talk about my latest release, Wild Blue Under, the second of my Mer series.

When I first started writing this series, there actually hadn't been a series. I was writing my "little talking fish story" just for myself. So, when I sold it as part of a series, I had to come up with those other stories and work them into my world.

This shouldn't have been that hard because I actually had started writing a series; just not a Mer series. My first book, In Over Her Head, was part of a twist on fairy tale series. The fourth, actually, after Cinda Bella, Beauty and The Best, and Fairest of Them All. (Beauty and The Best got some cyberwaves air play during the 3rd American Title Contest, so you might have heard of it. But it's still in the drawer, hoping for "some day.")

So, now I sold the fourth book of a series, except that it wasn't the series I thought I'd sell. I worked up a blurb on the next two stories which became Wild Blue Under and Catch of a Lifetime. And while this sounds great in theory, in practice, it's tough.

Why? Because once your book is in its accepted form within the publishing house, once it's going through all the processes it needs to go through to get to the final published version, you can't really go back and change a World Rule just because it doesn't work for the next story or the one after that. So I was stuck within the parameters I'd created for that one book, which now had to fit two more books (and, hopefully, a few more).

Surprisingly, it wasn't all that difficult. It helps, though, to be writing paranormal and have already set a precedent for Greek gods' involvement in the first story. :)

The key is to make your world rules broad enough so that you can fit them to your next scenario - you know, the one you haven't thought of yet? It's all fine and good for me to have set up the fact that, in In Over Her Head, Reel had to get back into the water before two sunsets passed so he could get his tail back, but for Wild Blue Under, Rod has to travel across half the continental US in a car while dodging dive-bombing peregrines and a mercenary albatross who'll go to any lengths to stop him from getting to the coast. Including not letting him get on a plane. Which increases travel time beyond the boundaries I'd already set practically in stone, so to speak. So I had to come up with a plausible way for Rod to keep his legs for longer than two sunsets without endangering his tail because he is, after all, the ruler of their world who's been sent by the Council to bring the lost half-Mer princess back to their world. He's going to need his tail.

Should be a piece of cake, right? Stick him on a plane, tell her she's got untold riches coming to her if she heads to the coast, and voila! He's back in the ocean in no time. Except…

We've already annihilated the plane thing by sticking vulture thugs at local airports to interfere with any plane Rod gets on, and what modern woman is going to follow some guy with a cockamamie story about an inheritance left to her by her deadbeat, take-off-before-she-was-even-born, father? To the ocean, which, as an added bonus, she's allergic to.

Not so many. Matter of fact, not any that I can think of. The evening news is full of reasons why. So, now, not only did I have to work around Rod's tail/legs thing, but also common sense. And we all know that it's far easier to believe a story about mermen than it is to believe a modern woman is going to get in the car with a stranger. That's just too fantastical.

It all worked out in the end with a little help from the bad guys, the good guys, busybody sparrows and the IRS. ["IRS? They're heroes?" you ask. Sorry, I'm not telling. You'll have to read for yourself how that happens. :) ]

But it did make me realize as I sat down to write my next series (about genies, releasing beginning Fall, 2010), that the broader I make the rules, the more easily I can manipulate them.

And speaking of manipulating…

Val adjusted the rearview mirror to look at the talking bird. “Okay, you guys are starting to freak me out. What are you? Some specialized branch of the FBI? CIA? What?”

Livingston shook his head. “I’m Chief Special Agent, ASA.”

ASA? Never heard of it.” She looked at Rod.

As well you shouldn’t,” he said, his eyes hooded—but not in the same way as they’d been during that kiss last night. Those lips that had been so pliant and urgent against hers now thinned to an almost invisible line—

But you will,” Livingston said. “Air Security Agency.”

Don’t you mean the FAA?” She pulled her mind back on the conversation—with a bird!—and off the kissability of Rod’s lips.

No. ASA. I don’t work for your government.”

You’re a foreign operative? A spy? Oh, hell, what have you two gotten me into?” One of the tires hit a pothole when she half-turned to gape at him.

Eyes on the road, Valerie.” Livingston turned his attention back to the sky. The clouds were growing darker. “Technically, yes, I am a foreign operative. But not to you. And that’s all the explanation you’re getting from me until I know what’s what.” Livingston readjusted his hold on the seat.

We need to know who he’s working for, Rod. I’ve been over the lists of known anarchists and I can’t come up with one. We’ve got the top wrasse working on it. They’ve studied those wires, the method of ignition planned, the locations they were stolen from, patterns of known movement among those on the list, and no one fits. It’s got to be someone else, someone new. Someone who doesn’t want you to take the throne.”

What?” Val yanked the car to the right, almost hitting Mr. Morris’s 1957 Chevy, his pride and joy.

Rod grabbed the wheel, avoiding an accident at the last second. “Valerie, please. You must retain your composure.”

Retain my composure? Are you insane? Yes. Yes, I think you are.” Val shoved the car into fifth and zipped onto the highway. “Anarchists? Throne? What throne? Who are you? What are you?”

He’s a prince, Valerie.”

Really? Whose? England’s? Monaco’s?” The porcelain god’s? She had to be dreaming this.

Rod glared at the bird then turned to her. “While England’s throne once sought to rival the territory of mine, today they don’t compare. As for Monaco, it has acceptable beaches, but the buildings, overabundance of Humans, and many conveyances have ruined the shoreline.”

She gaped at him.

Watch it, Valerie,” the bird—the bird!—said from the backseat. “You don’t want to catch any flies with that open mouth.”

Wake up, wake up, wake up.

She pinched herself.

Ouch. Dammit. She was awake.

So you’re really a prince? And I’m going along with the program as if heading off into the wild blue yonder with talking seagulls and royal princes is normal?”

Valerie, we’ll explain everything later. Right now we need to find a way to go faster. We’ll never outrun JR in this.” Rod patted her arm, and, amazingly, that settled her rattled nerves.

Until she realized what he’d said.

Are you saying that an albatross—and I can’t believe I’m even asking this question—can fly faster than a car?”

He doesn’t need to keep up with us,” Livingston said from his regained position on the backseat. “Besides the operatives he’s been amassing, he’s able to find a meal miles away on the open ocean, so I’m sure he boned up on Rod’s scent before embarking on this mission. This damp air is only helping matters, though I’d be surprised if he did anything but report on our progress.”

Report to whom?”

That, my dear, is the fifty-thousand clam question. And once we know the answer to that, we’ll know the threat.”

What threat?” She slowed down to veer around cattle that had escaped from their pasture and had decided to amble down the highway. Mr. Stromer had better check his fence line.

If we knew why this was happening, we’d stand a chance of figuring out who’s behind it. Until last evening, I was under the impression this was a simple recovery mission.” Rod’s fist thumped the seat.

Recovery mission? Okay, now I’m totally lost.” Val swiped a trembling hand across her forehead, brushing the hair that had adhered to the sudden perspiration. “Why don’t we just go to the nearest police station and let them handle this? Or the embassy if you really are a prince.” Or the Funny Farm for her…

Oh, he’s a prince all right,” said Livingston. “You can count on that. As well as the fact that a lot of M—er, people are going to be upset if anything happens to him. And you.”

She pinched herself again—just to check.

Still awake.

The blare of a semi’s horn as it passed confirmed it.

She looked in the mirror. Yep, that most definitely was her. Behind the wheel of her old Sentra, barreling down a two-lane highway with Rod and a talking seagull as her passengers, toothpaste and a cup of coffee only a wish on the horizon.

© Judi Fennell, Sourcebooks Casablanca, 2009

***

So, my question for you all, how many books makes a good series? Do they start to run out of steam after a while? Do you lose interest in them? What keeps the series exciting and fresh, and keeps you wanting more?

Wild Blue Under Cover

WILD BLUE UNDER—book 2 in the Mer Series—in stores November 2009!

The underwater kingdom is his as soon as he claims his queen…

Rod Tritone has the looks and charm to snag any queen he wants for his Mer kingdom, but unfortunately, it's not up to him. As fate would have it, the one woman destined to rule with him is terrified of water…

She lives in land-locked Kansas and has no idea she's a princess…

Valerie Dumere thinks Rod is gorgeous and irresistible—but why does he keep insisting she has another side to herself that only he can show her?

Somehow, Rod has to prove to her who she really is. But when she finds out the truth, will she ever forgive him?

Buy: Wild Blue Under

JF_photo

About the Author

Judi Fennell is an award-winning author. Her romance novels have been finalists in Gather.com's First Chapters and First Chapters Romance contests, as well as the third American Title contest. She spends family vacations at the Jersey Shore, the setting for some of her paranormal romance series. She lives in suburban Philadelphia, PA.

Giveaway: 2 sets of Judi’s book so far are up for grabs. That means two lucky individuals can win a copy of each book: In Over Her Head and Wild Blue Under. Open to US and Canadian readers only. Enter by answering Judi's question about book series. One entry per relevant comment. Multiple entries allowed. Ends November 30, 2009.

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17 comments ↓
#1 Judi Fennell on 11.19.09 at 5:43 am

Good morning and thanks so much for having me!

And I just have to say that I LOVE the tag line to the blog: Because books don’t fall asleep afterwards.

Good thing I wasn’t drinking coffee! LOL

#2 Susan S. on 11.19.09 at 6:54 am

Hi Judi,

I’ve read ” In Over Head,” and absolutely loved it! I enjoyed reading all about Reel & Erica, and the ending was so cute. :) A HEA, just like in fairy tales.
I’m looking forward to reading “Wild Blue Under.”

In regards to series, I know people that get bored with them after the 6th. I’m not that way at all. If I like an author, and enjoy the series–I will buy/read the “entire” series. Sure, sometimes maybe book 28 wasn’t as enjoyable as 1-27, but to me series are like having puzzle pieces of a U.S. map. Would you really leave a gaping hole, and forget about Nevada?
Guess what that means? I need to make room on my bookshelf! How many would you like to write in this series exactly? (LOL) I like cameo appearances from characters in earlier books. It’s always fun to see new characters interacting with older ones.

#3 Susan S. on 11.19.09 at 6:56 am

Sorry Judi, that was a typo. I just changed the title of your 1st book. It’s “In Over Her Head,” as you well know.

#4 Sia McKye on 11.19.09 at 10:31 am

I like series and I agree, initially you do need to make your parameters broad enough to encompass the next stories and room to expand or explore another aspect of the world.

Some series can run out of steam. Some don’t because the characters within the story are loosely connected. Pull up a different character and you can take the story in various directions and keep it fresh. Some depends upon the author. If they can’t find anything fresh or fun left in their world it shows in their story.

TV shows are a good indicator of successful and not so successful *series* of stories with the same characters plus *guest* characters. It takes work to make the audience come back week after week. Some have their world so tightly set, it gets stale and then the writers resort to ploys to jump beyond the rules. Not always successfully.

Enjoyed your article, ma’am!

#5 Elaine Lowe on 11.19.09 at 11:03 am

I loved reading this post and I nodded the whole time. I know for the series I’ve worked on, both Lithian Lusts and Passion Magic, getting those World Rules right and staying consistent can be SO frustrating. Yet, you still have to have something new.

I’m definitely going to be looking for your books, they sound great!

#6 Judi Fennell on 11.19.09 at 11:33 am

Hi everyone!

Susan, I’m so glad you enjoyed the story. I really had a blast writing In Over Her Head. Wild Blue Under, as well. You’ll have to let me know what you think!

Thanks, Sia!

Elaine – I’m finding it easier as I write this new series that I KNEW was a series going into the first one… I find myself thinking ahead like, “will this work when Vana and Zane need to do XYZ in book 3???” And thanks for checking them out. There are excerpts and deleted scenes on my website on each book’s page.

#7 Wanda Hughes on 11.19.09 at 2:38 pm

Great books Judi! Can’t wait to read them all.

Happy Birthday Nan. You have a wonderful granddaughter with a ton of talent. It’s in her genes isn’t it? May your day be filled with love, laughter and most of all, joy.

#8 Joder on 11.19.09 at 3:18 pm

I adore series, but yes every series does seem to run out of steam for me. That doesn’t mean I give up on them. I stick with them to the end. It’s like a family, you get annoyed by them at times but you still want to know how they’re doing and be involved in their lives.

And for me, about 5 books works best for a series imho. With th the series I read that seems to be when a clunker occurs.

#9 Judi Fennell on 11.19.09 at 8:00 pm

Thanks for stopping by today, everyone!

#10 elaing8 on 11.19.09 at 8:16 pm

I love reading books that are part of a series. But I do think they can run longer than they should. I’d say 6-7 books is a good run for a series. You can only put your hero/heroine through so much.But I’m the type that has to finish what I start so even if the books are going stale I still have to finish it.
I look forward to reading Judi’s books.

#11 Rosie on 11.20.09 at 5:36 am

Hi Judi, We met at AAD, and wasn’t it a great weekend! A series is as good as it’s author, characters and world – think J.D. Robb! If the boundaries of a world can stretch, then the human emotions and conflicts that make up a good book can be applied to a range of characters and plots. So long as the books remains true and the characters develop then a series needn’t get stale *hugs*

#12 Deidre on 11.21.09 at 11:14 am

Seven is a pretty good series book count. I have lost interest in series that drag on with nothing really new happening. However, if it’s truly a favorite, I’m gonna stick with it and hope for the best.

Deidre
deidre_durance at hotmail dot com

#13 Wanda on 11.25.09 at 7:26 pm

I think 3 or 4 books in a series is plenty. Otherwise I start to lose interest.

#14 JOYE on 11.28.09 at 4:58 pm

I think series works well for a mystery book where the PI or investigator solves more than one crime. Bur in romances, only 4 books that are related work for me. Like brothers and sisters, or men who belong to a club, or about a famiiy. But I buy the series ony if they are all available. I don’t like to read one and then find I have to search for the rest in the series.

#15 Virginia C on 11.29.09 at 11:29 am

Three books make a great series and can still carry the steam through the end of the third book. Four or more books in a series, and they should be released fairly close together for continuity. The characters have to be very well-developed, with evolving secondary characters. The story lines must be executed as a complete story-within-a-story with a new plot twist for the cliffhanger. Thin, stretched-out story lines for the sake of book sales just doesn’t make the cut.

#16 Keira on 12.01.09 at 1:03 pm

Giveaway Update: 4 Winners of 3 Contests

#17 Judi Fennell on 12.03.09 at 7:43 am

Congrats Rosie and Deidre for winning!

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